My daughter's poetry...

the absence
the negative space
the only space
the free space

the filling space
to cover wanderings
to put everything that doesn't exist
all the figments
and all the fears
blooming creativity
in the corners of the room
behind that beautiful
flower
pot
is what you can't see
underneath the shadows
spawn the ideas
in the absence
in the negative space
the only space
the free space

One of my favourites:

Often I
approach
myself

To see what has become.

Or this one she wrote for a poetry project. She received the highest mark in English, coming in at 89%, oh little girl (oh proud Mama). It's beautiful for me because I, too, usually received the highest mark in English courses in high school. Her Dad's a well published poet, too. She's 15 years old...

If these were your last words, what would you say?

I'd speak about foggy memories.
Fear, and walking in a daze.

I'd scream about being nothing special,
Egging, burning and drawing blood.
About injustice and theory and the snow covered car.

I'd talk about summer wind and sunlight and castles,
A butterfly emerging and the tiny fragile bones of birds.

I'd utter of cottage trips, muddy exploration and discovering new land.

I'd talk about ecstasy and blinding lights,
About bottomless regret and breaking everything in sight,
Rage that feeds your veins and becomes your existence,
Pumping.

I'd whisper about laughing till you couldn't breathe
And crying till you couldn't see.
I'd whisper self-destruction and mind alteration,
Intoxication, self-betrayal and my latest craving.
I'd whisper of breaking down and giving my heart away.

I'd passionately ramble about illusions and life theory,
About religion and everything that starts with why?
About finding a soul and defining a moment.
Life and death.

I'd discuss loving the wind, following daddy-long-legs and falling into comfort,
about campfires by th beach and flying on the swing.

I'd mumble about the hidden feelings,
The ones in the back that blend together
And the unidentified.

I'd mention being liked,
And snail covered roads in the moonlight.

How I can't say anything that hasn't been said before.

Could Be A Disruption by Solar Flares

I look out
under a heavy, concrete sky.

What do you make of that?
A day when the clouds are made of concrete.

So I heaved
with my chisel and hammered
chipping away at the
range of mountains
like breasts
in the sky.

Some days meditation
is like that.

Turbulence in green
under a
clear cobalt sky

when I finished

I sank into a
warm corbeau lap
of hills.

Anything can exist,
why not?

Think of
visionary space.

Why substitute
symbolic systems
for reality-

isn't it enough that
the world inhabits
the world?

Cut the Net With Your Fire

Browsing an old journal I came across something my daughter, when she was little, in the deep night and deeply asleep, said, emphatically, "Mommy, cut the net with your fire."

Cut the Net With Your Fire

I know about being entangled in nets, who doesn't
those impossibly knotted ropy traps
we tie our hearts and minds with

and the nets we get caught in
places we oughtn't be, and swoosh
captured tight and tighter
until it hurts
the loss
of freely moving, living, having our being

perhaps our years of living are learning
how to be free

of any expectations but our own
and trusting our own fierce love to see us through

I tip my crystal glass with its ruby red wine
salutations, darling, and may you always

cut the net with your fire



Sketch, Celestial Dancer III, 2003

(post originally written on June 27, 2004)

The 'new' profile pic...

The new profile pic. Okay, so you've seen it before: but not 'collected.' Ahem. This is the large version of 'how much can you fit into a postage-sized profile pic'?

Dancing of the Selves...

"As my father lay dying": remembering a time of uncertainty.

This was originally a comment at 100 Days, but the system was down. The topic in the comment thread (look at Day 34 & 35) was uncertainty. MB, Lorianne, and Stray have written eloquently on uncertainty. I thought this reminiscence, this understanding of uncertainty might be interesting, perhaps inspirational.


