Sunday, January 29, 2006

My small library...

I'm far from the world of the text, yet I'm creating my own broken text. Everything spins in my head, fragments of text here, partial images there, authors listed on rolled parchment. Perhaps the texts I've read are smattered over my mindscape like collages: rearranged, cut, reoriented, given different colours, rotated, fragments repeated that have no meaning other than to me. In my private mythology, the place where I make meaning of the heiroglyphic world, where thoughts are scrawled across pages, edited and formatted, lines drifting by that I barely see anymore. I have lost my library. The books I didn't try to memorize on the shelves where they could be found and browsed through. What I underlined then I would still underline today. When did I discover what struck me as most important and relevant could be discerned in a speed read of a few hours and it was the same as what emerged from reading slowly over a week? This discovery enabled me to read vastly and widely through a number of years. The text no longer frightened me with its weight of meaning and the tradition out of which it arose. I could read sources, influences, backgrounds, other authors of the same time period for context. One book opened another. What's important to me remains important to me and didn't change with speed of reading, nor time.

I'm still trying to understand the fundamental grammar of my life. The basic building blocks. What foundation I rest on. In the exegesis of myself, I tear my texts apart until I find bare letters, signs floating over the ground of my being.

Our artifacts are all that will remain of us.

Bare words dragged across the whiteness of pages. A few images here and there. A tune. A tiny bundle of photographs. Some memoraphilia. Memory for a generation or two.

I have been without my small library for half a year and I feel adrift and bereft. How do I re-collect those books, their memories?

Francis Yates. The Art of Memory, on Giordiano Bruno in the Renaissance. Vast tracts, whole books, entire epic poems memorized. A guide to oral memory. How did they do it? By creating a structure to keep books, chapters, paragraphs and lines in. A vast palace of the mind; the inner library. Organized, polished, filed; the cadences of words creating a natural punctuation. And so I must remember my library, for I miss it.

One packed bookcase of art books, from Prehistoric Art to the Present. A shelf of fat, white Abrams art books. Colour images. Hundreds of small colour edition books on individual artists, from the late Medieval period to the 20th Century. Numerous critics, from Ruskin to Greenburg to feminism to the new media.

Two packed bookcases of English Literature. I put Greek literature in here too. Homer, Ovid, Aeschelus. And Babylonian. Gilgamesh; Inanna. And then the periods: Medieval, Renaissance, followed by centuries, 17th, 18th, 19th, 20th. Chaucer, Marlowe, Shakespeare, Donne, Pope, Blake, the Romantics, the Pre-Raphaelites, Morris, Woolf, Proust, Joyce... Modern poetry had its own section, and so did novels, which were filed alphabetically.

One bookcase of Psychology, Sociology, Mythology. This is where Jung & Freud went, and Schzaz, and Neumann and Campbell, a couple of first year Introduction to Psychology texts, not much interest in the field. Along with gentle music that I used for the relaxation sequences of my yoga classes. And underneath were numerous books of photographs.

Then a packed bookcase on Science and Philosophy. I stopped collecting Science books a decade or two back. Philosophy had all the classics, the Greek Philosophers, Plato, Aristotle, jumping to Bacon and then on through to perhaps Existentialism, and into our era. Those massive collection books, like Zimmer's Philosophies of India, and another one on Chinese Philosphy. All read, all duly underlined, notes written in some book somewhere or other. People like Augustine and Aquinas were in religion.

Religion a packed bookcase, everything from so-called primitive religions to Christianity to Shaminism and Witchcraft and New Age. My small collection of the Medieval Christian mystics there.

Women's writing took up 2 bookcases. All of it 20th Century. Novels, poetry, essays, feminist theory. And my own area of speciality, maternal theory, packed a smaller bookcase, along with many drafts towards a book spanning almost 2 decades.

Next to my bed the books I was currently reading, and ones most relevant to whatever my current project was. In Vancouver I remember Alex Grey's paintings on birth, which I wanted to study to understand, and still do.

The chunks of the thought of whole lifetimes of thinkers, writers, artists, books organized in simple categories of knowledge, bits of lines, notations in my head, dim memories of book covers. I see my bookcases packed with books that were all read like disappearing visions of another lifetime.

And I wonder if I will ever be re-united with them, these old friends of mine, companions of many years, in the days to come. And I wonder what will happen to me if I never again see them, touch them, open and read the chapter headings, my underlined sections, run my fingers over their spines as I dust them.

Will only fragments of text remain, floating in my mind like resurrected debris torn from its context, its pages, the beautiful books I collected for so many years?

What is to happen now?

8 comments:

  1. I hear you mourning the loss of books here as though each a body lost to your touch, and, as I hear you write it, I understand that experience, at least in part, as much as I can from this distance between us, but I want to suggest in a gentle counter that none of the books are lost, that you are the library of all that you have read and that the pages are now colors and feelings and paintings and ethos of all those ideas braided into a person. You "read" a bit from your library each time you write to all of us/me. -mg

    ReplyDelete
  2. I identify strongly with this. When I left my marriage I left behind about a thousand books, and over the ensuing decades have re-acquired and united with "old friends." The same goes for music. Until I find those companions again I ache for them, but I realize that there are some I may never find because I don't have the necessary information. Like childhood stories I remember reading -- one in a lavishly illustrated book of Japanese folk tales (lost when I was a teenager), about a dragon that cried tears of blood that turned into rubies as they fell. That's the only part of the story I remember, yet it impressed me so deeply. In the same book was a story of a young girl who survived a burglary by hiding in a very small place -- the value of such small places had been part of the theme, but that's all I remember. I want to rediscover those stories, to learn why and how they affected me as they had.

    ReplyDelete
  3. It's a collection of about 2000 books, and irreplacable. My focus on 'primary texts,' so very little criticism. A core library. Despite my gloom and melodrama today, it hasn't gone quite yet, and I am hoping for a last minute reprieve because this is still part of my autobiographical book, "The Move," and the plot needs a dramatic turning around -:) Whether it will happen is anyone's guess. Thank you Mary, and Melissa. It's not the end of the world if I lose my beloved books, though it sure feels like it right now. xo

    ReplyDelete
  4. Your small library sounds very large to me. I think Mary's right, your spirit has been freighted with those books, and to some extent, whether or not they stay or go, they'll be there, retrievable in some fashion or in some future. I do understand the fear of loss, though. To open an old book is to open an old friend, to pick up the conversation where it was left off, to let loose a host of memories, to be reminded of the subtler things that didn't stay with.

    ReplyDelete
  5. mb, it's a very difficult place to be in, losing it... my small library is crucial to writing I hope to do; and I began homeschooling my daughter with it last year- none of us want to lose those books. But, ah, the impermanence of it all. It's like, perhaps I have to live this philosophy, and only rely on what I remember. My alter's in storage too, and it's nearly lost too. I've understood that I carry my alter inside me... xo

    ReplyDelete
  6. I see, yes, oh, ow. Well. It's been my experience that life unfolds as it will, will ye nill ye, and that things I fear happening sometimes afterward are seen to have held something of value after all that I never could have foretold. That's the comfort I can offer myself - that if it doesn't go as I fervently wish, as indeed I think I need, at least there is that hope. I don't know if that's any help to you...

    ReplyDelete
  7. It is, mb, thank you, you are a wonderful person, poet, inspiration. xo

    ReplyDelete
  8. The burning of Alexandria, on a private scale. I hope you'll get to experience the joy of reacquiring what sounds like a wonderful library.

    ReplyDelete

Self-Portrait with a Fascinator 2016

On Monday, I walked, buying frames from two stores in different parts of the city, then went to the Art Bar Poetry Series in the evening, ab...