Tuesday, October 16, 2007
Monday, October 15, 2007
Thursday, October 11, 2007
On creative process...
In whatever it is that I'm currently working on I am exploring a kind of 'found' poetry in that whenever I remember to, I compose little images of what I see around me, and then place them together in a piece later on. The prosepoems are not written in one sitting; I don't know the theme that they will cohere around beforehand. It's like preparing your palette before you paint. Or putting together some fabric with certain colours and patterns before you sew.
My little collection of images will find their way into a prosepoem, shifted, buckled, smoothed out, layered; however it is, they become part of the fibre of the prosepoem, expressing the nuances of the complexity of the underlying emotion.
In this way I am not an Imagist, nor a Minimalist, nor a Zen writer of haiku. I like to think that the little images keep their integrity of simplicity despite becoming part of a larger more complex thematic pattern.
When I hadn't any images collected for today, and not knowing what to write about, I thought, oh, ok, a post about creative process...
_____
ps Click on the photo to enlarge. Not that I always write this way! I thought those lunar images would cohere around the 'settling into the tedium of what is' but instead something else was more urgent and about which I cannot directly write but which formed the emotional underlayer of the piece that I posted. And I can see from the little notebook that, working on a computer in the library during lunch, when I was composing the writing from various sources, I forgot to include that image of the clouds that are grey up top with choral undersides...
Now that was beautiful! Though I couldn't decide whether to leave the "h" in choral, or not. It was a coral colour, but a symphonic movement through the sky...it fit more with "cadences of the voice" which I used elsewhere, so a dangling image, and where will it come to be?
My little collection of images will find their way into a prosepoem, shifted, buckled, smoothed out, layered; however it is, they become part of the fibre of the prosepoem, expressing the nuances of the complexity of the underlying emotion.
In this way I am not an Imagist, nor a Minimalist, nor a Zen writer of haiku. I like to think that the little images keep their integrity of simplicity despite becoming part of a larger more complex thematic pattern.
When I hadn't any images collected for today, and not knowing what to write about, I thought, oh, ok, a post about creative process...
_____
ps Click on the photo to enlarge. Not that I always write this way! I thought those lunar images would cohere around the 'settling into the tedium of what is' but instead something else was more urgent and about which I cannot directly write but which formed the emotional underlayer of the piece that I posted. And I can see from the little notebook that, working on a computer in the library during lunch, when I was composing the writing from various sources, I forgot to include that image of the clouds that are grey up top with choral undersides...
Now that was beautiful! Though I couldn't decide whether to leave the "h" in choral, or not. It was a coral colour, but a symphonic movement through the sky...it fit more with "cadences of the voice" which I used elsewhere, so a dangling image, and where will it come to be?
Wednesday, October 10, 2007
Unlived landscapes that are unfamiliar. How is the miracle to be performed where it's hidden, where no-one knows?
In the pre-dawn the moon fell into dark clouds rising over its floodlit. Whiteness dipping in and out of black veils.
Later striations like shredded tendons grazing the moon; in the distance dark thundering clouds of muscle.
Then, stillness. Mist, veils of light, white-gray, bright, shadowless. Obscuring the upper atmosphere, upper stories gone, the unshadowed light, stark clarity to everything below, where we are.
I wait. Navigation that should have didn't fit; I am lost. A familiar cycle, yet the drives and their effects, different. What I saw in the shadowless clarity was a map that wasn't grid-based. When evening came it became a moonlight of mist clinging to the falling leaves I pass under.
In the beginning of the turn-around, a fragility of time. Take me slowly through the awakening. I am unfamiliar.
The remnants of the Summer's heat when a harvest moon the colour of apricots rose, and the feasting of Thanksgiving to come round the overlaid table, at the mid-point of the equinox, a cold front came and the weather turned towards the new season of the year.
In the pre-dawn the moon fell into dark clouds rising over its floodlit. Whiteness dipping in and out of black veils.
Later striations like shredded tendons grazing the moon; in the distance dark thundering clouds of muscle.
Then, stillness. Mist, veils of light, white-gray, bright, shadowless. Obscuring the upper atmosphere, upper stories gone, the unshadowed light, stark clarity to everything below, where we are.
