Saturday, March 18, 2006

Rose Mandala, or the Whorls of Angels

An MP3 recording of this piece:
Rose Mandala, or the Whorls of Angels: Lo
Rose Mandala, or the Whorls of Angels: Hi

I am with you like an angel. Can you feel kisses, a caress of breeze perhaps, or a sudden warmth that lightens your spirit? I hold you enfolded in my wings when you weep, inconsolable, disappointed. Can you sense a blessing of radiance about you? My wings, woven of sun and moonlight on veins like leaves. Surely you see their shimmer breaking through what separates us. You are my prayer, my vigil.

But I am an earthy woman who laughs, storms, cries, rants, pesters, and loves.

And I am unable to settle, come into being in one place, crystallize. Can I play in the garden palaces of the heart? And retire in solitude when the day is done, to rest?

Even as I sweep across the sky of your consciousness, a roseate sunset, mandala whorl of sun, the choral clouds, like a hymn, a sacred song, something ebullient and therefore holy, I am racing away into the night and disappearing.

I offer you a guardian, a keeper of the flame of your heart, a high priestess who holds your innermost secrets, a temple to honour your prayers on love, but it's ephemeral, Akashic, in the place where everything is recorded, where what we are, our memories, our dreams, are held safe. Nothing you could hold onto, nothing at all.

I am here; but you cannot see me.

Wednesday, March 15, 2006

Fundamentalism

One set of beliefs though which you define yourself. Is this fundamentalism? That set of beliefs is also a formulae. A code in a sacred text; the ordinances of the ordinated; a belief in the reward of rightness. Happiness to be on the one path to salvation, whatever it may be. In every movement, surge of social beliefs, group with a purpose, religion, are fundamentalists. Those who place whatever doesn't agree with their creed into a category of evil to be opposed with all force, vehemently. Fundamentalism is the opposite of acceptance. Fundamentalism takes the complexity out of living. It replaces a sensitive tuner, an ethic of compassion, a cognizance of difference, shades of infinite grey, with certainty. Instead of the vast and perplexing mystery of living, one set of beliefs through which a person defines themselves and others. One path to walk. One goal to achieve. One perspective on those who follow the "illumined path" and those who don't. Fundamentalism is an escape from the responsibility of living. Of living in the impossibility of time, with uncertainty, in the flux of ideas, events, emotions, unpredictable happenings with a mass of people who are equally unknown. Fundamentalism is like the virus that invades to overtake the whole system and make it its own. In its success it kills the very spirit that gave it life.

Monday, March 13, 2006

Epigenetics

We always knew it was a mix of what you were born with and the life you lived: genetics and environment. In a world of perpetual change, of nature's endless recycling of everything, how could there be any absolutes? It turns out that even our DNA is not absolute. Our genes have switches that respond to our living in the world and in turn affect our lives, their unfolding. If we didn't have philosophical underpinnings, a knowing that we're born with certain predispositions but that our environment shapes much of what emerges, would our epigenetic scientists have known what to look for? This is exciting research; I was riveted: even when an environment has not been conducive, a smoker's lungs, toxic metals in the water system, and there is disease, it might still be possible to heal the person by fixing the genetic response to the maladaptation. To go in and 'fix the operating system.' Turning back on the gene switch that stops tumor growth, thereby preventing metastasis. Medical science appears more and more miraculous. One hopes the techniques are used wisely and not ever for a eugenic agenda...

Saturday, March 11, 2006

How did we meet...?

A meme, at Body Electric, which I couldn't resist:

If you read this, if your eyes are passing over this right now, (even if we don't speak often or don't really know each other) please post a comment and tell the story of a COMPLETELY MADE UP AND FICTIONAL memory connecting you and me . It can be anything you want - good or bad ("good" is better for me, however) - BUT IT HAS TO BE FICTION. When you're finished, post this little paragraph on your blog and be surprised (or mortified) about what people DON'T ACTUALLY remember about you!

I'd love to meet you all! Imagine stories for us...

Friday, March 10, 2006

Reflections on "Water," the film by Deepa Mehta

The palette in each frame, stark Modernist canvases, pillars, ground, simple, clean. The colour of the moon. Light as a wash over the world, the way water catches the light, the figures of hidden women, what moves across the landscapes of muted colour, women who dwell in colours of the Madonna's veils. Trapped in a caste system as rigid as the iron bars through which scenes are shot.

