I'm at a new coffee shop that hasn't quite opened yet across the street from where I live where I have been given a free Americano with frothed milk and it's delicious. They sell Bodum here. A little pricey, but the coffee is excellent and while the shops are a bit distracting outside there is a good view of the magnificent sky. It is the sky that I need to see when I write - which made writing a challenge in Gideon's basement! When I had the money, I went to an Italian café nearby and wrote. That's a little far now, but perhaps this café, where I am now, will be my "spot." Here's a cell phone pic to show you...
(click on photo to enlarge)
Sunday, April 13, 2008
Saturday, April 12, 2008
Still Life
I would never have left, that's how it was.
But I am shifted into the expanse of light.
There's no attitude I can think of to express this.
The streets are busy, and I walk them, Spring warmth. I can't say if it's love. It's very strange to be here, where it's incipient.
I'm not sure how we stay together when we do, or how we fall away from each other.
There are many ways of being. It's pointless to talk about singular, unitary things. Fluxes and flows. There is a trajectory, though. That's what's most surprising after many years. A path in the pathlessness.
I don't know how I ended up there, or why it was over. Or why we never spoke. Or why there was a significant effect anyhow.
It makes me aware that most of life goes on under the surface.
Which is strange, when the pathways map these routes to and fro.
Nothing was stable, but everything remained as it was, only more so.
I don't mean to sound vague. All the things I thought weren't close to what was unfolding in the underground ways that it was. We didn't understand, but we knew this had to be.
I can't fathom a design, but perhaps there is one in an absent fashion.
An inner directive.
Of which we're hardly conscious, except in retrospect.
Nothing stays still.
But I am shifted into the expanse of light.
There's no attitude I can think of to express this.
The streets are busy, and I walk them, Spring warmth. I can't say if it's love. It's very strange to be here, where it's incipient.
I'm not sure how we stay together when we do, or how we fall away from each other.
There are many ways of being. It's pointless to talk about singular, unitary things. Fluxes and flows. There is a trajectory, though. That's what's most surprising after many years. A path in the pathlessness.
I don't know how I ended up there, or why it was over. Or why we never spoke. Or why there was a significant effect anyhow.
It makes me aware that most of life goes on under the surface.
Which is strange, when the pathways map these routes to and fro.
Nothing was stable, but everything remained as it was, only more so.
I don't mean to sound vague. All the things I thought weren't close to what was unfolding in the underground ways that it was. We didn't understand, but we knew this had to be.
I can't fathom a design, but perhaps there is one in an absent fashion.
An inner directive.
Of which we're hardly conscious, except in retrospect.
Nothing stays still.
Monday, April 07, 2008
The Path
Adrift
Out of the fertility of the ocean, sea tides within, rhythms following the moon's wake, I sought you.
My planet of fire.
You'd disappeared into steaming mist. I lost you in the clouds. Perhaps you'd transformed into the raptor flying overhead. Or the dark loam of the shore looming.
You were always only figments,
imagined.
Pink roses
falling in the wind.
What could be fired her desire, kept her enthralled. Only now she sees what is.
For love is beautiful and painful, this is its nature. "A great love carries within it a mourning for love." [Edmund Jacobs.]
The way the processes of love unite what is disparate, the longings and communions, and hold us to our wanton paths amidst the fluxes of the heart.
Venus
adrift...
My planet of fire.
You'd disappeared into steaming mist. I lost you in the clouds. Perhaps you'd transformed into the raptor flying overhead. Or the dark loam of the shore looming.
You were always only figments,
imagined.
Pink roses
falling in the wind.
What could be fired her desire, kept her enthralled. Only now she sees what is.
For love is beautiful and painful, this is its nature. "A great love carries within it a mourning for love." [Edmund Jacobs.]
The way the processes of love unite what is disparate, the longings and communions, and hold us to our wanton paths amidst the fluxes of the heart.
Venus
adrift...
