My Dog and Cat

Keesha, a Springer Spaniel (field dog type, bred to run all day, a high energy dog), and Tigger, who is Tiggy, or sometimes Tiggles, a black cat with some white markings (a thin and long cat with a tail long enough for him to catch).

Keesha was born August 25, 1999. Tiggy was born March 4, 1997. Some dates are too important to forget.

Keesha's bed blanket is many layers thick. Because it's snowy outside, it's even more layered than usual - beginning with a waterproof crib blanket, maybe 4 layers of fleece, a down baby comforter, a halofil comforter, and 2 or 3 towels. Don't ask. She likes it soft. An aging dog.

Tiggy *never* sits near Keesha, and *never* has anything to do with her. Yet he came, and slept like this, on Keesha's dog bed (that's on the bed, yes, yes, I know) for a long time.

Snap, snap with the iPhone.


                                          

Glint

(watch at fullscreen in hd, if you can -quality is excellent) direct link: Glint

He indicated that the video was ok, but uploading to YouTube? I said there are lots of CATS on YouTube. (Featuring our 13 year old family cat, Tiggy. I told him he was going to be a YouTube cat - that's status.) :-)

In writing this minimalist poem, I thought to present it in the video as the murmur you overhear that is a poem. I wanted an 'art film,' something composed of shapes and sounds open to interpretation. Ghostly, sensual, colours and light and shadows in a flux in a landscape that's a little ambiguous, a bit Surreal. The music that I found for this piece was so perfect I edited the video's rhythms to the song.

This writing is drawn from a much larger manuscript which interweaves science and poetry. Three quarters of the energy of the universe is dark energy. 'Glint' calls on the metaphor of dark energy to shape a love poem. Words rise and sink in the marvelous soundtrack, which I didn't want to disturb above a murmur.

The music is "Madrox, in my head," by Arena of Electronic Music at Jamendo: http://www.jamendo.com/track/477297

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My dear and long-time friend, Stephen Hatfield wrote a beautiful comment in an email (posted here with his permission):

For my taste I thought "Glint" was one of your most successful video pieces, in part because the text grew out of the visual textures in a very pleasing and enticing way, as opposed to setting a pre-existing poem to a video accompaniment.

I thought that it was very sensuous, but in a very polymorphously perverse way. I did get some suggestions of skin-like textures, but nothing in the way of specific organs or body parts. Instead the textures I saw made me think more of giant underwater anemones, brains, sea sponges, that sort of thing. It was sexy, but in a completely indirect way that stimulated all sorts of associations of ideas and sensations.

I liked the ritual slashes - cat claws - across the canvas of the screen - which also suggested the slots through which one watched those early forms of moving pictures - which also suggested a kind of connect/disconnect that was the overall ethos of the piece.

I also thought the way you read your text worked. That character pulled me into the video more than the tone of voice with which you have "incantated" some of your other videos. This is entirely a matter of taste, and I do not use "incantated" in any ironic or denigrating manner.