My table is set up in a dining area in a small carpeted room adjacent to an enclosed porch overlooking the lake. I take it away from the hands working on it and move it into the windowed area with the sun and waves close.
Alone, I continue preparing my table, perhaps for dinner for my family, although underneath are art supplies, brushes, tubes of paint, a disposable palette, primed canvas; it's on wheels.
The building disappears and I find myself on a spit of land in the room whose windows have now dissolved so that the air pours in.
The area around where I am setting up is becoming wetter and soon will be impossible to reach. The room has disappeared and I am standing on a low-lying bank beside rising water. The ground is muddy and grassy, soggy. I continue setting the table until I realize my family won't be able to get here.
When I look out towards the water, I understand how vulnerable my set-up is. One storm, one lash of water, and everything's gone.
I am considering how to move inland but slowly come to wakefulness in my warm bed in the pre-dawn darkness.
Thursday, November 01, 2007
Wednesday, October 31, 2007
O Halloween!
Overheard on the streets on Halloween party night, "Every vampire is a f----ing Goth." Goth is the Undead. Rah!
Making my way through the crypt-white skin and deathly black lips, hair, eyes, nails and clothes of vamps combing the streets looking for treats, I look up and see clouds looking like bruised blood in the sky, with a faint purple tinge over by sunset.
Black silhouetted trees are torn of their leaves by ravaging winds,
shadowy fat leaves fly like bats over the streets.
The clouds broil and the rain comes in,
a fierce spitting snake sliding across the sky.
Ghouls unite! It's time for Gothic Romance
or Zombie Undead Heaven!
Later I walk somnambulantly through the night after my howling dog, and see a bank of dense black cloud moving under the whitest of moons, which sheds light on the upper ridge of the clouds so it's like a stripe rolling along a great skunk.
It's eerie to see the world projecting itself in animal forms.
It must be the influence of those ancient Celts and their (listen for the wail) Halloween.
___________
Really, dear Readers, every word is true! Whooo.
Making my way through the crypt-white skin and deathly black lips, hair, eyes, nails and clothes of vamps combing the streets looking for treats, I look up and see clouds looking like bruised blood in the sky, with a faint purple tinge over by sunset.
Black silhouetted trees are torn of their leaves by ravaging winds,
shadowy fat leaves fly like bats over the streets.
The clouds broil and the rain comes in,
a fierce spitting snake sliding across the sky.
Ghouls unite! It's time for Gothic Romance
or Zombie Undead Heaven!
Later I walk somnambulantly through the night after my howling dog, and see a bank of dense black cloud moving under the whitest of moons, which sheds light on the upper ridge of the clouds so it's like a stripe rolling along a great skunk.
It's eerie to see the world projecting itself in animal forms.
It must be the influence of those ancient Celts and their (listen for the wail) Halloween.
___________
Really, dear Readers, every word is true! Whooo.
Tuesday, October 30, 2007
Enjoying Strategies...
Tirades you sit through. It's like mumbling on the outside. Those who criticize others and defend their own positions. Placing clumbsy values that lack complexity on a person in a way that ignores one's own faults. A talent, like any other: fault-finding. Building an air-tight case. Or bitching: what enables the continuance to continue. Faults are places where there is potential rupture, perhaps it's best to keep the lid on the boiling pot slightly lifted so the steam can escape.
Or those who are paranoid about the judgements of others. Who carry self-pity around like a Lockness monster risen from the deep. But it is a form of narcissism, this continual focus on the self and on how ungreen one's grass is. And manipulative, most certainly. Who will tend to our wounds?
We should guard against excessive negativity towards others or ourselves, even if indulging feels good sometimes. Keep the teeter-totter even. Not a game of excesses but of balances.
It's the professional ones who are remarkable. No hidden motives; no judgements; fair play all round. Let's just get on with it.
The latter my preferred, but stable and perhaps not as interesting as the slightly unhinged who see the days as varying degrees of battle.
Or those who are paranoid about the judgements of others. Who carry self-pity around like a Lockness monster risen from the deep. But it is a form of narcissism, this continual focus on the self and on how ungreen one's grass is. And manipulative, most certainly. Who will tend to our wounds?
We should guard against excessive negativity towards others or ourselves, even if indulging feels good sometimes. Keep the teeter-totter even. Not a game of excesses but of balances.
It's the professional ones who are remarkable. No hidden motives; no judgements; fair play all round. Let's just get on with it.
The latter my preferred, but stable and perhaps not as interesting as the slightly unhinged who see the days as varying degrees of battle.
Monday, October 29, 2007
Waves
Waves curve, a
continuous rail of
Cherrywood forms
armrests and around
the back when you sit
it presses against
your spine, saltwater
stays in the right spot
to bolster you upright
Upholstered thick
expensive brocade,
designs of seaflowers
and seaweed and shells.
The conversations
that go on.
Talking, murmuring,
presentations, reflections,
decisions. Streams, waves,
floods of noted notes. Tallying
Profit/Loss. Continuous,
churning world of finance.
Accounts formed the first
written records1 we have,
Numbers flow like riverwater,
bracken in the ocean.
______
1pictures of goods traded
drawn on clay tablets
in 3100BCE by Sumerians
in ancient Mesopotamia
-here's a link
continuous rail of
Cherrywood forms
armrests and around
the back when you sit
it presses against
your spine, saltwater
stays in the right spot
to bolster you upright
Upholstered thick
expensive brocade,
designs of seaflowers
and seaweed and shells.
