the inner meaning of us, our relation,
cannot be grasped or apprehended in this language
or any other language
even the language of the heart
even as it structures our desire
Sunday, November 19, 2006
Absence
Monsieur, you exist in your absence.
Not only that,
but you exist in my absence.
The nexus of you
renders love possible.
Which carries on without either of us.
Not only that,
but you exist in my absence.
The nexus of you
renders love possible.
Which carries on without either of us.
Saturday, November 18, 2006
Waves of Words
Words float under my rib cage, cascade over my heart, and waterfall down my body. It was invisible, but you knew. I could see you reading me.
Like a streak of fish, a discourse of signifiers referring to each other, signifiers whose identities are only their relations to other signifiers, an entire system mediating reality.
The colour; the ocean.
Floating like thought.
But, then.
The discourse into which we are born is a discourse of love, at the depths. Never mind the story.
Love creates itself.
What else do we need?
Like a streak of fish, a discourse of signifiers referring to each other, signifiers whose identities are only their relations to other signifiers, an entire system mediating reality.
The colour; the ocean.
Floating like thought.
But, then.
The discourse into which we are born is a discourse of love, at the depths. Never mind the story.
Love creates itself.
What else do we need?
Thursday, November 16, 2006
Coiled
In the vision behind my vision I see a helmet of hair of tightly coiled serpents. They are alive but they are the colour of alabaster. Why are they tightly coiled around her statuesque head? Do they grow from her scalp or do they merely cling to her head? What do they eat? Realism is not the point of myth, I remind myself.
As I move somnolently through the world of banking and investment, I hear hissing. It is like my muse is calling. In this number-drenched world of income, or how we survive communally.
Do an aesthetic of art and an aesthetic of finance arise from the same roots?
What does the Gorgon want? Why is she imaging here?
Writhing, coiling in these numbered halls
papered with endless account statements...
As I move somnolently through the world of banking and investment, I hear hissing. It is like my muse is calling. In this number-drenched world of income, or how we survive communally.
Do an aesthetic of art and an aesthetic of finance arise from the same roots?
What does the Gorgon want? Why is she imaging here?
Writhing, coiling in these numbered halls
papered with endless account statements...
All-Seeing
When he stood, in the peace of post-coital stillness, and said, 'I want to destroy you,' she waged a battle for her life for the next 15 years.
No-one emerged unscathed.
She rose, a soot-blackened woman, from the fine layers of silted taupe ashes, with scorched feet, able to see in all directions.
No-one emerged unscathed.
She rose, a soot-blackened woman, from the fine layers of silted taupe ashes, with scorched feet, able to see in all directions.
Wednesday, November 15, 2006
Desire
Monsieur, who am I in your desire? I laugh, no, you don't have to answer. Who you are in my desire is perhaps what I should consider. Yet don't we imagine ourselves through our fantasy of what the other sees in us?
Can I see myself as you would see me?
The gaze is whose gaze? And what is desire, Monsieur?
Desire is more than a fantasy; it is a will towards, a propulsion. Desire materializes us.
Eros is flowing differently now, the topography's changed, or the flow of the meridians is irrigating me differently.
Desire materializes us only to
dematerialize us.
It's a paradox, mon amor.
I incarnate deeply into my errogenous body
as I disperse under your touch, turn molten.
Until we are nothing
but pulsing
filaments
lit by each other's passion.
But I imagine this, Monsieur. In the space of desire where my fantasies enact.
Can I see myself as you would see me?
The gaze is whose gaze? And what is desire, Monsieur?
Desire is more than a fantasy; it is a will towards, a propulsion. Desire materializes us.
Eros is flowing differently now, the topography's changed, or the flow of the meridians is irrigating me differently.
Desire materializes us only to
dematerialize us.
It's a paradox, mon amor.
I incarnate deeply into my errogenous body
as I disperse under your touch, turn molten.
Until we are nothing
but pulsing
filaments
lit by each other's passion.
But I imagine this, Monsieur. In the space of desire where my fantasies enact.
Envy
What is the face that envy wears? When we compare ourselves to others do we feel our lack - is that what it is? How does the desire to undo, shred, tear, dislocate, decimate the other not out of retribution for anything they have done to you, but because they are more successful than you in whatever ways you care about. Perhaps they hold the affection or the honour you wish for; perhaps they are wealthy when you are not; perhaps they command the attention you can't.
What is the face envy wears and how do we see its dark motive? Why is it a hidden face that we don't recognize until we find ourselves crying amid the ruin of our lives?
What is the face envy wears and how do we see its dark motive? Why is it a hidden face that we don't recognize until we find ourselves crying amid the ruin of our lives?
Subscribe to:
Posts (Atom)
'serpent of leaves' appears in impromptu dance
Dancing over a rabbit warren in the roots of a green ash that was infected by the emerald borer and was cut down years ago, I wove my way up...
-
I sit before a large painting I am ready to trash to fret about my feelings towards it. Soon I am slapping paint all over the canvas. ___ ...
-
Basquiat at the AGO: An Untitled Portrait When asked about his frequent use of "carbon" (tar, asbestos), Basquiat shot back, ...
-
Pablo Valdivia, Breathing Underwater translated from the Spanish by Ross Woods Guernica Editions, Fall 2014 102 pages Trade Paperback...