My table is set up in a dining area in a small carpeted room adjacent to an enclosed porch overlooking the lake. I take it away from the hands working on it and move it into the windowed area with the sun and waves close.
Alone, I continue preparing my table, perhaps for dinner for my family, although underneath are art supplies, brushes, tubes of paint, a disposable palette, primed canvas; it's on wheels.
The building disappears and I find myself on a spit of land in the room whose windows have now dissolved so that the air pours in.
The area around where I am setting up is becoming wetter and soon will be impossible to reach. The room has disappeared and I am standing on a low-lying bank beside rising water. The ground is muddy and grassy, soggy. I continue setting the table until I realize my family won't be able to get here.
When I look out towards the water, I understand how vulnerable my set-up is. One storm, one lash of water, and everything's gone.
I am considering how to move inland but slowly come to wakefulness in my warm bed in the pre-dawn darkness.
Subscribe to:
Post Comments (Atom)
'serpent of leaves' appears in impromptu dance
Dancing over a rabbit warren in the roots of a green ash that was infected by the emerald borer and was cut down years ago, I wove my way up...
-
I sit before a large painting I am ready to trash to fret about my feelings towards it. Soon I am slapping paint all over the canvas. ___ ...
-
Basquiat at the AGO: An Untitled Portrait When asked about his frequent use of "carbon" (tar, asbestos), Basquiat shot back, ...
-
Pablo Valdivia, Breathing Underwater translated from the Spanish by Ross Woods Guernica Editions, Fall 2014 102 pages Trade Paperback...
No comments:
Post a Comment