The women always framed in boxes, closed in, shuttered away.

The gigantic-limbed tree where the lovers meet like a blossoming, flow of the heart. She carries the light for him, visitation of a vision, where freedom may be, the candle she holds at her breast, the light of everything. She is a Religious painting of divinity, beautiful; Durga, Mary.

Ghandi who would free the enslaved of a rigid ideology. Riots and refusals in India for filming, for showing. Thirty one million widows today.

The widow is the virgin; beggar, or prostitute. Where acceptance, love is not possible. Who would not drown themselves? Who could not accept the warm caress of infinity in the waters when the ravaged heart beats like a wounded bird who's fallen out of its cage?

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Thursday, March 09, 2006

It went well...

Finally speaking after 22 years about why my birthday is so difficult and the grief it holds enabled me to acknowledge, accept and perhaps release it. It's been a significant birthday for me. On the inside, where I shape my perceptions. I'm sure it had something to do with you all. After posting with an unusual openess, a warmth began radiating and it spread and spread even to illumining the evening with its kindness and gentle happiness.

Two dear friends took me for dinner at a superb Vietnamese restaurant, Ginger, on Yonge Street. They are both 'chanting buddies' from yoga. Jean and I did teacher training in 1995, and Moira was one of the first people to attend my classes and when I taught in my home she came for years. She belongs to a choir and has a wonderful voice and carried our chants. These two women came regularly to my house for about 5 years once a week for a two and a half hour "Long Chant," the one that has a seed syllable, or bij mantra, for each chakra, and we used to go, round after round, hour after hour, cleansing our memories, minds, hearts, emotions of whatever we were carrying. Afterward we ate chocolate poppyseed cake, a chai or yogi tea that had simmered throughout the chant, and laughed and laughed. I eventually moseyed into a moving meditation dance practice, Sweat Your Prayers, and left the rigorous yoga practice (except for my daily private meditation) but they kept on chanting. Jean, who is 62 and glows, does that woman glow, now hosts a Prayers for the Earth in her home once a month, and they do Long Chant, and an Adi Shakti, or Divine Mother chant, each once a month at the Ashram on Palmerston. I am going to try to make it to the Adi Shakti chant this Friday. They are such beautiful friends, how can I not go? The flowers, their bright ebullience, are a gift from Moira. The evening was a reunion and I don't think I've laughed so hard for over so many hours in a long time!

We hadn't seen each other since before I went to Vancouver, almost three years. I'm glad I'm back because having friends like these is worth everything.

On the way home my cell phone rang. It was my son wishing me a happy birthday, and he had a surprise too. He'd be coming to Toronto to see me, to stay for one night. I was fairly dancing down the streetlight lit streets I can tell you!

He arrived the next day, yesterday, we had a wonderful visit, and he took us to a movie I wanted to see, Water, and then to Future Bakery for cake and wine for me, and milk for him and his sister; he said with a glint, he'll be able to have a beer instead in a few weeks when he turns 19.

The warmth of friends and family, their generosity, what could make me feel more special?

It's been simple, but beautiful.

Tuesday, March 07, 2006

It's my birthday...

Today is my birthday. It's hard for me to celebrate my birthday, and it's something I have tried to do since my marriage ended, not altogether successfully. There's something raw about this day for me. My ex said I was just plain weird around my birthday. I think it's because I miss my father, and my birthday, with gifts, a gathering of family, dinner out, was the day he celebrated his daughter. I felt honoured in ways that he could never know growing up because other things were going on at home while he was on all those business trips. There have been many years when my mother didn't give me a present at all, but hey, I've done that back too. She didn't want a child, neither did he, their marriage in crisis and about to end, but then me. She wished me out of existence many, many times, he fell in love with his little daughter, and treated me like an exquisite human being, and always did, the whole time he was alive. My brothers and I have never really recovered from losing him.

Anyway, it's my birthday, I'm supposed to celebrate this day that I was born 54 years ago, and I find I think of the wonderful celebrations my Dad had for me on this day, and I feel blessed and sad. My brother and his beautiful children dropped by on the weekend. My mother sent an email from South Africa where she's wintering. I've received a couple of emails from friends. Tonight two dear friends who I know through yoga, one of whom I did teacher training with, the other who came to my class for years, both of whom I've chanted with, are taking me out for dinner. I haven't seen them in about 3 years, so that'll be wonderful. I don't know if my daughter wants to do anything, we'll see.

