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Showing posts from 2019

Lalitha on Veena - watercolour sketch

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The sketch was ok. The watercolour, to my eye, over-worked. And then, dang, I started experimenting with varnishes and shouldn't have. On location (an urban sketch), a dark crowded room. Best part: Lalitha, a master of veena, was magnificent.

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A Brilliant Gloss of Tidal Fury by John F Walter

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A Brilliant Gloss of Tidal Fury, notes by my dear friend, John Francis Walter

John wrote these notes in 2016 - the care and depth of his reading of my book of poetry was overwhelming (and I was probably a bit embarrassed by the attention my little poems got). He parses the book poem by poem!!! John is a true polymath -poet, playwright, writer, intellectual, teacher, actor, translator, friend to many, and more. It is with deep gratitude that I finally post these notes, which were to form the basis of a more traditional article. As a collection, they are more effective in their notational form - being closest to the immediacy of his reading.

(If you have a copy of Tidal Fury (also in the Toronto Public Library), keep it open as you read each of his insights.)

p.1 'Entrap'--deliberately contextualized via Roget's. Theme of entrap recurs throughout volume, most notably on p. 37--Masks, seduction by destroying rivals, and 62, Fear and Capture, which evinces the awareness of proj…

Ink Ocean, 2018 - best performance yet

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Direct Link: Ink Ocean

Ink Ocean is a poem that I still like to perform around town. Sometimes John Oughton can accompany me, and that is very special. This was videoed last Summer, in August 2018, at Glen Hornblast's Words and Music Jamboree at The Tranzac Club.

The camera focussed on the curtain at the back, due, I think, to the string of lights. So I had some slightly blurred footage and what more invitation do I need to begin playing? Pixel Film Studios had an Ocean Template generator which looked too inviting, so I got it and it works with the poem I feel. I can see this generator being great for Tidal Fury! Also added a cropped FCPX Glimmer generator. And a MotionVFX mTransition called Smoke. Oh, and a free video that I found on YouTube, a Black Smoke Green Screen effect. The sound is 'as is' from the camera mic.

I do love to play with effects - one of the benefits of having no video training! It's fun to create a palette - a sort of slow moving painting - around …

Begun a New Commissioned Portrait Painting

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Setting the scene, nowhere near finished. It takes about 25 hours to complete a portrait painting, from original sketches to final canvas. To get to this stage in the underpainting, about 10 hours. I'm sharing the process as I go. 18" x 22" x 1.5", oil on canvas.







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