My Moleskine Folio Sketchbook A4

I have created an album for my Moleskine drawings. They are quite diverse in their styles I think. Some of them I like; others need more work. I put a detail of one of my favourites first, because that's for show, but then they appear in the order in which they were created, which is not always the order of the pages...

If you click on any of the thumbnails, a lightbox will appear, with all the images in a row on the bottom -click on the next one to make it large, and then you don't have to move your mouse from that position, just keep clicking and you'll go through all the images at screen size. I like the lightbox because the background is black. Embedded below the table I created for the thumbnails is a slideshow, with the captions (the little captions icon in the bottom left of the slideshow window is a toggle switch, click on the playbar and then on it to make them disappear).

I'm not very far into the Mole, and it is my project for the year. Expect a video when the sketchbook is finished!

                              

A Dance Videopoem: Shadow Cave

direct link: Shadow Cave.  [The video is subtitled, so you can read along if you like, or have Google automatically translate the text into one of 25 languages. The option appears after you press play. If the cc in the play bar is red, the subtitle track is on; if black, it's not. Mouse click to toggle. Click on this image to see the steps to opening the subtitle/caption file:


This videopoem is a postmodern fairy tale. Sort of Jungian. Integrating the shadow into the self. I re-wrote a piece I'd written many years ago of an inner journey though a land of strange figures representing repressed selves.

And I did everything in this video. What a lot of work! Shot the clips with a tripod. Edited the footage so many times that it's like a Samurai sword, beaten, and wrapped onto itself, over and over again. At one point I so overloaded my video editing software that it crashed every few minutes. But I pushed it, until the effects I was seeking emerged.

That she becomes quite pixelated in it is fine - it's all reflection, image, celluloid, burned light, a digitally composed moving image.

As an artist, I cannot help but think of the screen as a canvas, and so I expect that some of the all-over appearance is influenced by Color Field Painting, like a Larry Poons, has an abstract art quality to it. Meaning, while there were probably 50 cuts, I didn't do any zooming or duplicating or other fascinating video possibilities.

Also the tribal influence is strong. That's my childhood in an African jungle in Zambia, it comes out from time to time. This is the first video that I've attempted to create a sound track for. I used rattles, a singing bowl, a bell, two different drums. Since it's all quite primitive, the story, the dance, even the reading has a colloquial quality to it, I wasn't too worried about melody. My postmodern fairytale needed a strange and primitive soundscape, which it certainly has. ::smiles::

The dance footage was shot for my forthcoming videopoem, a triptych, Tangled Garden. (Which I have been working on for 5 months and hopefully will one day finish.) But, see, I had this abstract pastel clip that emerged from another project... oh, background, I thought, so went looking among my clips for something that might work with it. That's how it goes...

I enjoy the stills, too. Crazy, how'd I create those scenes? Seriously, it's like it creates itself. Magic behind and magic in front. Movie magic, that is!