I wish I could just forget about my birthday, really. Grieving never ends, it's cyclical, and my birthday triggers memories of a time that's long past. My father died 22 years ago.

So, Dad, thanks for all those birthdays, for honouring me, my life, and I am trying hard to bring that within so that I can celebrate myself in all the ways you would have wished.



Photos: The top one was me at 3 months; the middle one is me at 20 in front of the maternity wing of the hospital where I was born in Sinoia, Zimbabwe; the last one is my Dad and I in 1980.

Saturday, March 04, 2006

Walking the dog on a Winter's night...

Hills of ice outside the indoor rink. I climb them, looking for your photograph. In the barkskin patterns of ice, soiled layers of sand, the rock-frozen display, I place my felt-thick feet, heavy-booted. The light from the ice centre's lamps thows a tungsten glow on the frozen rivulets and packed densities.

My dog runs over the mounds, compacted ice crystals, our breath steaming. I dig my head deeper into my upturned collar, the wind sub-zero, seeing you on the underside of the dark sky.

I am wearing deerskin gloves and merino wool tights and snowpants and a tight jacket pulled up high. Two layers of fleece insulate me underneath.

The frigid air catches my nostrils as I walk, white plume of breath, my thoughts composing the rigid ice hills where your image lies, fragile, fractals of millions of snowflakes, in crystalline rock.

Winnowing

We find ourselves in alleys,
the underpasses of our lives,
the places we cross through.

Where the cities don't reach.
Where the highrises and cultural centres
and shopping concourses aren't.
The backsides of houses,
in the litter that collects in the tunnels.
Scraps of memories, fragments of thoughts.

I thought I found you on Cherry Beach
in sand like a dune twisted with flecks,
the edge of the water littered with overflow,
scraps, what's thrown overboard,
what washes up on the shore from
other shores winnowed by the waves.

Did I romanticize you?

I don't think so.
I saw your depths,
the broken double helixes,
the places where you re-thread
your thoughts again and again.

Where we replay
what was, what never was.
I want to blank out the obsessional
complusive areas of my brain. To be
free.

We are incomprehensible to ourselves.

Beneath the flow of this constructed city,
soil, silt, rock, caverns of water,
the earth turning on its axis of magma,
the flow of a volatile consciousness.

Beneath the clutter, the mélange
the edges of our lives,
tumbling,
beneath.

Friday, March 03, 2006

Gloss

"What is sexual pleasure for?"
"To preserve the world's gloss."

When we make love, we "help
the world refresh its gloss."

But the "world is like the impression
left by the telling of a story."
...................Yogavasistha, 2.3.11

Perhaps it is a story of love.
.........Or war.
...............Or survival.
Or of us, who came into the world through
.........................its gloss.

___________
The first 4 lines found in Ka, pp.71-2.

Fragments...

Today, only this:

'To love.' The infinitive of an active transitive verb with an open-ended objet de l'amour...

Thursday, March 02, 2006

Towards Spring...

I drag myself, weary and sun-deprived, towards Spring...

I wrote this at MB's site a moment ago, and wonder if it'll be one of those images that opens a whole cast of images; I miss the ease of writing prose poetry pieces, and am waiting for words that shape themselves to the metaphoric consciousness to return....

Those of you with feeds know that I'm an incessant editor; you shalln't then mind if I update this until a prose poetry piece has formed out of the initial image? (which is a bit melodramatic, I'll agree :)

Wednesday, March 01, 2006

Some good news...

My very good news is that my daughter made the honour role. It's official- the report card came. This may not seem a big deal, but it is. The last grade she actually completed was Grade 7. In Vancouver she dropped out of 3 schools, a traditional one, a tiny alternative school, and distance ed. It was a most difficult time, and I ended up homeschooling (I made her read books in my library and do internet research on them: we didn't get far, but she did start exploring the rise of the novel through women novelists, Shelley, Austen, Bronte, and read Sophie's World on the history of philosophy, and a fair bit of art history, etc.). Here in Toronto I managed to get her back into her grade level, Grade 10, and, while it was touch and go more than a few times, and I was very worried, her diligence with homework, completing all assignments and essays, and getting to school has paid off. Congratulations, honey! Now onto the 2nd semester...