I wait. Navigation that should have didn't fit; I am lost. A familiar cycle, yet the drives and their effects, different. What I saw in the shadowless clarity was a map that wasn't grid-based. When evening came it became a moonlight of mist clinging to the falling leaves I pass under.
In the beginning of the turn-around, a fragility of time. Take me slowly through the awakening. I am unfamiliar.
The remnants of the Summer's heat when a harvest moon the colour of apricots rose, and the feasting of Thanksgiving to come round the overlaid table, at the mid-point of the equinox, a cold front came and the weather turned towards the new season of the year.
Thursday, October 04, 2007
Tribal Dance
Video Peek, we laughed quite hard at work, and then at home again. My daughter, when she was younger, said grownups look crazy when they dance, and, um, yeah. But we're having such a great time! Delightful, Julie's Tribal Dance, and I do love to go whenever I can, and won't point out who I am either!
Wednesday, October 03, 2007
Poetry Recordings
The silliness continues. Really, I've never followed anything like this in my life. No music, and not my best recording and the writing needs pruning perhaps though it does seem to build through a momentum, and so the rise on the charts is intriguing. Still #1 in Poetry; up to #9 in Talk. Hopefully by next year sometimes I'll have a new iMac or Mac Mini or something and be able to add some sound tracks. Since I don't play any musical instruments, it'll be interesting.
How do artists make money? Ahhh, another topic...
Voicings (2:49min)
# 9 in Talk (highest position was 9). Total songs: 5,366
# 1 in Poetry (highest position was 1). Total songs: 1,242
Over at Ourmedia, you can download "On Paintings in the Sand," which has been downloaded 1,590 times, "In the Uncertainty of Every Moment" has 594 downloads, and why I decided to charge for the recordings on my poetry reading site: Aural Pleasure, where, naturally, no-one has bought anything.# 1 in Poetry (highest position was 1). Total songs: 1,242
How do artists make money? Ahhh, another topic...
Tuesday, October 02, 2007
Word Painting Soirées
Forgive me for my enthusiasm of this morning, I was being a bit silly, but usually the ones at the top of SoundClick's Spoken Word Poetry section are with music and I don't have the ability to make different sound tracks and combine them, so I was rather pleased to be a poet-voice-only at #1 on this little chart.
My daughter's returned home, weary and weepy, and I am much relieved.
She says the dog and I have both lost weight, but she may not exactly remember us in our volume. Or it could be our 5km hefty hikes at night.
I went out and bought a futon frame for her mattress, the one we agreed on just before she moved to her Dad's in early June, lugging it back through an alley on a heavy-duty luggage rack (who'd pay for delivery when it's a 3 minute walk?), and then, strong women that we are, we carried it up the stairs. Next I'll get out my electric drill and put it together.
Maybe tomorrow this blog will return to its Rubies In Crystal prosepoetry...
Yeah, there's the Bloch™ leotard with the black lace sleeves, a portrait-in-the-mirror-type arte shot, which I took on 'chatty Sunday'...
Sundays... when we have our 'Word Painting' soirĂ©es, where we gather and drink white wine and nibble on hors d’oeuvres, and, dressed like flagrant muses, flirt and discuss our art... We’ll celebrate each other as the afternoon shimmers into evening in the lavishly rich studio you're welcomed into.
:-)
My daughter's returned home, weary and weepy, and I am much relieved.
She says the dog and I have both lost weight, but she may not exactly remember us in our volume. Or it could be our 5km hefty hikes at night.
I went out and bought a futon frame for her mattress, the one we agreed on just before she moved to her Dad's in early June, lugging it back through an alley on a heavy-duty luggage rack (who'd pay for delivery when it's a 3 minute walk?), and then, strong women that we are, we carried it up the stairs. Next I'll get out my electric drill and put it together.
Maybe tomorrow this blog will return to its Rubies In Crystal prosepoetry...
Yeah, there's the Bloch™ leotard with the black lace sleeves, a portrait-in-the-mirror-type arte shot, which I took on 'chatty Sunday'...
Sundays... when we have our 'Word Painting' soirĂ©es, where we gather and drink white wine and nibble on hors d’oeuvres, and, dressed like flagrant muses, flirt and discuss our art... We’ll celebrate each other as the afternoon shimmers into evening in the lavishly rich studio you're welcomed into.
:-)
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