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immersion /2
This week an immersive video experience for you. A collaborative music video poem by
Sheila Packa and
Kathy McTavish. The poem,
Immersion, is Sheila's, and the voiceover is Sheila's reading; the cello is played by Kathy. While both Sheila and Kathy chose the images for the video, Kathy composed it.
The film and the cello work marvelously together. Kathy, to quote from her
website, is "a composer/free-style cellist. she uses chance and generative/organic forms to create everything from sparse, minimalist spaces to dense, orchestral landscapes."
immersion /2 manages to be both sparse and minimalist, while maintaining a density of a natural orchestral landscape in the background. My sense of the music is similar to the visual images, the way they are composed, layered with a sparse simplicity on the surface and yet we find representations of the elements densely underlaid - wind, water, light, bird, earth, fields in bloom.
Sheila's reading is liquid and silky and flows with the stark and sonorous sounds of the cello and the shifting lights and colours of the video itself. Nature and natural processes are everywhere in her writing and in her reading. We enter a
Tao of living through water that
is water. With our inner ears, we can hear the flowing tides and the birds in a profoundly open landscape. Sheila and Kathy live on Lake Superior, a lake I found deeply mystical when I travelled around it some years ago. Her poem is from her collection,
Undertow. I quote from her
poetry blog:
"(immersion)
water resists
breaks without breaking
flows along invisible scores
courses between continuous
ends, begins
doesn't resist
touches, touches, turns
over the same skin...."
While I could rhapsodize on this music video poem all day, let me close with mention of Kathy's video technique, which is likely an original interpretation of the Bokeh style.
Kathy has explored
Bokeh photography techniques, and puts her knowledge of this Japanese art form to amazing results in her videos. She uses stop motion, and to my eye, layers photograph tracks so that they emerge and recede with the flow of the music. She likely has used a cut-out shape over the camera lense to make that bird/wave shape which permutates and shifts in changing light patterns throughout the video and is perfect for Sheila's poem; but I couldn't guess how she composed the weave of slow motion of brilliant colours towards the end. Unlike traditional Bokeh, there is no foreground subject. Rather we are immersed in an ever-shifting slow-moving background. It is as if she composes abstract expressionist artwork before our eyes, painting with light and colour. As Sheila writes in
her blog:
The still motion images are created by the use of DSLR camera, a Canon EO5. Kathy has been exploring Bokeh effects. It is an artistic technique initially used by some Japanese photographers who enjoyed the aesthetics of blur. She comes to this work by way of music; in fact the images are created in the same way that she creates music in her studio. Her echo pedal and harmonics perhaps are a musical expression of blur. She likes the 'infinite between.' She began using images in her search for techniques of writing scores. The images evoke meaning; to her, they create a synesthesia and seem to have their own sounds.
Sheila Packa and Kathy McTavish are two brilliant, creative women making, in my estimation, collaborative masterpieces.
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I have a Videopoetry group at Vimeo - if you are a videopoet, and are on Vimeo, please join. Love to see your work there. Also I feed all videos posted through to Facebook, and will to Google+ as soon as that feature is added:
http://vimeo.com/groups/videopoetry.