What specifically is love?

I wrote: I must ask you to be more detailed about love, more specific. What is love? Exactly? Well, that's impossible, but the sense of love, feeling love has so many different forms and tones, I wonder if we can find metaphors to express what this quality of love is that we value so highly?

MB and Ken have begun to respond, though I hope to hear more!

As the day goes on, I will add more to this post. For now, I would say love is:

That sacred place of the heart where you care for another's happiness and well being with a sense of permanence. Love is the deep caring, no matter what the outcome, because there is a serious intent beneath the surfaces that is trustworthy, reliable, strong, withstanding. Love is letting someone love you. It is easy with our children, this deep committment to love through all the joys and all the trials. I would put the strength of the mother-child bond at the heart of what I understand about love, because it is resilient, never-ending, deep, caring, strong, rather than the model of romantic love; in other words, the deepest love for me is familial, and romantic love is most pure and strong when it approaches the lifelong trust and comfort of the familial.

12:03pm. Ah, now, no, that doesn't work either. See Adriana Bliss's post on the mother as couch.

Not to throw out lovemaking with the baby and the bathwater! Romantic love, with its roots in courtly love, the adoration of the beloved from afar, is based all too often on illusions. What I mean, I think, is if romantic love could have the depth and continuity of familial love then it would be invincible. When I see this with couples who are as in love with each other 20 or 30 years on, that's what I think the miracle is. There's no separation of the muse from your partner. Romantic and familial love converge and nourish each other in spectacular ways.

Monday, February 27, 2006

The madwoman in the attic looking for inspiration...

Where oh where has inspiration gone? Blogging was easy the first year, lately it's been like, umm, like not being able to find your pantyhose in the morning when you have to get to work in an office you've never been in before; realizing there isn't enough coffee cream for the 2 thermos mugs you need every morning, and milk is so weak; being driven crazy by the Wal-mart clock on the wall that ticks worse than Cap'n Hook's crook because time is passing and nothing is emerging; seeing all the bright diamond glistenings in the snow when you take your dog out for a romp and knowing it's all been blogged and so have whatever photos you can think of taking; a dull kind of February silence filling the well that's frozen...

What am I thinking about? Men, confusing beautiful creatures that they are, but that's a constant, so never mind.

I wonder about evolutionary theory and the development of ethics. This topic's come at me from 3 different sources in the past few days. Something about how do you explain the development of ethic in 'natural selection.' Probably it's similar to wondering how 'mind' emerges from 'brain,' though I don't know. It's fascinating and perhaps I'll be able to work it into a prose poetry piece soon.

I wonder about the ballyhoo at the Museum of New Painting with a face-off on Saturday between the curator of the Art Gallery of Ontario, a couple of well known professors, and international artists over the "new new art." Or what I imagine is a faceoff between new media artists and old media artists, but we'll see...

I wonder about my birthday next week and why I'm here and what life means and what the future will bring, you know the score.

But mostly I wonder where inspiration is.

Sunday, February 26, 2006

A late Winter's path...

A quiet weekend. My daughter at her father's, the exhaustion of single parenting sets in. Yesterday I napped on and off all day, and was too tired to go dancing at 10pm, even though I was showered and dressed and ready to go, so I spent an hour meditating with 'loving-kindness' instead and fell asleep. It's February, classically my most difficult month. Seasonal Affective Disorder. I've tried staring into full spectrum light bulbs in other years for an hour or two a day, clipping it to my computer monitor, making sure to let the light into the retina, with perhaps a minor sense of a lift the next day but nothing substantial. I slump. It has turned cold, wind chill of -17C, with a northerly wind, and I know I'm not going to make it to the lifedrawing session I thought I might attend tonight. What I will do is take my dog out to Christie Pits where she can run up and down large enough hills and buy just enough food for tomorrow at a local Italian grocery store and return home. Probably I shall do my monthly two and a half hour meditation this evening, the one I always do when my daughter goes to her Dad's on the one weekend a month he allows. It's a cleansing, a rest, a time to recoop, a time to prepare for whatever's coming. I can no more avoid the '1/10th of the day' meditation than I can the feeling of exhaustion after she leaves. Her return is always celebratory, usually she returns late, when, after a weekend of rest and extended meditation, I am renewed. While I had some lovely conversations with friends by phone, all plans for activity this weekend went by the wayside: sometimes rest is best...

