Haha... Claire and I, caught at a Starlight Burlesque show at The Painted Lady last Friday night by Nonni! :) lol
Claire says she looks like her great aunt. Not sure who I look like. Nor why we look zonked - Claire only drank water, and I sipped one tiny glass of red wine the whole evening. Musta been the venue! Had to share - you'd appreciate (& it just came in).
Claire, who I love hanging out with, is a fabulous artist - huge canvases of jungle mythological motifs, Shamanic, archetypal, rich, colourful.
In 2000 I began what I hoped would be an epic prose poem exploring the concept of love in our culture through the mythology of soul mates. While I had done much of the research (an unfinished interdisciplinary thesis on light being the core of it), I had a course list of books to read on the changing conceptions of love in Western culture but sadly lacked the funds not only for time to research and write the epic poem but even to buy the two dozen books I thought would be most helpful. So nothing more was written beyond this fragment.
And perhaps that’s all it was ever meant to be. A fragment. The fragment almost became a performance of about 8 dancers, singers and musicians in 2001, but that show collapsed at the last moment.
I was invited by Nik Beat at the suggestion of our mutual friend Mikala to read it on his Sunday afternoon radio show on Toronto’s CIUT FM in November 2000.
An old friend, Christopher Reibling, kindly and without being asked, recorded the show and gave me the tape, otherwise it'd be lost to the fires of time. :-)
And that is what I have uploaded. Because recently I resurrected this prose poem in a videopoem called, ‘Poetic of Light/ Poétique de la lumière, which I’ve uploaded to my website’s Videopoetry page along with a link to the full text of White Fire. I thought that perhaps for the one person in the next 10 years who might be interested in hearing a reading, that, rather than producing a new one, this rather charming radio show would be more fun (lol, everyone who stops by is unique and honours me by their presence!:-).
So, unique one-of-a-kind reader of prose poems/listener of poetry radio shows/watcher of YouTube videopoems, enjoy!
The poetry is addressed to the lover, the soul mate, you, the viewer.
My videopoem is finished. After a week of nearly nonstop work, most nights till 3 or 4 am and up again at 7 or 8am and working right through, I am happy with it. For your enjoyment, I have uploaded both the final version with poetry, and the silent version too.
I searched through my writing for nearly a whole day to find what might work. I decided on 'White Fire,' a meditation on soul matessince I had been vaguely dancing with that poem in mind on the day that I taped this, and had printed it on fine paper and threw the pages in the air and danced on them during the videoing of my dance session last June.
White Fire now has a web page at my Art & Writings website, where you may read the prosepoem in its entirety. In the video I have only used a few quotes on the creation of the universe out of light. I wrote this prose poem nearly a decade ago, and at that time I was invited to read it on the radio and it nearly became a performance with 8 dancers and musicians!
The celestial and ecstatic piano is from "Spring" in the album, 'Piano Paintings' by the brilliant Russian composer and pianist, Lena Selyanina. It holds a Creative Commons license and may be listened to, and downloaded freely, at Jamendo (it's also available on the Internet Archives, and as a torrent on Mininova). Lena came by my website, since I had left a note at her site on Jamendo that the music in my videopoem, Venus Enroute, is hers, and wrote: "I am impressed by your art and happy that you have found inspiration from my music. I am looking forward to see how the Spring dance will evolve....with warm greetings from Helsinki, Finland, Lena." How wonderful.
One of the challenges I set myself in this videopoem was to create a self-contained movie. I have, therefore, included the text of the prosepoetry being recited in the movie itself. You will see that I have worked very hard to produce this video in a way that the text becomes a design element in the video itself.
Except at the end, where I felt darkness was most effective.
I hope you enjoy viewing it as much as I have enjoyed making it.
This clip isn't finished yet. I hope to add poetry -I'm thinking of not just voice, or maybe no voice at all (that piano so beautiful), but having the words float down the screen, especially during intervals when I 'disappear' from the 'room'- I'm sharing this earlier version because it has charm... when I finish this video I'll upload to YouTube... but I thought you might enjoy this stage in the creation, a little clip, this simplicity.
If you'd like to see a screenshot of the Final Cut Express window with the filters I used, you can see it at TwitPic (press the + sign to see full size). This video, taken in June 2009, was shot with an older DV camera, a Canon GL2.
The celestial and ecstatic piano is from "Spring" in 'Piano Paintings' by Lena Selyanina. It holds a Creative Commons license and may be listened to, and downloaded freely, at Jamendo (it's also available on the Internet Archives, and as a torrent on Mininova).
______ I also tried unsuccessfully to upload this video to Blogger for two days! I'm hosting it from Facebook. Yes, I have a YouTube account, but I prefer to keep that site for finished videopoems. I don't think a Facebook url will work, but you can try: Poetic of Light/Poétique de la lumière - In-progress (will work for fb 'friends' & send an invite if you're there- I'd love to connect.) The embedded video doesn't travel by email, and so I like to offer a direct url. I may upload to Vimeo when my 'new week' starts.
She stopped to rest. Momentarily, in the field of pure possibility, her position unfixed, indeterminate.
Without hovering, or insecurity.
It was an image of being in the vast field of life.
Without knowing. In a position of unknowing, positionless, I suppose. Existing without location or momentum. Vibrating with possibility. It wasn't exciting or fearful, just what is.
Nothing is fixed or certain, though there are always solutions to problems.
Then she continued on.
She didn't doubt her certainties.
The music clip is from Lena Selyanina's 'Sarah's Dance,' from her album, "Piano Poetry," which carries a Creative Commons license and may be found here: http://www.jamendo.com/en/album/45056.
The chair sequence and the poem added to it had no original connection. I cut the clip from two hours of footage as perhaps 'workable.' Then I searched for a poem. It's amazing how the poem 'fits' the movement, huh? Creatively perhaps we are a gesture, a gesture where here poetry and dance are an aligned fusion.
Albeit, the resulting video is a bit comic. The tag on the back of my dress? As soon as I saw the footage I grabbed the dress and cut it off. The other camera? Ahh, I'm still just learning how to make videos and don't have a clone plugin to remove these elements. Enjoy the humor!
(Or perhaps, in context of the poem, since Venus has swung her scallop shell around to enter the world of experience, we could say the tag on her dress reads: 'If this Vintage Venus is found wandering, send her back to "Mount Olympus"!)
Friday, July 10, 2009
What is most significant about us is not our brilliance, inventiveness, creativity or our rich civilization, but our capacity to love.
