Thursday, November 19, 2009

The Reflective Face

As masked women in the circle, we wear our secrets and our feathers. Bird-wing women. Masks represent ways we hide our feelings. We dance. Spontaneously a masked woman enters the circle, slowly or spinning or high stepping. At the moment of uncovering she removes her mask to reveal her reflective face. As woman after woman enters the spotlight of the centre of the circle dancing and strips her mask, we cheer. Vulnerable without what hides us, sweat, and crease, and laughter, we: flash glitter dancing glyphs; we: body poetry.





The Reflective Face, 2009, 13"x16"; 33cmx41cm;
India inks, oil pastels, acrylic & dried leaves on archival paper (on right, earlier version; on left, finished, with leaves dried nearly to veins, gloss, and more paint added -click on images to see larger versions)

I didn't like the finished painting, so have played with it in Photoshop. The original is varnished, very high gloss.







A poetic response to one of the exercises Erica Ross facilitated during her Dance Our Way Home session, 'Honouring Your Feelings,' the second session of the Nest & Nourishment series, last Saturday. She offers the same class each Wednesday evening.

I wished to write about the dance of the masked women and thought to paint a feather mask to illustrate this post. Because of the way the paper buckled with the wet paint, and the shape of the neck, I think it is a man angel. I call my masked man, or perhaps beneath the mystery of the mask, woman,  The Reflective Face.




A woman's sanctuary in the heart of Toronto.
Location:Dovercourt House, 3rd floor

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