A Pulsing Imagination - Ray Clews' Paintings

A video of some of my late brother Ray's paintings and poems I wrote for them.

Direct link: https://youtu.be/V8iZyORoU9E
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On the Unity of Assemblage and Poem

In Split Mask and UnfurlFlowerring, the mask came first. A weltanschauung grew around it, accoutrements, fabrics, a ‘look’ enmeshed with the theme, and I felt a nascent poem emerging. When I write an afterpoem to perform in an assemblage, mask, persona, it is always about the topic that the ensemble is presenting, and there is also reference to my being inside the guise, what it’s like to be the hidden self inside the poem being performed. This double subjectivity, then. The doppelgänger being the everyday self, and the masked poet performing the spirit, the message.

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Halloween Assemblage -Getting there

What I started with. Where I got to was like painting with photo programs. Two lights set up, one to the right and one on the table. Look forward to clearing the chaos of my living room and putting all this stuff away. But I still want to try long black boots and a leather corset I bought at maybe 63, my first one! Those shiny catches on the cheap Amazon one need black nail polish or something.

Actually, both paintings might work as backdrop in a performance videopoem. I'd tape black fabric to the wall behind them. Something to think about.

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Between 3 photo programs, approaching what I sought

From yesterday's shoot. The lighting was all wrong, but, with time and patience and a willingness to use different photo programs, I was able to get the darkness I wanted.

Basically, I am trying to get some images of this assemblage so I can see what I've composed and write of the 'being' who's emerging, if that's possible. Also, it is helping to see how to tweak things - like, I'll wear black boots, the sneakers didn't work with my body type. I have to get floral tape to do the flowers that I stick into the (cheap Amazon) corset (only solution I could think of to hold the flowers) and figure out how to attach the trailing leaves on my arm, perhaps hot-glued to elastic (if I have any wide black elastic), who knows. It should be an assemblage that doesn't slide off over an evening's movements. Also, I'll likely be moving in a videopoem, and then certainly could have leaves falling, trailing, whenever I get around to that.

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Oh, my Halloween Assemblage!

I've had what seems negative reactions to the assemblage I am creating for my Halloween poetry and music event. It's been a huge amount of work, attempting to video (tons of problems spread over days) and finally I got some clips in focus - though the light wasn't right - and one person who looked at these images seemed very ticked off when she saw them, saying only, We're supposed to wear costumes? and another person who is also coming that I shared the images with in a message had no reaction, said nothing. What's wrong with what I'm creating? I think it's quite striking, even lovely.

Because there was no sun, once again, which would give me the contrast I'd like, I set up two lights. Man, it was a lot of work. The camera app took forever to connect and then kept cutting out so it was pretty much useless. On the computer after, I was so happy to see the image in focus, however, the lighting isn't right. So I did quick colour replacement in PSE, turning the background blue. I wanted a dark background, but wasn't able to do it. I think the blue is interesting, and makes for unique, rather theatrical photos.

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Test

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Unwindings & The Unanswering

direct link: https://youtu.be/Foyvq1uDCM8

This is a video of a reading at Minstrels & Bards* Spring 2022 for an upcoming show.

For Calling In The Muse, May 1 - July 13, 2022, an on-line show by Erica Ross curated from her Open Studio sessions, I share two poems written in 2022, Unwindings and The Unanswering. These poems share my inner perceptions in, hopefully, a language that is honed, polished, yet which flows, that has an aesthetic beauty of its own.

In Unwindings, Virginia Woolf is a muse. Re-reading her novel, Mrs. Dalloway, I came across a sentence that reverberated. Each day, another image arose in response. The final poem is about the unwinding in her novel, and the unwinding in us when we undergo inner revolution. My second poem has five potential titles, Woman Walking In-Verse, Hanged Woman of the Tarot, Pittura Infamante, and Soul Question. As of writing this, I think it's last line works best: The Unanswering. I took a Movement & Memoir course with Sara Porter in January 2022. We moved between dance and writing. In the session out of which this poem arose, she asked us to dance our deepest question. I was working with a concept of a personal ‘life review’ at that time, and danced my question from angstful depths. Then we drew our dance on paper, and that drawing is now a choreography of the piece. We got up and danced again, this time guided by our drawing. After that, we sat and wrote about our question in the dance that transpired. Again we rose, danced, and after, noted shifts that occurred in the writing and the dance through the successive iterations. From this whole process, I later composed my poem and, because it has a choreography, can dance it anytime I read or recite it.

If I dance The Unanswering at an event again, the poem needs to be memorized! I put this video together quickly so that what I submitted to the show would have a visual component. It's kind of a fun reading, though, especially as good friends were in the audience.

The drawing of the original dance and that has become a choreography for dancing the poem:

Woman Walking In-Verse, 2022, 17" x 10", deAtramantis inks on Strathmore drawing paper.

*Minstrels & Bards is a quarterly writing & music series I run at the Tranzac Club in Tkaronto/Toronto. Go the the Facebook group or scroll down on my website Homepage to see more info: https://brendaclews.com
Music from Audiio.com: Arms and Sleepers - Cinemas For Marseille (Instrumental) Primo Levi - Violin Piano Floating II (Instrumental) Center Of The Sea - Bending Gravity (Instrumental)

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