Favoured quotes

Not usually liking quotes out of context, prefering either the original author's or the poster's comments for embedding the jewel in, I, too, have my favourites. These speak to me about art, ways of being, meaning...


"I stopped and let myself lean a moment against the blue shoulder of the air. The work of my art is the work of the world's heart. There is no other art."

Alison Luterman


"You are not here to love the world; you are here to be love in the world."

Grace Johnson

Saturday, February 25, 2006

A woman who is always there, somewhere.


Update:edit. Thank you, Richard,and MB, for your invaluable feedback. I've made some small changes, & will let it rest a bit and come back to it in a few weeks. The drawing I did in the mid-90s at my long gone cottage on Georgina Island. She's not the woman in this small word sketch, but somehow a similar energy...

In his "wish stream" a woman like her doesn't exit. She is beyond the years of possibility. She is slipped into, and relaxed in, like a well-worn dressing gown, a comfortable old couch, a favourite cafe in which to ponder one's thoughts. She is the warmth of a female oasis where struggle isn't necessary. She is the mother's arms, the place of acceptance, the restful time of sunset. She is the quietening. She is not just over the hill, but down in the valley on the other side, laughing and dancing her opulences. There is no need to impress her, or even to pursue her. She is a feature of the unchanging land. The aging woman with unbounded compassion towards herself and him. She is a prophecy of what he can become. Now she lies like sheer vintage lace over his vision. A bit obscuring, a reaction to the fickleness of his youthful women, an attempt at having a fixture of permanence to rebound back to. But it isn't what he wants, what he dreams of, what quickens his body, opens his heart. The 'wish stream' of images, visions, idealizations of love that he yearns for in his dreamy harem of beautiful women only includes a house mother who services others. Her yellowing teeth, her aging skin and its wrinkles not for the ardour of sweet romance. He found his way into her realm to heal a tired and wounded heart, the slings and outrageous arrows of lost love, and now he must make his way out and away from her, glistening again like a new-born baby.

Thursday, February 23, 2006

Between One & the Other

There is a moment where you're not paying attention when you melt into. Before that, self conscious effort. If the ego is how we see ourselves, we forget who we are. In the forgetting we open. Looking back, we can't say when or how it happened. Only one moment we were skin sliding on skin and in the next culminating towards orgasm; we were moving our bodies with awkward rhythm and then we were dancing without care, liquid motion, instruments of the music; we were struggling with disassembled words that wanted to flow with great pasison but couldn't and the next we were writing our opus. It's the moment of melting, where we've disappeared from ourselves, that I'm intrigued with.

Tuesday, February 21, 2006

Hydra-head of Essentialism in Neuroscience

Image Hosted by ImageShack.usEssentialism: women’s essence is maternal; to be fulfilled, a woman must be a mother and spend her life mothering. Which not only is ludicrous but dangerous to the life, liberty and freedom of all women to live their lives fully in any way they choose and to develop their talents, intelligence, capacities in any and every area of human endeavour, not just the one of raising children.

This is not to deny the importance of having and raising children! Nothing could be more important for us as a species. But that one half of the human race should be limited to this role is essentialistic. As if it is her unchanging, eternal role…

That thought system has not only been challenged but overthrown in the Western world, surely. After half a century of feminism aren't we are well past it? Does it keep cropping up in various forms because to have clearly defined roles for people makes the workings of a society easier?

The latest incarnation is in the field of neuroscience. Did you know that “from pregnancy on, female mammals are brighter, bolder and better able to cope with life than their childless counterparts”? That “[t]hese brain improvements are permanent, lasting from childbearing years into senescence”? Basically it all seems to boil down to some hormones that increase the ability to bond and the capacity to love: cortisol (which is usually associated with depression but which appears in elevated levels during the first week post-partum and appears to be involved in initial mother-child bonding), the endorphins, oxytocin and vasopressin, or “love hormones.” And increased neuronal pathways in the hippocampus, the hypothalamus (a region claimed to "strongly" affect "maternal behaviour"), the amygdala (which is claimed to regulate "maternal love"). Much of the evidence for the necessity of maternalizing the woman because it makes her smarter is based on the fact that women can distinguish their own baby’s cry out of a multitude, or their own baby’s smell in blind smell tests. Oh, and mommy rats could do mazes faster than non-mommy rats. It’s all a dubious application of fascinating scientific research and leaves me palpitating with worry. Maternal neurotransmitters just sounds like jargon for yet another hydra-head of essentialism.

