Hidden mirrors behind the eyes. Like being looked at through shutters that are bright slats of sun.
You can't see anything but you know you're being watched.
Or tracked. Might be the eye of a camera, who knows. I passed a group in the patio of Mel's and all four heads turned and their eyes followed me and then I noticed the camcorder.
On my way to the supermarket to buy a large bottle of spring water with the old bundle buggy broken from dropping the 18 litre bottles into it and which is kept only for that purpose. I filmed them too. They are burned on my optic nerves and in my memory banks. They were as old or older than I, but had the look of the effect of drugs and alcohol, too much of both for too long. If I'd seen the camera earlier when I was closest to them I'd have asked them to turn it off.
I was thinking of someone who is a compulsive liar. The pose, the facade, an insistence that what is presented is the truth. Seamless illusions. Blatant proof otherwise is rendered insignificant with a shrug. And the way of being watched through the slats that reflect the twisting that is presented as truth. Why do I posit myself in a role of moral conscience? Who cares if the neuronal synapses have been forced to present a false version of a person's life and to maintain those appearances and whether in the final dementia there won't be a terror of not knowing what the truth and the fiction is anymore.
The slats are collages of life. Displaced images. Intertexual figments.
Truth is a fiction; fiction is always truth. The conclusion doesn't follow from the premises presented.
Or the eyeglasses that are mirrored slats for us to look though.
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This is both richly satisfying and sadly disturbing.
ReplyDeleteWhen I picture the scene of the filming/watching, it has that overexposed, grainy look, where, in spite of broad daylight, a sense of darkness looms.
Good words.
a.decker, thank you for the response. It's a true story, and who knows what they were doing?
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