Solstice, a brief moment, the earth at its outer spin. Nothing stands still in the reversal. The warmth begins its journey back while the coldest months are yet to come. The shifting rotation offers paradox while the seasons glide along, glide along.
Wishing you and yours a wonderful, generous, gift-giving Solstice and brilliant New Year filled with love, health, success, warmth and enjoyment.
In the spirit of the rebirth of the sun:
light your sabre!
_ Photo from Split Mask, a videopoem I am again working on.
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We had a wonderful poetry and music gathering at Markham House in Mirvish Village on November 29th.
Many thanks to our features - Jeannine Pitas (Janina La Papita) and Amoeba Starfish (Jeff Howard and Phil Ogison Aegidiussen) - thoroughly enjoyed every word and note of music (including dancing! Jeannine, Sharon Goodier, Norman Bethune Allan and Ariel Balevi - dancers all!)!
And beautiful open mics - wow! - Ariel Balevi (who is a well-known and beloved storyteller and shared a poem for the first time publicly), Anatol Oberhand Balaban (who wrote a terrific impromptu poem about Mirvish Village), Daniela Oana (first time sharing her poetry publicly), Sharon Goodier (who shared some of her ekphrastic poetry), Elizabeth Pollack (first time sharing her poetry publicly), Jeff Cottrill (who had us laughing with a great TTC poem) and Norman Allan (who read while Amoeba Starfish were playing).
And, of course, much gratitude and kudos to those who helped at Markham House, Deb and Joe for chairs, coffee, mineral water, and Aliya who was my kind liaison organizing the event.
Our Soirée wound into the evening hours in a beautiful space. Intimate, supportive, friendly, warm, my favourite kinds of hours. Thanks to you all! xoxo
The first 35sec, which is like a Shakespearean Prologue (been doing this the last couple of salon videos and not sure anyone's noticed - John Oughton did the theme music), you get the whole soirée in stop motion, is still blue - too much work to re-do it - but the rest is now in natural tones. I started this video at 11am on Sunday morning and it is now posted here, in my blog, finally. There is a blue version floating around but I don't feel the colouration worked and am keeping that private. :-}
Norman Bethune Allan is somewhere in Amoeba Starfishes' set
1:01:03 Amoeba Starfish (Jeff Howard and Phil Ogison Aegidiussen)
Our November poetry and music gathering was hosted by moi, Brenda Clews, and I also took photographs, and shot and edited the video. http://brendaclews.com
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Another photo of this drawing taken outside while spraying it with a fine art fixative. While not quite the full-spectrum-total-sunlight that I prefer, it was snapped in wan sunlight that appeared momentarily in a grey, overcast day. The colour and detail are better than the night shot I posted a few days ago.
Awaiting a Title, 2015, 13" x 24", mixed media, Canson montval 140lb cold press archival watercolor paper. I thought to call this Climate Change, but that was early in the drawing. After, I began to see many different things in it and am not sure what to call it anymore.
It needs an image or a line from a surreal poem or fantasy literature, or maybe its own poem from which a title can be drawn.
It's just a little experiment and will likely be a Christmas gift this year if the person I am thinking of likes it.
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It's very blue, but that's because the effects that worked in the other locations were too grungy-looking in this one and pushing the colouring into the reds created an anemic green vignette with yellows that I couldn't abide. I began at 11am and a few versions later it is finally rendering, 17 hours later. Note: I did manage to get 5 hours of sleep. This is the last one I am doing - the videos have been a place to experiment and to learn and a teaching tool for the poets and musicians who come to my monthly salons. No-one likes stark realistic video and so the overlays, colourings, flickers, borders that still have to leave my beautiful participants this side of recognisable. Dealing with low light has been very challenging. How to make my camera-person's work, Tripod is his name, his style is very static, somewhat visually interesting has been challenging. Choosing my features, composing the flyer, creating the event page, doing all the promo, hosting the wonderful hours while also taking 200+ photos *and* video (which gives me a ton of work after the salon and can take days to do) is a bit silly and I forthwith announce that the video which may be up tonight or tomorrow will be my last full poetry and music salon video. Only photos from now on!
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Quick sketch of a woman, 2015, 14" x 12", willow and white charcoal on Strathmore drawing paper.
I actually did this October 12th, but only got it photographed today in wan sunlight, really a cloudy, overcast sky. Putting this in a frame on my wall, so no more attempts at photographing it.
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I thought to call this small piece, Climate Change, but that was early in the drawing. After, I began to see many different things in it and am not sure what to call it anymore. It needs a line or an image from a Surreal poem or Fantasy story for a title. 13" x 24", mixed media, Canson montval 140lb cold press archival watercolor paper.
Doing a piece like this is fairly easy, and the kind of art I tend to stay away from. With a return to the way I did drawings and paintings before the rude interruption of Conceptualism when I did a Fine Art degree so many years ago, I find a progression of something I might have done in more rudimentary form as a teen. It's like I wiped out 30 years of domineering voices and styles and somehow returned to find my lifeline (to use a term from palmistry) and to continue it on.
Only by returning to the distant past could I continue on.
I don't think I would ever put this piece in a show - it is more of a free exploration, and not for anything.
The photo is taken at night and not with my favourite-for-shooting-art Canon because that beloved camera insisted on using the flash. I used my Sony, and, surprisingly, with quite a bit of Photoshop Elements tweaking, the colors look pretty good. Nowadays I always shoot in RAW, or uncompressed format, and maybe that's why I was able to get a more accurate rendering.
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