Beginning to think that plain pencil works best for these short sketches of poets that I find myself doing - I now take art supplies since even though I think I'd like to sit and enjoy the readings with a glass of wine, I always end up grabbing a pencil or pen because something interesting happens, a costumed reader, or the challenge of drawing a performing poet like Brandon Pitts... This is the 3rd time I've tried to draw him... and I wasn't going to. I only had my writing Moleskine notebook with me, determined to either write or simply listen. Ha! Let's start with that shape of head and shoulder (which I didn't get - after I'd finished his face and came back to the particular slope of suited shoulder, he'd finished and had sat down). He has a very distinctive face, especially his dark eyes, and yet his features are, well, he is good looking, nothing too accentuated that would make it easier to offer enough of a 'recognizable' visual notation for someone to say, 'Yeah, that's Brandon.' I never take reference photos, btw. Never. What you see is what you get, and if I tinker later, it's from memory. Anyhow... sharing Sunday night's sketch. Brandon Pitts at Lizzie Violet's Cabaret Noir at Q Space in Toronto on 14 Apr 2013. 6" x 7", graphite, Moleskine notebook.
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Tuesday, April 16, 2013
Sunday, April 14, 2013
Poets Series: Two Musicians at Portobello
Two Musicians at Linda Stitt's poetry and music afternoon at Portobello Restaurant in Toronto on April 13, 2013. 8.5" x 11", graphite and conte on 130% archival art paper.
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Friday, April 12, 2013
An Ice-Storm in April
Pellets of snow ice fall on the roof tiles sticking to them in gullies, bands, slats. The tiles, buckled, laying over each other for the run-off. Wet, rough, sandpapery.
There are no legions of souls. Only empty air.
The rough peck of ice falling from the sky.
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There are no legions of souls. Only empty air.
The rough peck of ice falling from the sky.
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Tuesday, April 09, 2013
Poets Series: Rishma Dunlop @ The Art Bar
Rishma Dunlop, a poetry reading sketch at the Art Bar at Q Space on April 2, 2013. 4" x 6", Aquarelle graphite on 130lb archival art paper. This drawing was done with a water-soluble 6B pencil, and so can be wetted and then it will change, and may lose the likeness here, so I thought to post the original sketch before seeing what a wet paintbrush produces.
(Unfortunately, once again, I forgot my 'distance/close-up' glasses, and so she was fuzzy in the distance and likely the likeness is too. Lol.)
Rishma was on my thesis committee for a thesis I didn't finish at York U about a decade ago. She's a fabulous poet, essayist, literary editor and teacher. I bought her book, 'Lover Through Departure,' and look forward to reading the poems. It was wonderful to see her again.
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Wednesday, April 03, 2013
Poets Series: Joani Paige @ HOWL
Joani Paige at Nik Beat's HOWL at Q Space on March 24, 2013. A little sketch that I turned into an ink painting. 8.5" x 11", graphite, India and acrylic permanent inks on 130lb archival art paper.
(Was trying to recall how I did my ink paintings last year...). Original pencil sketch here, and a video of Joani singing that I did in 2011.
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Monday, April 01, 2013
Poets Series: Gabrielle at HOWL
Charcoal sketch of Gabrielle B. [it is nigh impossible to find images of her on the NET, and she's a published author, and so I think that is a deliberate choice, and therefore naming her is not, I suspect, apropos] at Nik Beat's HOWL at Q Space on March 24th, 2013. To the left, the untouched original sketch done there, and, to the right, finished in various colours of conte. I had to rely entirely on memory for the colour, which perhaps I oughtn't to have done since to my eye the finished drawing loses the spontaneity of the sketch, but I wanted to attempt the rich skin tones. 8.5" x 11", 130lb archival art paper.
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Friday, March 29, 2013
The Poet Who Is Either Silenced Or Speaking Fire
It is the kinda day to pick up your cross and bear it.
I'm not saying I'm wishing you a Good Friday, exactly. Actually this drawing was drawn a month ago and I just finished it tonight and took a photograph under daylight bulbs.
'The Poet Who Is Either Silenced Or Speaking Fire,' 2013, Brenda Clews, 8.5" x 11", mixed media on 130lb archival paper.
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