Been working on my Art & Writings website, put up two pages: "Women in Spring, Summer, Autumn & Winter, 2008-2009," and, finally, a "Lifedrawings" page, and redid the Navigation Buttons. You can see the Navigation Buttons below every post, and they are active links to those pages at my website - and you can see which page with a mouse-rollover. I've changed a few of the images, with intention to change the last three whenever. I only put up this website last June but already it is filling up. I've been working on it for 12 hours straight today, finding images, re-sizing them, dealing with html, positioning, layout, etc. etc, and was up till 3am last night a-werking on-the-website.
☆sort of tired☆ of .( ․or perhaps high from°☆.․ ․:)♥staring at a pixelated screen♥:))))♪♫¸¸
Monday, December 14, 2009
Sunday, December 13, 2009
Pencil Sketch for Women in Autumn
From Women In Autumn |
73cm x 52cm, 28.75" x 20.5", pencil on 300lb Arches watercolor paper.
Women in Autumn - barest pencil sketch of the same figures I've used in Women in Spring, Summer, and Winter. The figures who are all one figure. One nameless woman that I spent 2 or 3 hours drawing in November 2006 at a drop-in lifedrawing session.
This was drawn maybe a month ago but I haven't posted it here since I thought I could take a better photo by placing the drawing against a window when the sun is streaming in. Only I forgot about it, and now, ah well. Here is the sketch for the final painting in the series, Women in the Seasons, which can be seen at my website (scroll down).
Women in Autumn - barest pencil sketch of the same figures I've used in Women in Spring, Summer, and Winter. The figures who are all one figure. One nameless woman that I spent 2 or 3 hours drawing in November 2006 at a drop-in lifedrawing session.
This was drawn maybe a month ago but I haven't posted it here since I thought I could take a better photo by placing the drawing against a window when the sun is streaming in. Only I forgot about it, and now, ah well. Here is the sketch for the final painting in the series, Women in the Seasons, which can be seen at my website (scroll down).
Friday, December 11, 2009
Shaman of the Feather - sketch
A sketch inked an hour ago while sitting on my bed (gingerly gripping the open ink bottle - oh those white sheets). I wanted the feather to be his spine because he is shaman of the feather. The dancing will is determination. When finished he likely won't look like this, though this is the backbone. Shaman of the Feather, 11"x15", 27.9x38.1cm, Strathmore cold press Watercolor. Click on image to view larger size.
shaman of the feather
healer of the soft touch
into the storm eye
opens
power of the dancing will
ghost rattle
shaman of the feather
healer of the soft touch
into the storm eye
opens
power of the dancing will
ghost rattle
Earthlight
A tiny ink and paint sketch, Earthlight, 11"x4.5", my Black Madonna, light of the earth. I'll probably use her as a bookmark in Carl Jung's huge, The Red Book. Drawn in the madness of Baghdad in those hours past midnight. Click on image to view larger version.
I don't know why I didn't colour in her hair, probably because I liked the contrast. But her skin - rich honied earthtones, golden and chocolate - yes.
My intention was to write of the new direction my artwork is taking and to add a little sketch for interest. But the sketch became a poem painting and with the colours of the letters festive (there were letters like coloured lights strung along the bottom which I had uploaded but changed my mind on seeing in the post). Perhaps the energy of poem painting is upon me, but if you'd like the mantle for a bit, I'd be honoured to pass it on.
As I release myself from having always to draw from life, I find I am able to compose drawings and paintings from my imagination.
This makes working in visual media easier. As a homebody, nay 'recluse,' enrolling in art classes is difficult (especially since unemployed at the moment, and even when employed the salary is small). I reuse my old drawings from lifedrawing sessions over and over. I think about what I would like to do but cannot afford models or to arrange scenes as I would like them.
I think my artwork has not progressed as it might if I hadn't had this problem.
Now the possibilities open.
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