I've had two major periods of uncertainty in my life. The most recent is the near loss of everything I've accumulated, all my books, paintings, furniture, objects, the other one was when my father lay dying. He had emphysema and caught pneumonia in hospital and had stopped breathing and was manually resusitated and the interns and nurses ran, wheeling him through the corridors to Intensive Care. When we were allowed into ICU, he had multiple tubes in, multiple tubes out, was unable to talk with the tracheotomy. For six months the doctors refused to say that he had another day to live. 'Any moment', 'We can't say beyond today', this psychic and emotional torture. Each day I went to the hospital not knowing, I held his hand and lip read not knowing, I left not knowing if I was to see him alive again. I couldn't sleep, left my TA at university, didn't work on my thesis, lived in a state I don't want to remember. It was like that Eastern European or Russian author who's name escapes me at the moment who was blindfolded and taken to be shot each day and each day wasn't shot. Excruciating. Existential angst. Everything out of your control.

Perhaps he might still be alive if he had wantd a cybernetic existence, living in tandem with machines for breathing, eating, excreting, even these 22 years later, he was such a fighter, but after six months of this tethered, Gulliver-like existence my Dad had all the tubes taken out, the machines unplugged, and he faced death directly.

Those few days when he lay gasping for breath, dying as his body filled with carbon dioxide that his lungs were unable to expel were unbearable... true uncertainty is not an enviable or desirable state.

Neither was the year I just went through. But for the last decade or so I have become a meditator. With daily meditation, I began to understand how strong we are underneath. There is a deep rhythm to life that we can trust.

I wouldn't call it bedrock but perhaps the song of the bedrock.

Meditating is not just listening to, but participating in, at our deepest level, shorn of everything, the song of life and death.

And finding the rhythm okay, ecstatic even.

____
The upper right image was of my father and I in 1976, eight years before his death. The one below is of me, three weeks after his death, in 1984. I've always liked the gentle, accepting, peaceful but knowing look in the eyes of this photograph. Did I ever feel like that? I don't know.

Flame of Love

For Sparky's Illustrated Poem Marathon.


Flame of love,

I gave myself

to Love Divine.

_____
click here for larger size


Art influences I would say are Bernini of course, Dali, postmodern digital art (especially in the clumbsy photoshop cut-out making it not commercial art), and something obscure, a Tarot deck called the Secret Dakini Oracle Deck, by Slinger & Douglas. I have long loved mystics, of any religion, creed or belief system. Sainte Thérèse d'Avila was a wild, beautiful and divine woman mystic.

The model? I don't have to pay her.

A day in the life of

Sleeping and waking whenever I felt like it was a bust. I'm regulating, night-time sleeping, daily meditation/nap (which is entirely different to sleeping: the former for physical rest; the latter for spiritual sanity).

Up this morning at 6am, coffee, emails, bath the dog, brush her, shower, dress, jeans, shirt, jean jacket, off to Kensington to meet Theo, an old friend and sculptor - we met in 1982, he was eating dinner at the Queen Mum's on Queen Street and was a good friend of my ex, who introduced us. It took a long time to get to know Theo, years in fact; it wasn't till after my marriage ended in 1997 that he and I became good friends. He's one of my most loyal friends, too. It is through Theo that I have understood that loyalty is one of the most important qualities to me. That's another topic though.

We chatted for a couple of hours, then he went off his way on his bike and I my way. Dropped into Gwartzman's discount art store to get a rip-off Moleskin look-alike for $3.97, but passed on it (my first one's not finished yet) and bought a 9"x12" printmaking board and a canvas remnant. After I dropped my dog off at home, where she barked nonstop I believe, I went to Honest Ed's and bought a T50 stapler that is so stiff I can barely squeeze it, then to a Chinese produce store for BC blueberries, and home to be greeted by now hoarse barks. I've eaten two bowls of fresh blueberries with cream and sugar, stapled a cloth over the under-the-stairs cupboard, and stretched canvas over the board and gessoed it.

Exciting day, huh.

This is blogland!

We get to create these posts, to reveal our lives publicly.

Theo's never owned a computer. I marvel at that.