Sunday, September 08, 2019
Self Portrait #10
August 18, 2019
Don't know what to say of the journey to here or where I might be going.
Below is the underpainting in acrylic, and above, the next day, and many hours later, the portrait in traditional oils. Still learning! There's so much paint on it that I'm not sure I can work much more with it! Time to stop! Oils on a Dollarama 8”x10” canvas.
The underpainting, done August 17, 2019, took about an hour. The leftover acrylic palette from a bad commission experience, which probably fed into the painting- my 'sturm und drang'! Wanted to try painting in a different way to my normal mode. Overworked a little for sure - acrylics, even with retarder, dry so quickly you can't blend. It came out expressionistic. The proportions! From now on, I must draw or map out where the features of the face are before painting. I may try to fix it in oils, or not. A not-very-success self portrait on a Dollarama 8”x10” canvas.
___
Friday, September 06, 2019
A bad experience with a commission
I got caught in a tangle of intrigues, of hinted devastating illness and poverty, and when I realized the pull on the heartstrings was likely a ploy to get a reduced price, I refused to sell it. I was so incensed with the fabrications and the name calling mud-slinging when I called this person out, I said I would shred the painting. I was given what amounted to an honorarium, which was ostensibly the payment and honestly, so way-below-minimum-wage it was almost a 'bleep' and then told to keep the money since they didn't care about it. A bad experience.
In the invoice I sent to the client detailing the actual amount given, along with a high resolution .tif file, I made it clear that I had rights to use the lower resolution .jpeg image to promote my work on my website and in social media.
What I learned was to never drop your asking price on compassionate grounds. You don't know a person's true life situation.
And, sometimes, for wealthy people, money is a game. How big a deal can you get - it's fun for them.
My friends, some of whom sell their art, or offer other services like Reiki, or tarot readings, have all said you set a price and it is the same for everyone, no exceptions. They charge their friends the same price they charge their clients.
A lesson learnt. I am very grateful I did not sell the painting for the amount of money I was sent, and was able to say no to a larger commission that I had already begun to get caught on again.
The enquiry for the larger commissioned portrait and its cost was agreed on, and then they slipped in the spouse, the extra person. It was done so skillfully that I barely noticed.
Two people are two entirely different skin tones, two whole sets of preparatory drawings, two different palettes! It is twice the work! The curator at a gallery where I had a solo show some years ago told me I had to double, or nearly double my price for painting a couple.
I know that. How'd I get glamoured (hypnotized)?
This experience, of course, changes me.
Now, there is sympathy, certainly, deep empathy if the situation is difficult, but no 'deals,' no price drops. It's sad to come to this - but one bad experience does it.
___
In the invoice I sent to the client detailing the actual amount given, along with a high resolution .tif file, I made it clear that I had rights to use the lower resolution .jpeg image to promote my work on my website and in social media.
What I learned was to never drop your asking price on compassionate grounds. You don't know a person's true life situation.
And, sometimes, for wealthy people, money is a game. How big a deal can you get - it's fun for them.
My friends, some of whom sell their art, or offer other services like Reiki, or tarot readings, have all said you set a price and it is the same for everyone, no exceptions. They charge their friends the same price they charge their clients.
A lesson learnt. I am very grateful I did not sell the painting for the amount of money I was sent, and was able to say no to a larger commission that I had already begun to get caught on again.
The enquiry for the larger commissioned portrait and its cost was agreed on, and then they slipped in the spouse, the extra person. It was done so skillfully that I barely noticed.
Two people are two entirely different skin tones, two whole sets of preparatory drawings, two different palettes! It is twice the work! The curator at a gallery where I had a solo show some years ago told me I had to double, or nearly double my price for painting a couple.
I know that. How'd I get glamoured (hypnotized)?
This experience, of course, changes me.
Now, there is sympathy, certainly, deep empathy if the situation is difficult, but no 'deals,' no price drops. It's sad to come to this - but one bad experience does it.
___
Wednesday, September 04, 2019
Self Portrait #9
Self Portrait #9, ©Brenda Clews 2019, 14"x8", oil on canvas sheet.
Wanted to get a painting done quickly. Ha! Started with a wash composed of scrapings from a former palette that seems to have buckled the canvas sheet. The paint on the face is thick - learning to slather it on - and the different colours have different reflective qualities. It needs more work I think, but later on when it's drier, I can even out the tones and varnish will smooth out the reflectiveness. Or not. Who knows. This is a crop of a larger painting and I used it as a profile picture for a poetry event where I'm one of the featured readers.
___
Monday, September 02, 2019
Portrait of Rod
Portrait of Rod Pizarro ©Brenda Clews, 2019. 18” x 24”, oil on canvas.
He's the guy at the TV studio who decides which shot when during a game. It's super intense concentration, high-paced, not many people could do it, and so the colours around him, on his face, kind of represent that bustling high focus and all the action he's sending out over the airwaves, plus the light from the screens on his face, which are like chunks of photons.
Through it all, he's this smiling, calm guy, or that's how he appears to me, but the world he inhabits during his working life remains with him — the colours, movement, action, sports fields dancing around him in his aura.
I've drawn Rod before. He came over late November 2018 and we did a photo shoot. From those photos, I began a commissioned painting. First a throw-the-paint-down underpainting, and then a 2nd iteration of the same. Though he had commissioned the portrait to be hopefully ready by his 50th birthday at the end of February, the month came and went. It wasn't until July, when I finally had studio space to work in, that I was able to finish it over about 5 days.
He says he loves it, and what more could a portrait painter wish for! A wonderful man and very honoured to be asked to paint a portrait of him for his 50th - good news is, he's still 50!
___
Saturday, August 03, 2019
Self-Portrait #8 (continuing to evolve as a painter)
Self-Portrait #8, ©BrendaClews 2019, 18"x24", oil on canvas sheet.
My 8th self-portrait for the Sunday Self Portrait group on Facebook (they gave it lots of likes but not one comment). On a green underpainting, I painted the figure directly, shaping the face without a drawing. The paint is applied thickly from a left-over palette from a commission. Pulled straps down to see the bone structure - those clavicles - I never go around like this! I look a decade older but don't care. I didn't work on the eyes, nose or mouth with a fine brush like I normally do. Everything's done with thick scrubby brushes. My portrait painting is continuing to evolve and that makes me happy.
___Thursday, July 25, 2019
Transitioning to Grey Power
__
Monday, July 15, 2019
#7 Self Portrait Sundays (oil)
Self Portrait ©Brenda Clews, July 14, 2019
This is my 7th self-portrait so far, and I am still getting used to my face! Was trying to work on volume in this one. Also, as ever, to accurately paint what I see in the mirror. I am frustrated with lots of things in this painting, but enough is enough. Started on Friday, finished this morning. Oil on canvas sheet, 24"x18".
Friends have called me on the 'stern' look - uh, no. Rather... the self-scrutinizing gaze in the mirror trying to get the damn face in paint, and not liking how it's going!
The plain face, no make-up, alone in the privacy of intense concentration. The self painting the self in solitary scrutiny without thought to the social face.
___
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