The deeper message of this research, it seems to me, is that falling in love itself increases intelligence, curiosity, daring, and the beautiful nurturing behaviour that follows naturally surely sends those “love hormones” skyrocketing.

If you can lay down the inherent essentialism of the article, the research is utterly fascinating.
______________________
Article in question, and from which I quoted: Giving Birth to Supermom, by William Illsay Atkinson.


Sunday, February 19, 2006

Dancing Chameleon

Image Hosted by ImageShack.usSince, of late, I've changed my profile pic rather too frequently, I set out to create one today. I'm trying to post something I can live with. This one's okay, the hall corner we (my daughter's behind the camera) took it in drab so I dabbled a bit with the background, whitened out the window with the tea towel hanging as a curtain. We liked the silhouette; the lines of the body; the painterly background. Perhaps I can leave this photo as a profile for awhile... going to try. I'm not just in an 'identity crisis,' shifting semblances of the self, but a 'life crisis.' Oh, sigh. Who are we anyway?

My favourite creature as a child in Zambia, where I lived in the jungle, were chameleons which I played with for hours. It's hard to stay the same, and yet we never change...

Friday, February 17, 2006

Pearl in an Iced Web of Light


Tonight, the landscape iced, the streets, parks, roofs of the houses, encased. The branches of the trees I passed were glossy and fragile. I went out to photograph in the alley behind the house where I live, and came home with a pearl in an iced web of light.
................

Update: I left this image looking like a stage set, the 'pearl' so flagrantly hung, as a postmodern homage to "Pearl," a 14th century poem by the 'Pearl-poet,' thought to be the same author who wrote, "Sir Gawain and the Green Knight." My hommage doesn't have reference to a Pre-Raphaelite or New Age female muse, doesn't refer to the courtly love tradition, nor even to the Christian sensuality of "Pearl," with its open adoration and jewelled luxuries, which must have been a relief after the austerities of the Byzantine era. But the "pearl" is imaged, held in a web of light: it's been found, is still shining all these centuries later...

Since I can't offer a url with a translation of the poem itself, but only guide you to a site where it may be found, for anyone interested in long read, I have pasted the entire poem into a comment below.

Thursday, February 16, 2006

Dance of the Dual

This is about a third in to The Move.
.....................


Entering an enclosure of great transparency and light where things name themselves.*

Fulfillment of our desires is not fullness in itself, but a counterpoint between lack and abundance. To know one is to know the other. They are twin forces, balancing each other through all the cycles.

The creative force is the force of entrophy. An oscillating dance, each necessary to life and death.

Life cannot exist without death; so death cannot exist without life.

In counterpoint we know each other.

Dualism enables us to straddle the middle, the golden means, the pivot of the centre. Even in uncertainty.

On the threshold of being, non being.

The dialectic of our soul.

________
*This line, I'm sure, is from Michael Hamburger's introduction to Poems of Paul Celan, which I would've written onto one of the copies of this mms. but which didn't get onto the computer, and which means a trip to the library...

Wednesday, February 15, 2006

A working printer, so editing...

After She added salt..., which was problematic obviously, this, which comes before On the edge of, which wasn't, and which I posted way last year. I have a working printer finally, am editing, but not in any order; since it's all I'm really writing these days, I'm posting little bits...


This is a piece on, hmnn, security, but it's poetic, so what I consider "the glue," connective images running through the whole book; She added salt... and On the edge of I think of "as bones."

.......................

Is feeling safe in your domain security? Protecting your assets, information, property, who you are? She is without domain. Skinless, visceral wandering. Every abode temporary, a borrowed shell.

Without firewall, dam, divider, enclosure, screen, buffer, barricade. Nowhere to hide. The parchments of her words peeled back, shorn of the sheaths of a fragmented grammatology.

Exfoliate. She is peeled, pared, scraped, sloughed. Shorn of her home, its belongings, the collection of a lifetime.

To bruise, cut or injure the skin of.

The petals of the rose, like dried fragments of blood she carries with her.