Sunday, April 06, 2008
Titles
Sometimes I have trouble with titles. The Red Flower was the only one I could ultimately use because those were the first three words of the poem (which I hope you get, how it was written I mean), and that's okay when you can't come up with anything else. The Red Flower seems to be part of another series, a 'Vishnu, The Preserver' series perhaps, who knows if a theme is developing. The Venus Poems are continuing to develop. Mostly I'm fine with the titles I choose. Though In the Throes of Love... really was a bit much, sort of 40s romance, or I thought, this morning Venus in Lament would I think be better, since she's left being Celestial Aphrodite and entered the realm of Pandemos, where there are no rules and it isn't altogether fun, but why give away the last line? Oh, it's so impossible, this naming of the words of love that poetry is...
Tuesday, April 01, 2008
The Red Flower
(I think this poem goes with what may be a "Vishnu" series, the first of which is Vishnu on Chinese New Year.)
The red flower spirals
or it's a fractal
folding.
His heart is a window
box with a red flower
Beating. Petals spiral in, or out,
Magritte-like.
A map in water, a warehouse, snowblue.
Lost pink dancing slippers,
a church in black and white,
a chorus singing carols.
Quarantine. Insolence. Defiance.
Burlap and cold steel.
Madness in prison.
I heard the message,
its jumbled sanity.
Fragments of patterns,
like this poem,
torn from the epic.
Worlds within worlds.
Bullets and blood, the heart floods.
Five billion dying in biological warfare.
What was that movie where he dreamed his death,
unable to save the world.
Saviour, the preserver.
We'll all be saved on a microchip,
says the prophetess.
The red flower spirals
or it's a fractal
folding.
His heart is a window
box with a red flower
Beating. Petals spiral in, or out,
Magritte-like.
A map in water, a warehouse, snowblue.
Lost pink dancing slippers,
a church in black and white,
a chorus singing carols.
Quarantine. Insolence. Defiance.
Burlap and cold steel.
Madness in prison.
I heard the message,
its jumbled sanity.
Fragments of patterns,
like this poem,
torn from the epic.
Worlds within worlds.
Bullets and blood, the heart floods.
Five billion dying in biological warfare.
What was that movie where he dreamed his death,
unable to save the world.
Saviour, the preserver.
We'll all be saved on a microchip,
says the prophetess.
Monday, March 31, 2008
In the Throes of Love...
If there is a ground,
it is a quantum of vibrating molecules.
Like walking on water during a storm at sea.
No guides in this emotional terrain,
it's new.
I don't know where I'm going or how to get there. Logic has failed; intuition, senseless.
Furies and lies and deceptions blow like crazed winds everywhere. Nothing can be trusted to be what it seems or purports to be. The stories you are told aren't the real ones. Secrets are everywhere. The underside is sleazy, riven with seething. And you wonder how you missed the way through, or if it ever was there. And when the revelations come, and they do, like light through the floods, you don't know how to survive them, and if you do, what direction you should be travelling in now.
Rudderless, without navigation.
How can you find ground when there is no ground?
What is continuous in the discontinuous?
What lasts in impermanence?
What is it in the wavering flame that doesn't go out? Even in the storm I travel though.
Perhaps on a scallop seashell, a Venus in lament.
it is a quantum of vibrating molecules.
Like walking on water during a storm at sea.
No guides in this emotional terrain,
it's new.
I don't know where I'm going or how to get there. Logic has failed; intuition, senseless.
Furies and lies and deceptions blow like crazed winds everywhere. Nothing can be trusted to be what it seems or purports to be. The stories you are told aren't the real ones. Secrets are everywhere. The underside is sleazy, riven with seething. And you wonder how you missed the way through, or if it ever was there. And when the revelations come, and they do, like light through the floods, you don't know how to survive them, and if you do, what direction you should be travelling in now.
Rudderless, without navigation.
How can you find ground when there is no ground?
What is continuous in the discontinuous?
What lasts in impermanence?
What is it in the wavering flame that doesn't go out? Even in the storm I travel though.
Perhaps on a scallop seashell, a Venus in lament.
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