I have to be formless to write; dissolved to paint; non-existent to create. It's always a risk.
But an aesthetic operates. The aesthetic, way of shaping, what negotiates the creative forces and the tools, the diverse & complex language structures, the brush of paint by a sable brush on canvas, how far the back will bend in the speed of the movement, offers structure to the emerging poem or painting or dance.
It's like trying to hold a sail in a high-force wind.
Sometimes we just can't make it.
Sometimes we do.
Sheath of feeling. Words groping to touch air.
'serpent of leaves' appears in impromptu dance
Dancing over a rabbit warren in the roots of a green ash that was infected by the emerald borer and was cut down years ago, I wove my way up...
-
I sit before a large painting I am ready to trash to fret about my feelings towards it. Soon I am slapping paint all over the canvas. ___ ... -
Basquiat at the AGO: An Untitled Portrait When asked about his frequent use of "carbon" (tar, asbestos), Basquiat shot back, ... -
Pablo Valdivia, Breathing Underwater translated from the Spanish by Ross Woods Guernica Editions, Fall 2014 102 pages Trade Paperback...
No comments:
Post a Comment