Monday, June 04, 2007

Pleasure and Happiness

"But if one begins by having pleasure, it is like knowing how to swim: one never forgets it." Helene Cixous

Now I wonder if the half an hour of "happiness" last night, and this morning, of allowing myself to feel as pure a joy as I could, which is not easy, wasn't an evocation of 'pleasure' rather than 'happiness.' I took great pleasure in the mystery and miracle of breath, body, experienced an inner ecstasy of being, of those I love, and the unfolding of my life and talents, indeed, for moments, this happened, but was it a sensual pleasure of loving life rather than deep happiness?

It was in the range of the orgasmic, that kind of ecstasy, but not localized or specific. It was like I let my brain produce all the high endorphins, neurotransmitters of ecstasy, and my mind was filled with light.

But happiness? I sought to allow what a full and complete happiness would be like. My seemingly huge issues and problems and worries kept nagging at the edges, but I was able to fully immerse or emerge in a field of pure joy for long moments and the minutes passed quickly.

I wonder what happiness is? I know what pleasure is, that indeed I do, but happiness?
Pleasure may be independent of life circumstance; happiness surely never is.

We can profoundly enjoy the moment, savour the pleasure of a flower or a smile or the kindness of a heartwarming act, but the trajectory of our lives, our underlying contentment with our lives, our feelings of accomplishment, of being a vital part of thriving communities, does savouring the way the wind blows over the water on a languid Summer's day affect any of that?

Is there a difference between pleasure and deep inner happiness?

And yet I felt profoundly ecstatic when I let myself...

Sunday, June 03, 2007

blindgaze

blindgaze

"blindgaze," 2007, 32cm x 25cm (12.5" x 9.75"), oil on acrylic matte medium, india ink, paper.

Playing with a sketch from a lifedrawing session last Fall - perhaps not as fluid as my figures usually are, but I enjoyed melding colour... I had forgotten how sensual paint is, especially when spread by your fingers.

Wednesday, May 30, 2007

Pale as a Moonflower

Slow breath. Dark bulky sweatshirt, folds and creases rising and falling. Inside you are elsewhere. Floating where it's frayed. Trying to be where it doesn't matter, except it does. Electrodes taped to your chest and abdomen, I watch with the machines, count the depths of your breath. Most of the night I hold your hand, or rest my fingers by your arm. I never take my eyes off you, your closed eyes, the way you are distant and so very close. I understand the frailty; I wonder when a love of life will bloom like dawn across your consciousness. How did we come to this impasse, my love. How do we turn from it?

He is there, loving, bereaved, regretful, angry, guiding you through. Eventually he lies on the cold hospital floor, resting his aching body, while I keep watch. Unwavering my eyes never dimming. The love doesn't go out for an instant, not the whole night through, nor the next day as the watch continues. Unevenly breathing, heart rate fluctuating, I trace every motion on the monitor, its steady throb, the green cursive lines of your life on the screen.

You are a nexus of love to me, a fibrillation of love, your sweet and willful spirit. What pulled you to these depths, what despair swallowed you?

In the long, slow night I fill you with a radiance of healing. Strong warrior luminescence, but I see how the drug invades your mind, the way it overruns your brain like a parasite offering a light sparking like fool's gold, rendering you helpless. You lie prone, barely breathing, too nauseous to move, nearly insensate.

Do I count the minutes like prayer beads?

Each breath a gift, a reclamation of your stolen spirit.

Late the next day when you rise you are pale as a moonflower, slow and unsteady. How can I protect you from what claws at you from within?

When you are mesmerized by death how can I call you back from the underworld, dark realm of Hades?

Your lips are the colour of the narcissus Persephone plucked and followed like a red star into the gaping wound of the earth. You are too young and innocent for what has been thrust upon you.

You have gone with him now, and I pray you are both safe.

Monday, May 28, 2007

Spaghetti Straps are Verboten

Perhaps it's the scapula, or maybe it's the clavicle that's more dangerously libidinal. The scapula is a beautiful bone. A half white wing, a bone that billows over one edge like a wave, a molded piece of clay shaping into a musical instrument, a flute or a set of pan pipes. It's a bone caught in the moment of undulating. It arches from the spine in two melodies, the supraspinous fossa and infraspinous fossa, and the notes slide concavely. The upper part of the scapula is so thin as to be almost transparent. Is that why we can't show the shoulder's delicacy of skin? Or is it the delicate angles of the claviculae that arrest? I once met a woman whose criteria for dieting was until her clavicle bones showed in their sinewy slender grace. Is it the soft shadow of the cleft between the clavicles, or the rounded caput humeri of the humerus, the shoulder bone? Those pectoral girdles are certainly enticing. What drives men to distraction about a woman's bare shoulders that necessitates rules being created about covering them in the corporate world?

Friday, May 18, 2007

Dance of the Solar Wind



"...behind thought I have a musical core. But even further back there's the beating heart. The deepest thought is, then, a beating heart." (Clarice Lispector, Stream of Life, 36)

Monday, May 14, 2007

Appearance of the Glass Blowers

Presently I am immersed, cannot appear clearly. Leaves unfurl in the Spring; who knows how they make the immovable movable, unwrap and flutter in the wind. Fresh, opalescent green. Discovering the sun for the first time, before the caterpillars come, or dry spells of Summer to dim their colour. I write blindly, onto a blank screen because the system can't keep up. The Windows 'hourglass' blinks furiously. It's trying to save me as I write, but so slowly that I write onto a white screen without words; in minutes they will appear. Is that me groping along the white pathway, waiting to appear? When will I, and how to, even in time-lapsed words that foreshadow.

Is love loving me in ways I cannot comprehend. I watch glass blowers, hand-held poles, in and out of the furnace, pure sand from the ancient ocean bed in the middle of the continent, melting silica, forged into light-filled opacity, interior glow, thickness of transparencies, an art. In the furious alembic, boiling at thousands of degrees, coming out to dip into colour, to swirl in a shape, pushed back in to melt for the setting. What experience is teaching, the unfolding of the path, understanding that can glow in the display case for the film that is showing me myself.

Or you. Whoever you are. That I cannot know. What your secret of unfurling is.

On this quiet, cool day, buds are pushing inside, like tiny, green, scrunched wrapping papers. And flowers will unfurl from my head: a flower woman, lying under the earth which is wrapping and unwrapping me. The furnace of sun. In the interior, on the dry ocean bed with the pure sand, its perfection for melting into glass. No, I didn't step onto a shore strewn with tiny natural glass bits but it moved through my vision and fell in beads glittering on the beach. Alchemies of light. To embed light in the density of earth. The earth becomes light through the shining, the way you shine through me like the sun shines through the crystal blown by the glass blowers holding the melting.

Can I become the glass through which you look illumining the world with your light?

Even typing these words that cannot see until they appear?

Woman with Flowers 7.1

(7th sketch in series, first iteration of this one) Woman with Flowers  Flowers, props  upholding the woman. The flowers, fragrant, imaginar...