Underpainting I- Parchment Figures: Doubles, Doppelgängers, Clones

Parchment Figures: Doubles, Doppelgängers, Clones, 2010,
24" x 30", 61cm x 76.2cm, underpainting. (opens to a resizable pop-up window)

Now that I have rinsed off the chalk drawing and covered the painting in a fine layer of Liquin, which is semi-gloss, it reflects light and this makes it harder to photograph. I have boosted the colour slightly so that it doesn't appear too 'washed out.' On the easel, however, it's looking possible.

A video at YouTube on the painting process, and on the chalk
sketch: http://www.youtube.com/watch?v=MsUQVGXSWro

                                                        

Underpainting- Parchment Figures: Doubles, Doppelgängers, Clones

Parchment Figures: Doubles, Doppelgängers, Clones, 2010,
24" x 30", 61cm x 76.2cm, underpainting. (opens to a resizable pop-up window)

A video at YouTube on painting process, and on the chalk
sketch: http://www.youtube.com/watch?v=MsUQVGXSWro

When I hit the undo button on this post, everything was deleted... trying to remember what I wrote.

Ummm, oh, yes, I did some research on the NET and decided to try a new technique. In the post-midnight darkness I mixed a little Golden® acrylic paint and scrubbed the figures in Raw Sienna with a touch of Titanium White. Today I'll block in the background with the lightest wash of Golden® Raw Sienna and Bone Black. When it's dry, I'll rinse off the original chalk drawing. Then I'll paint the whole canvas with a layer of Windsor & Newton's® Liquin Original and let it dry until tomorrow.

From what I read at Windsor & Newton's® site, I believe the Liquin will change my water-soluble oil paints into traditional oil paints and rather than diluting in water and washing the brushes after in water, I'll have to use turpentine.

I haven't explored this process before and so don't know the parameters or how the colours of the oils will work over the underpainting. In the last two 'on black' paintings I found it was necessary to paint very thick layers of oil paint and I wasn't able to work on detail as I might have liked.

                                                        

Untitled

From Untitled

A long, slow process, clearly. While I don't yet know who these people are, I'm getting to know them. In a way I like this as is, the whitely drawn figures on swish of black paint. But colour inevitably beckons. Now that I've learned how to post large images in small packets, you can better see what's there when you click to full screen. This image is an unbelievable 1496×1872 pixels and is only 292KB!

                                                        

Wind Over Grass - underpainting

From Wind Over Grass, a painting

Wind Over Grass, 28"x22", 71x56cm, 2010, underpainting, on canvas.

Underpainting- an acrylic base, a chalk drawing that instead of erasing I painted over in 'Bone Black.' Difficult to photograph! Click for larger size that's easier to see (you'll go to Picasa, to the album for this painting-to-be).