I have to be formless to write; dissolved to paint; non-existent to create. It's always a risk.
But an aesthetic operates. The aesthetic, way of shaping, what negotiates the creative forces and the tools, the diverse & complex language structures, the brush of paint by a sable brush on canvas, how far the back will bend in the speed of the movement, offers structure to the emerging poem or painting or dance.
It's like trying to hold a sail in a high-force wind.
Sometimes we just can't make it.
Sometimes we do.
Sheath of feeling. Words groping to touch air.
An impressionistic response to Truffaut’s, The 400 Blows 1959
The 400 Blows, or "faire les quatre cents coups” (to ‘raise hell’), directed by Truffaut, 1959 The luscious blacks and whites, the co...
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Pablo Valdivia, Breathing Underwater translated from the Spanish by Ross Woods Guernica Editions, Fall 2014 102 pages Trade Paperback... -
Forecast by Clara Blackwood Guernica Editions, Spring 2014 108 pages Trade Paperback ISBN13: 9781550718195 ISBN10: 1550718193 Engl...
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