Living life in uncertainty; in reality, not philosophically. On edges, where nothingness is, a fall into the irredeemable. Shouldn't the irredeemable be a footnote, the never-realized fear, the 'what happens to other people,' never oneself?

Bleeding, a release of. Sloughing. Shedding the impotency of harm.

A woman without armour, a shell, accoutrements, can disappear quickly.

The weight of things so very important.

The last post, on Core Values

I am surprised that my last post garnered not one comment. My site meter showed a healthy number of readers. I wonder what the problem was? And I wonder if I should consider it for the upcoming conference on the ethics of care; I worry, as ever. Writing always has to be poised, somewhere where it doesn't slip over the edge nor is too cliched, conventional.

Of the last piece, I could say, 'You can take the woman out of the Third World, but you can't take the Third World out of the woman."

Although it takes place in this culture, perhaps it's too alien to this culture? Too Africa or India or South American or ...

In that piece I aligned with probably 70% of the mothers of the world. Who do live in poverty, who do hold their families together in often impoverished conditions, who have a strength beyond reckoning if you really think about it.

I'd still like some comments, a discussion of any sort, encouragement, criticism, attack, it doesn't matter. Silence is the hardest of all. What does the silence mean?

Really bad writing? Way too whatever? Someone tell me!

Monday, February 13, 2006

She added salt...

This is a later section from my story, The Move, and any criticism or feedback is appreciated. I want to submit it to a conference on Carework and Caregiving: Theory and Practice (deadline March 1st), but find it onerous, or perhaps I am fatigued with it. Some other responses, or readings of it, would help enormously. And give me a way to introduce it...
..............

She added salt to a bag of trail mix in the bulk foods store before sitting down with a coffee at a table to write. The colours of the street had became fainter and her step less sure on the wavering sidewalk, and she had sat on a bench until everything recombined. The doctor recommended eating something salty and drinking if this happened.

In the past few days she had eaten little and her stomach hurt from the lunch of minestrone soup and a pumpernickel bagel that her friend had served; this small bag of nuts, seeds and raisons seemed excessive. But she continued nibbling. She had lost too much blood over the past week.

Surely it was only perimenopausal bleeding. In the heat wave, on the weakest day, she'd gone out to find a drop-in clinic, walking slowly along the main street, resting frequently. Those she asked looked at her strangely. That day she did not have bus fare to go across town and knew she couldn't walk the distance. With such impossibilities thrown at her, she decided to forget medical help until she had moved and was settled. The woman she was staying with had become crazy with frequent and protracted hysterics over imagined infractions. Every few days, or oftener, she exploded with paranoia and accusations. Only when the woman smoked up was there peace in the house.

She sat at a table in the small cafe and considered her options. The situation where she was living was not good. It had been a mistake, but she wasn't trapped, soon she would find another home. In the interim she tried to stay balanced in her heart, stable in the inner alter of her mind. She was flying a migratory route, on the way from somewhere to somewhere, the general direction known, but not the details of the landing. She bled along the way. That's how it was.

She had lost over a litre of blood in three days; she had counted how many times a day her diva cup needed emptying, calculating the amount. She was anaemic. She didn't care if it might be cancer, endometriosis, fibroids, or a thyroid problem. She hadn't a place to call home, hadn't transferred her health coverage when she'd moved, and who would look after her child and cat if she had to go for tests? It was better to leave medical procedures alone. She took iron pills from the small supply she had, ate when she could, and in meditation focussed on healing the tearing in her tumultuous womb.

"You look pale and tired," Cheryl said when she arrived earlier in the afternoon for a visit. "I'm probably perimenopausal. A very heavy cycle, flooding. But then I'm a bleeder- bled a lot after my first birth. Coming to the end..." she smiled wanly. The two women nodded: the female body, with its life-giving powers, was also a body that bled monthly, and went into hyper-drive when the fertile years were drawing to a close. "Only I didn't expect it to be so physically taxing! It's like the early post-partum bleeding, just after giving birth. A final dramatic flourish before it stops for good." Cheryl smiled, "There are herbs that might help, and homeopathic remedies." "Yams are good," she concurred, "I don't have hot flashes, at least. That must be so hard."