The conversations
that go on.
Talking, murmuring,
presentations, reflections,
decisions. Streams, waves,
floods of noted notes. Tallying
Profit/Loss. Continuous,
churning world of finance.
Accounts formed the first
written records1 we have,
Numbers flow like riverwater,
bracken in the ocean.
______
1pictures of goods traded
drawn on clay tablets
in 3100BCE by Sumerians
in ancient Mesopotamia
-here's a link
Thursday, October 25, 2007
Terminals & Interludes...
The purple glass of the halogen ceiling lamps, Ella singing in the background, the warmth of the day and how everyone is smiling, and the see-through patterned negligees a few stores over. I sit in a cafe at a high wood table sipping a strong and frothy and chocolate and cinnamon-sprinkled cappuccino thinking about the men in my life.
What I cannot envision. There were too many then; now there are none.
Probably they were all imaginary.
What do I want anyhow?
The reflection of the waterfall in the glass that protects the basalt-style concrete stairs. Sand melted into clear transparency and bounded by stainless steel, a continuous handrail.
I watch people walk up and down the stairs, like mirages. Or drifting over the sidewalks, catching their images in windows.
The clothes hanging loosely in the breeze waiting to be filled. Clothes imagining the people who will wear them walking up and down the stairs. Like that.
I must stop it now. All of it. My neck aches from the angle of the computer where I work. The mundanity of the days that pass without significant events anywhere in their hours. Plunging like a race in water that cleaves while you rush through.
Only, the truth, it is a season later and I am sitting in the library working at a terminal, having taken a streetcar to write during lunch.
Extrapolate the time; never mind ruminations on what wasn't. There are thin green lines with coins hanging at the ends of the scarf I'm wearing today. The lighting quivers harshly. Pages turn noisily. A librarian is retiring this afternoon; I overhear her tell a borrower that's she's not going to help him with any extraordinary means. If it works, fine; if it doesn't, I'm gone.
Not me. I work hard and never leave. I've come every day and now the system inexplicably locks me out early. I have 1 minute and 22 seconds left to write.
If I don't write I might go crazy. That's the way it is. She has greying pink hair and black fingernails and her clothes are large and black and animated. Look, I wrote in my book, on those days, in those places. June, August perhaps. In the plunging of time. And it was just like that. Certainly there were stories that I didn't tell under the purple halogen lights with Ella playing. But how are you to know that from the writing, which curves without revealing whereabouts.
What I cannot envision. There were too many then; now there are none.
Probably they were all imaginary.
What do I want anyhow?
The reflection of the waterfall in the glass that protects the basalt-style concrete stairs. Sand melted into clear transparency and bounded by stainless steel, a continuous handrail.
I watch people walk up and down the stairs, like mirages. Or drifting over the sidewalks, catching their images in windows.
The clothes hanging loosely in the breeze waiting to be filled. Clothes imagining the people who will wear them walking up and down the stairs. Like that.
I must stop it now. All of it. My neck aches from the angle of the computer where I work. The mundanity of the days that pass without significant events anywhere in their hours. Plunging like a race in water that cleaves while you rush through.
Only, the truth, it is a season later and I am sitting in the library working at a terminal, having taken a streetcar to write during lunch.
Extrapolate the time; never mind ruminations on what wasn't. There are thin green lines with coins hanging at the ends of the scarf I'm wearing today. The lighting quivers harshly. Pages turn noisily. A librarian is retiring this afternoon; I overhear her tell a borrower that's she's not going to help him with any extraordinary means. If it works, fine; if it doesn't, I'm gone.
Not me. I work hard and never leave. I've come every day and now the system inexplicably locks me out early. I have 1 minute and 22 seconds left to write.
If I don't write I might go crazy. That's the way it is. She has greying pink hair and black fingernails and her clothes are large and black and animated. Look, I wrote in my book, on those days, in those places. June, August perhaps. In the plunging of time. And it was just like that. Certainly there were stories that I didn't tell under the purple halogen lights with Ella playing. But how are you to know that from the writing, which curves without revealing whereabouts.
Wednesday, October 24, 2007
Perigean Moon
During the height of a lunar and solar tide I fell into the watery moon. The time of the decreasing declination of the lunar gravitational pull. My inertia held me.
You are angry at me and I don't know who you are, or why. No, I'm not waiting for an answer.
Somebody knifed people a few blocks up, stabbing two women's faces, a man in the back, someone's hands, at downtown street corners, or boarding a streetcar, randomly; no-one knew him.
Answers are meaningless during these flood currents when the bays and estuaries are swollen.
Sometimes the water rushes in a few kilometers an hour. Then you must run, the roaring. Do beware of the perigean tides, when emotion floods us.
You wouldn't know from the cool, clear, serene day with that clarity in the sunlight.
The current full moon, located on the nearside of the ellipse, the biggest and brightest this year.
You are angry at me and I don't know who you are, or why. No, I'm not waiting for an answer.
Somebody knifed people a few blocks up, stabbing two women's faces, a man in the back, someone's hands, at downtown street corners, or boarding a streetcar, randomly; no-one knew him.
Answers are meaningless during these flood currents when the bays and estuaries are swollen.
Sometimes the water rushes in a few kilometers an hour. Then you must run, the roaring. Do beware of the perigean tides, when emotion floods us.
You wouldn't know from the cool, clear, serene day with that clarity in the sunlight.
The current full moon, located on the nearside of the ellipse, the biggest and brightest this year.
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