For my housewarming you arrive with a cooler on whose ice a bottle of Moet and Chandon Brut Imperial champagne waits, and a power drill to hang my curtains.
While you hang, I toss organic baby spinach, fat green leaves, sliced large white button mushrooms, raw and thick, thin wheels of hot red onion, peeled sliced sweet mango, a handful of ground walnuts, slivered almonds, flax and sunflower seeds in a raspberry vinaigrette.
On the sectioned tray I lay ripe strawberries sweet as jam, green grapes, sinful fresh figs.
From its wooden case, I lift fresh smoked wild Sockeye salmon and lay it down.
Large green olives stuffed with garlic nestle beside the focaccia embedded with olive slices, sun-dried tomatoes, chopped onion and herbs.
Around balls of sweet honey dew melon I wrap ribbons of proscuito.
Peeling the papers from the cheeses, I uncover Isigny Sainte Mère, a creamy Normandy Camembert, Pont-l'Evêque, a soft cheese, pungent white Cheddar, tangerine-coloured rich Mimolette, and from sweet sheep's milk a soft Italian Percorino Toscan Fresco.
It is a steamy June day.
We take each other's clothes off in the enrapt way way lovers do. We feed each other with our mouths, teeth, fingers. We hold strawberries between both our lips and bite them.
We sip long crystal flutes and drizzle champagne into each other.
I'm sure I lap-dance, it's becoming a blur. Leonard Cohen's woman, that beautiful Anjani, sings soft, sultry songs of his poems.
Lust breathes us.
Later, drunk, I dance in the living room, a naked middle-aged woman.
The curtains are drawn tight.
This morning I videod my exercising, dancing, and then layered so many filters on the footage Final Cut Express says it'll take 4 days to render a 12 minute section! I'm currently trying to circumnavigate that by saving to QuickTime, but that's a 20 hour process! Oy ya. These stills may be all that there is to show of my afternoon's work. Let's just say, three years later, not naked.
It was a memorable night, perhaps our best, but our last. I’ve kept the empty bottle of champagne on my shelf since then, knowing I had to write about it. In the Winter I received a letter from his other lover and then we discovered each other, though I had ended my relationship with him not long after the evening I write of here. This is a section from a much longer prosepoem.
__
This prosepoem piece was written for Big Tent Poetry's May 28th poetry prompt: aphrodisiac.
You can read the response of some Big Tent contributers and readers here: Rubies In Crystal at WordPress.
Showing posts with label prosepoem. Show all posts
Showing posts with label prosepoem. Show all posts
Friday, May 28, 2010
Sunday, February 28, 2010
Transparencies
Momentarily I became soft, not soft exactly but like glass become thick liquid, melting, memories of hot silica, pliable, and if you knew you could reach your hand through to the other side to Alice's Wonderland.
Through the glass; through the invisible world.
It didn't last; edges returned,
and I continued on.
Through the glass; through the invisible world.
It didn't last; edges returned,
and I continued on.
Wednesday, December 30, 2009
Ocean of Snow
Without being at home, with many things to do, but at a desk without access to the Internet, and no books or magazines, there was nothing to do but write. So I wrote a short poem about yesterday's moment in the field.
Ocean of Snow
Wind blows a field
of white waves,
lighter than salt.
Flecks melt into my eyes
as I lean against a tree,
mammoth rivulets of bark,
and watch black branches
scrawling waving calligraphies
on the squalls.
-
Now I think it 'cut up' prose, really. And yet when I format it in paragraph form it doesn't quite work. It's neither, then. Which is why I call what I do prosepoetry.
Ocean of Snow
Wind blows a field
of white waves,
lighter than salt.
Flecks melt into my eyes
as I lean against a tree,
mammoth rivulets of bark,
and watch black branches
scrawling waving calligraphies
on the squalls.
-
Now I think it 'cut up' prose, really. And yet when I format it in paragraph form it doesn't quite work. It's neither, then. Which is why I call what I do prosepoetry.
Wednesday, September 17, 2008
Monday, March 31, 2008
In the Throes of Love...
If there is a ground,
it is a quantum of vibrating molecules.
Like walking on water during a storm at sea.
No guides in this emotional terrain,
it's new.
I don't know where I'm going or how to get there. Logic has failed; intuition, senseless.
Furies and lies and deceptions blow like crazed winds everywhere. Nothing can be trusted to be what it seems or purports to be. The stories you are told aren't the real ones. Secrets are everywhere. The underside is sleazy, riven with seething. And you wonder how you missed the way through, or if it ever was there. And when the revelations come, and they do, like light through the floods, you don't know how to survive them, and if you do, what direction you should be travelling in now.
Rudderless, without navigation.
How can you find ground when there is no ground?
What is continuous in the discontinuous?
What lasts in impermanence?
What is it in the wavering flame that doesn't go out? Even in the storm I travel though.
Perhaps on a scallop seashell, a Venus in lament.
it is a quantum of vibrating molecules.
Like walking on water during a storm at sea.
No guides in this emotional terrain,
it's new.
I don't know where I'm going or how to get there. Logic has failed; intuition, senseless.
Furies and lies and deceptions blow like crazed winds everywhere. Nothing can be trusted to be what it seems or purports to be. The stories you are told aren't the real ones. Secrets are everywhere. The underside is sleazy, riven with seething. And you wonder how you missed the way through, or if it ever was there. And when the revelations come, and they do, like light through the floods, you don't know how to survive them, and if you do, what direction you should be travelling in now.
Rudderless, without navigation.
How can you find ground when there is no ground?
What is continuous in the discontinuous?
What lasts in impermanence?
What is it in the wavering flame that doesn't go out? Even in the storm I travel though.
Perhaps on a scallop seashell, a Venus in lament.
Subscribe to:
Posts (Atom)
Woman with Flowers 7.1
(7th sketch in series, first iteration of this one) Woman with Flowers Flowers, props upholding the woman. The flowers, fragrant, imaginar...
-
The Buddha says: “ You cannot travel the path until you have become the path itself .” The path is uncertain. Uncertainty is the guiding for...
-
What if relationships are the primary ordering principle? What if the way relationships are ordered clarify, explain, and instruct us on th...
-
direct link: Tones of Noir music: Alex Bailey, ' Piano Improvisation No 7 .' Do poems wait to be born? A poem whittled out of t...