She entered the cool house. Cheryl brought out two glasses of carrot and papaya juice and they sat on the couch catching up with the events of years when she was away, their children's schooling, problems with their ex's, the jobs both of them had had and the employment they were looking for, and their spirituality, meditation, yoga and how they were handling life. They were comfortable together, both knowing the struggles of single mothers. They both believed in the miraculous, too. Often, on the edge of unutterable loss, a threat of deprivation, where she was now, a reprieve occurred that made them both trusting of the beneficence of life. If you were open to survival, to maintaining a stable course, and stayed loving in your heart, generous in ways that count, things worked out. The tornados narrowly missed you; the hurricanes didn't destroy your plot; there were no major break-ins or fires or other calamities. If your inner emotional terrain was stable, so was your outer one. You could fast undo your fragile world by giving into despair or anger. Blaming would destroy the network of support around you, cause a collapse as you were abandoned.

Despite their employment worries, her heavy bleeding and its accompanying weakness, the way key people in their lives treated them, they agreed it was crucial to remain loving, optimistic stable emotional forces in the network of relationships they lived in. They were strong women. They could smile everyday even though they lived below the poverty line. Women like them didn't crumble easily. Despair was a luxury they couldn't afford.

For a moment, during their conversation, feeling the desperations they spoke of, the difficulties, she felt connected to millions of women over the globe who struggle with poverty, grief, racism, violence, but who keep going. Women who are the emotional centres for their families, who are anchors, who place food on the table miraculously out of almost nothing, who dress their children, their spouses, themselves somehow, who clean and maintain their homes, who work for menial wages, where they are essentially labourers, who never allow themselves to succumb to madness, or drugs, or a furious destruction of the world around them, who keep loving their families in profound ways. They grieve, yes, there is sadness, but they have hearts of compassion. It was here that she felt a bond with the strength of women throughout the ages. She knew she was alive, living in her generation, carrying the flame of continuous love through the marathon that history is, only because her foremothers had also carried it and passed it on. If mothering is a stable, conservative force, if that's what happens to women as they take on the responsibility and role of motherhood, then she was grateful for it. This was where there was meaning, the staying-with-it through everything, the power to endure, to continue.

She rose, feeling the light flooding in the window of the store like an illumination, and stepped into the steaming heat, inhaling the humidity, letting it loosen her, as she made her way to pick up groceries before walking across the park to where she temporarily lived, celebrating the loving core, its continuance.

Sunday, February 12, 2006

The Move, Section #59 (An aesthetic of intimacy)

When you are making love to the light rippling in the window, the alter of streaming candles and precious leaves on the silk mat, the colour and movement and sensuality of the dancers around you.

When you are making love to the man or woman of your heart, dreaming your God or Goddess.

When you no longer care how you appear, when you've forgotten yourself, when you hold nothing back, unrestrained, and give everything, your entire passion -pain, suffering, anger, compassion, joy, love- to us.

This has become my theory of art.

An aesthetic of intimacy.

Saturday, February 11, 2006

The Move, Section #80 (on miracles)

When I post a section I have to work on it, which is good, and so is feedback. Much of "The Move," an autobiographical novella, is about synchronicity. Creating new patterns and connections. Unfolding previously unknown paradigms into new realities, to be superceded by yet newer paradigms in the process of a life...

Section #80

She continued probing how what she needed, an apartment, furniture, kitchenware, appeared seemingly miraculously. She was like a magnet. Attributing it to divine intervention was just a form of metaphor to explain it; angelic beings weren't carrying items to her. Anymore than the way any church, synagogue or mosque attempted to co-opt the process of miracle to justify their version of godhead. No-one can claim ownership of this process. What religions attribute miracle to, the stories they create to explain what is unexplainable, because it can't be willfully recreated, are just metaphors for the process, a way to explain the way to.

She had her own metaphors, ones not relying on a moralistic theology. She likened eruptions of the miraculous to an alchemical process. That the deeper work was at the atomic level. Where the vibrating energy flies to form molecules which form things. Before gravity binds them. Once they are bound, they remain that way until the forces of chaos and entrophy break them down. After the molecules fly and before gravity fully solidifies was when it was possible to shift the making of the world into new forms, models, paradigms. Where it was possible to wish a future into being and have it happen.

Where miracles happened.

Self-Portrait with a Fascinator 2016

On Monday, I walked, buying frames from two stores in different parts of the city, then went to the Art Bar Poetry Series in the evening, ab...