direct link: Three White Images. (Watch at 1080p -you'll be given this option once you press play- and full-screen - the resolution YouTube offers is excellent.)
Three White Images
...................................................................dark, quiet, stillness of the night
Tonight on my walk I came across three white images that
caught my heart. Should I carry a camera, or would that
undo what memory does?
...................................................................images of the inner
...................................................................soul
...................................................................remembering
And what I mean is writing about the images in the cryptic
...................................................................criss-crossing of white branches
ways I do in my poetry contains a way for me
...................................................................against the white grate
to remember those images in an almost dream-like way
....................................................................an elephant in a yard, white,
that raw video footage might not
...................................................................full-sized, the Hindu Airavata who
...................................................................upholds the
...................................................................worlds
So I have a camera I resist using.
...................................................................the branches walk with us
Sometimes the photographs become the memories of the
...................................................................their lines against the dark sky
past and you forget what wasn't there. I find it strange
to look at photographs of my childhood, for instance, since
...................................................................cross-walks, roar of air
they are removed from what I remember. In that way
...................................................................we are alone in the night
I'd prefer to write of what I see than take a picture of it. But
...................................................................lights, unknown
the camera is glamourous, an amazing contraption,
...................................................................memories
and images can be shared, and so we take a lot of
...................................................................Tibetan prayer flags criss-crossing
...................................................................a yard
photographs of ourselves and our world. So I think
...................................................................devotionals, offerings, requests
...................................................................a peace tree
both, remembering through writing, that way, and the
...................................................................where the wind moves
...................................................................pieces of woven material
image, even if the image wouldn't look to someone else the
way I compose it.
...................................................................lanterns of love
...................................................................and then I lifted myself
...................................................................and it was bright
Three white images that caught my heart-
........a white elephant,
................prayer flags,
........................a white birch tree.
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Music from BertycoX's "Light of Abysses", go and listen to the whole track, from an album of two songs, beautiful.
The line spacing isn't my formatting, in which the italicized lines are deeply indented in a staggered way, I have done an indent with white dots - hopefully it's readable given the site's html restrictions.
This videopoem was inspired by a question I sent out on Facebook on March 3rd. The question is the first stanza (non-italicized) to which there were many responses from artists for whom taking images of the world in their motions to and fro are an important part of their oeuvre, Richard Kattman, Elissa Malcohn, Kim Walker, Sandra Machado, and Irena Strzinar, and I'd like to thank them. I went back a few evenings later with my video camera and shot the footage and edited during a day and a half marathon.
One of the issues I have with videotaping is camera shake, and as soon as I can afford it, I'll buy iLife and pull my videos in there to remove camera shake and then take them into Final Cut Express to edit them. It'll be far cheaper than an add-on, if such a thing is to be found for FCE. In this video I slowed the footage of the branches to half speed which helped considerably, and then geared the words to accepting that hand-held quality.
Also, in this video I am excited to see a discovery of ways to continue my aim of creating art with 'multiple voices,' 'multiple styles,' multiplicities. Although this video is now posted at YouTube, and I won't remove it, I think I have figured out how to get Garageband to save each voice in a left or right pan. If I get it right and it works, I'll upload the video elsewhere and see if the left/right stereo split of the voices is maintained in a posting. That'll be cool!
One voice is a conversation about doing the video, what memory is --if memories that are written are a better representation of the memories we hold than photographs might be, that photographs of a time period might even supplant our own memories from then-- and perhaps is the voice of ruminations. The other voice speaks poetry. A poetry that dances off the ruminations, echoes, and transcends it.
I am happy with this video and feel I've come far in my self-taught videopoetical route; if it doesn't quite work for you, read along with the film and see if that helps, and remember that I'm still learning and will get better at this.
___
Guy W. wrote a comment that I liked - he raised good questions, his response was sensitive to the work and yet expressed his difficulties with the style of aural presentation - and he gave me permission to include it here:
"Very captivating multi-media concept.
Maybe I'm just not good a multi-tasking, but with both poems being read simultaneously, I couldn't hear either one, so I had to scroll away from the video to read the lyrics. Perhaps if the audio stanzas were spaced instead of directly on top of one another.
I might have misinterpreted, but one poem seemed to argue against the existence of the video. Perhaps if all the lyrics were in the video.
I would like to have heard how the commonality of whiteness of the images unified them in your mind."
And so I had to reveal, O to reveal, and said, "Have you heard of double-induction subliminal hypnosis tapes? That is a technique I've transposed to my poetry. Yes, it is supposed to undo the logic of the mind so that a deeper listening can emerge. I have included the text, which isn't ever included with tapes in that style.
And you are absolutely right... one voice does argue against the use of images to accompany memory. Sometimes the photos can become the memory, supplant it so to speak, and one forgets the actual time or the real flavour of it, or how one felt...
The commonality was that I saw all three on a walk one night and all three images struck me with their poetic quality. Though I understand what you mean, and perhaps could put something to that effect in the written transcription that accompanies the videopoem.
Also, I've also been listening to Laurie Anderson lately - O Superman - and feel like experimenting a little with various soundscapes... I even was daring enough to add sound effects to the voice, a little echo here, a little reverberation there :))"
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Postcript, June 13, 2010: Take a look at Loftus' work on memory: http://www.slate.com/id/2256089/pagenum/all/
