A gadget-type

Speed test of my Internet provider, Bell. I think it looks good, but I'm not a techie! The site says it's faster than 81% of connections. Now what this means I'm not sure...

I admit I'm a freeware/open source gadget-type (who leaves thank-you notes for the developers). Recently downloaded Camouflage, a terrific little utility that 'hides' the icons on your desktop for instant de-clutter! And I just found a great little application, a Timer Utility for the Mac. Then I opened Audacity (another free program - I've not yet gotten the hang of how to do these little things in Apple's Garage Band, not like Apple's old Sound Studio, which was easy to use), grabbed some Tibetan Bells music, cut a small clip out, fiddled with it a bit (increased volume, a few mini cuts), saved it as an .mp3, and viola! I have the perfect "alarm" of delicately ringing Tibetan Bells for when I'm finished a yoga mediation! It's so beautiful!

Fragments towards a meditation on the body...

A recording that's bobbing back on the SoundClick charts, unexpectedly, momentarily.



If the embedded player doesn't appear (it's mysteriously absent on RSS feeds), click on these links to listen: DSL or Cable;
Dial-up.

"Mujeres," by Juan Gelman

A bello compliment I found on the Internet. Juan Gelman is a well-known Argentinian poet.

Igooh | Letras

betzalel | 18/09/2008 |

"Debía tener unas 12397 mujeres en su mujer"

"Mujeres", un hermoso poema de Juan Gelman, recitado en su voz.

Tags: juan gelman, mujeres, mujer, poema, poesía, audio, brenda clews

"Mujeres en verano". (Brenda Clews)

Mujeres



decir que esa mujer era dos mujeres es decir poquito
debía tener unas 12397 mujeres en su mujer
era difícil saber con quién trataba uno
en ese pueblo de mujeres
ejemplo:

yacíamos en un lecho de amor
ella era un alba de algas fosforescentes
cuando la fui a abrazar
se convirtió en singapur llena de perros que aullaban
recuerdo
cuando se apareció envuelta en rosas de agadir
parecía una constelación en la tierra
parecía que la cruz del sur había bajado a la tierra
esa mujer brillaba como la luna de su voz derecha

como el sol que se ponía en su voz
en las rosas estaban escritos todos los nombres de esa mujer menos uno
y cuando se dio vuelta
su nuca era el plan económico
tenía miles de cifras y la balanza de muertes favorables a la dictadura militar
nunca sabía uno adónde iba a parar esa mujer
yo estaba ligeramente desconcertado
una noche le golpeé el hombro para ver con quién era
y vi en sus ojos desiertos un camello

a veces
esa mujer era la banda municipal de mi pueblo
tocaba dulces valses hasta que el trombón empezaba a desafinar
y los demás desafinaban con él
esa mujer tenía la memoria desafinada

usté podía amarla hasta el delirio
hacerle crecer días del sexo tembloroso
hacerla volar como pajarito de sábana
al día siguiente se despertaba hablando de malevich

la memoria le andaba como un reloj con rabia
a las tres de la tarde se acordaba del mulo
que le pateó la infancia una noche del ser
ellaba mucho esa mujer y era una banda municipal

yo
compañeros
una noche como ésta que
nos empapan los rostros que a lo mejor morimos
monté en el camellito que esperaba en sus ojos
y me fui de las costas tibias de esa mujer

callado como un niño bajo los gordos buitres
que me comen de todo
menos el pensamiento
de cuando ella se unía como un ramo
de dulzura y lo tiraba en la tarde

Visitar la galería de cuadros de Brenda Clews en Flickr

"Debía tener unas 12397 mujeres en su mujer" fue publicada por betzalel el 18/09/2008 a las 11.28 en Letras.
Ha sido marcada con los tags juan gelman, mujeres, mujer, poema, poesía, audio, brenda clews
y recibido 0 comentarios.

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Why do we write? Or create?

Why do we write? Or create? For moi, it's over-ripeness... and for you?

Click here, if the embedded video doesn't appear.

Figurative No.1

for my son

It may or may not be finished, but feels as if it is. I'll call it a figurative abstract.

(click to enlarge)

First Wash of a new painting...

This drawing sat on my desk, it's 55mm x 74mm, 300lb archive watercolour paper, on that piece of plywood, under tissue paper, since last Summer. Many things have rested on it, papers, purses, gloves, hat, scarf, sweaters, until I cleaned it all up a week ago. Yesterday afternoon I threw water all over it, which ran everywhere, on the floor, all over my class notes (requiring a 'drying out' on a towel in the living room) but never mind that, and started rubbing paint in.

The painting wasn't too bad, really it wasn't. But for no reason that I can think of I found a Waterman fountain pen that still had ink in it (oh, rue the day for pens with ink when you shouldn't!) and inked in the figures, after they'd had their first wash of paint. I only looked at the lines, was comforted in the process of outlining and ignored the whole painting in my act.

What a mess! Why'd I do that? Inking by rote, rather than with a sensitivity to the image?

Now I have to try to clean up- the inked lines far too dark and insensitive. Because I drew them after the first wash of colour, the colour doesn't adhere to them, nor did they bleed into that first wash as would normally happen (since I used to ink first, then paint).

Oooh, la!

Is this why it sat like an accuser on my desk for over 6 months saying, paint, paint, when I would choose the 'by rote' path rather than the 'in the moment' shifting and changing as light and colour asked, and be forced to confront my own predilections, my own habitual patterns, all the immovable grids in my perception?

Arghhhh.........

Playing with an Animoto slideshow...

Does it work, or not? Doesn't matter. Just playing. Animoto mades a video out of whatever photos you upload, and adds whatever music (in this case an .mp3 of a poetry recording I did some years ago) to it. It's a 30 second freebie. The slideshow video is here (if there's any problem with the embedded one below). The poem, Whorls of Angels, of which there is a snippet, can be found here. Hope this posts alright!