Monday, November 19, 2018
Two recent drawings.
This one was done at a life drawing session. Graphite, watercolour paper. A pose of maybe an hour and a half or a so. Getting proportions takes the longest and I think one arm is not quite. Otherwise, ok. I had thought to darken the highlights and shadows from memory, but, as it's on watercolour paper, to leave it lightly done in case I get inspired to paint it.
This one is in my 'new' Daily Sketchbook, which is not really about drawing so much as doing something every day, or most days. I worked long enough on it for a quick sketch from a YouTube site but in the photo can see that one arm, oh ballpoint, you are so unforgiving and so un-erasable, and one hand especially could have been drawn with more care.
Is it only the artist who sees these things, or does everybody?
Thursday, November 01, 2018
direct link: https://youtu.be/c3EbMGXkqN0
"The Raging Muse": My interview with the delightful, smart and beautiful Ivy Reiss, editor-in-chief of Artis Mag Nineofive, on ThatChannel.com on October 19th. As you chat on air, you feel Ivy's interest, compassion and skill and find yourself opening up.
We begin with my book, Tidal Fury, and a performance of my poem, 'The Medusa' (with green fog). I talk about creativity and a muse who is as dangerous as lightning.
We then move onto my novella, Fugue in Green. I reveal things I have not revealed before. We explore questions on what constitutes memoir and autobiography and I stress the importance of having some experience of what you are writing about, 'core elements,’ that give the writing authenticity but which do not necessarily constitute life writing. I read a key scene from Fugue in Green. We finish with mention of writing aids, like NaNoWriMo.
Ivy guided the interview beautifully and I am happy with it. It was an honour to be on Ivy's The Artis television show.
For more information on these books, go to my website: https://brendaclews.com
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