I'll fiddle with it for a few hours, then go to the library to pick up some books that have come in, and perhaps buy another canvas. Usually I trace the drawing, just in case I'm not happy with the painting, and I didn't this time because the large roll of parchment paper is in the back of the closet under the stairs, behind the small kitchen cupboard with the hot plate on it, and behind the iMac box, and it's a determined effort to get anything out of there. The canvas board seems to work, it's fairly dry this morning, and no buckling, but if I try again that means re-drawing the image, oh groan.
The colours are darker than they are in real life. I had hoped the way Flikr and Blogger lighten everything would compensate for it; but, no, and I didn't see this until it was uploaded. Flikr's free accounts have a 20MG limit each month, and I'm already at 28% of that. There'll be more posts of this painting later too.
When I look at it, I see wailing almost - that there's some storm or tempest. Or is that just my tired eyes? I was up till 3am and then woken at 9am by the thunderous noise of young children running and shouting just above my head. It's a good thing I love children, eh!
I just see exuberant dancing and joy de vivre. No 'wailing'...
ReplyDelete(Thanks for the comments earlier on my self p's...)
Whew, Joan! My tired state of crisis and transition could account for my perception. Oh, ho. Thank you, your comment has helped enormously.
ReplyDeletewonderful brushwork
ReplyDeleteas usual, Brenda
Ah, Suzanne, coming from another artist, thanks! Only almost no brushwork - paint squished out of the tubes, spread with fingers. I never grew out of the finger painting stage... :) *hugs
ReplyDeleteI think that's
ReplyDeletebest
from a different medium
but the same philosophy
James Beard said
the hands
were the best
most essential kitchen tool
I'm about to
dip my own fingers back into
paints very soon