Wild creativity where I continually have to prune the excesses, this seems apropos. Slicing, trimming, removing. Articles, connectives, pronouns, prepositional clauses, whatever slows down the immediacy. Sudden leaps from one image to another, something invisible hovering between that connects them, something other than a random placement on the page, that is. Honing while listening to an internal rhythm, the syncopations of an inner aesthetic, what's overdone and weedy, or too sparse, how to. Otherwise I'd overrun, a confusing conglomerate of overgrowth.
Meditate perhaps for the same reason. To hone wildly outbursting thoughts. Clarify an inner terrain. Make it livable within the self. A friend recently said that I had the busiest mind of anyone they knew and no wonder I had to meditate.
Editing oneself. Ah, so.
How about you?
Wednesday, September 05, 2007
Wednesday, August 22, 2007
Propogating Fire
With my fierce language; it's my writing language, not my speaking words. In speech I am always bright.
Write from rawness. How else to find where we are? Plummet, forget safety. Go for the bleeding. Or maybe that's not it. Maybe it's bathing in nectars of fire.
The burning halo came anyway. And then I was alone. Leave the books behind to write.
I walk past a slate black iron tub in which a wash of rusted water runs, an Ecumenical bath.
A man in a white shirt photographs a bird-bath in the Church garden, a series of circular waterfalls in which birds shake their wings, flapping water.
An ambulance sirens by and crumb-pecking sparrows flutter so quickly to hide in the yellow rose bush that I laugh.
I am walking to a store to look at a sheer red shawl impregnated with flowers that I will not buy, but find myself standing near the park, writing in my notebook.
Two pigeons interlock in a dance on the ground nearby: the beak of one deep inside the mouth of the other, their grey heads bobbing back and forth. Is it a love dance?
It was humiliating that I was coerced into a dead-end corner with one ungraceful exit so the infidelity could occur.
Write from rawness. How else to find where we are? Plummet, forget safety. Go for the bleeding. Or maybe that's not it. Maybe it's bathing in nectars of fire.
The burning halo came anyway. And then I was alone. Leave the books behind to write.
I walk past a slate black iron tub in which a wash of rusted water runs, an Ecumenical bath.
A man in a white shirt photographs a bird-bath in the Church garden, a series of circular waterfalls in which birds shake their wings, flapping water.
An ambulance sirens by and crumb-pecking sparrows flutter so quickly to hide in the yellow rose bush that I laugh.
I am walking to a store to look at a sheer red shawl impregnated with flowers that I will not buy, but find myself standing near the park, writing in my notebook.
Two pigeons interlock in a dance on the ground nearby: the beak of one deep inside the mouth of the other, their grey heads bobbing back and forth. Is it a love dance?
It was humiliating that I was coerced into a dead-end corner with one ungraceful exit so the infidelity could occur.
Friday, August 17, 2007
Beating Breath
Still working on it -added IV:
I
Language of the heart.
An inner maelstrom,
rushing into the future.
Your distant pounding.
Can my heart be your heart?
What tightens or beats
too strongly or dissolves
into pain or
bliss?
A vocabulary of love,
our bodies.
Expansively warm &
beautiful. Knowingness
of the heart. Where
we breath.
II
The burning heart.
The Sufi Master,
Hazrat Inayat Khan: "in pain
the heart becomes living
and without pain man seems to be
living on the surface."*
Pain brings the heart alive, and
when purified of bitterness,
shines,
then joy flows
from the "source of all goodness"
and acts of kindness
are easy.
III
Unknot the tangled heart
Slowly, carefully.
A delicate operation, hurts
furies, angers, losses.
Scar tissue, where nerves
have had to find
their own way
through.
Bypassing ourselves.
In Tibetan Tantric Buddhism
the Anahata, or heart centre,
requires copious hours of
purifying sounds of mantras,
visualizations of yantras,
untangling the knots
then energy flows
unimpeded.
Kundalini rises,
surging electric current
and multi-petalled
rainbows of love
flower in
us.
IV
We opened passageways, subtle vessels.
Until we hit the dead zone. Scar tissue,
and how many times were our hearts broken?
Where the nerves had gone dead;
where there was almost no feeling.
We liked it that way.
The soft, beating core hidden,
where blood thunders
in its cave of life,
red tides
rush.
I lay the whole day alone,
unable to move, or think,
as if I held the weight
of both of our
hearts.
When we came to each other,
nerves beating in our hearts
where they hadn't for years.
I
Language of the heart.
An inner maelstrom,
rushing into the future.
Your distant pounding.
Can my heart be your heart?
What tightens or beats
too strongly or dissolves
into pain or
bliss?
A vocabulary of love,
our bodies.
Expansively warm &
beautiful. Knowingness
of the heart. Where
we breath.
II
The burning heart.
The Sufi Master,
Hazrat Inayat Khan: "in pain
the heart becomes living
and without pain man seems to be
living on the surface."*
Pain brings the heart alive, and
when purified of bitterness,
shines,
then joy flows
from the "source of all goodness"
and acts of kindness
are easy.
III
Unknot the tangled heart
Slowly, carefully.
A delicate operation, hurts
furies, angers, losses.
Scar tissue, where nerves
have had to find
their own way
through.
Bypassing ourselves.
In Tibetan Tantric Buddhism
the Anahata, or heart centre,
requires copious hours of
purifying sounds of mantras,
visualizations of yantras,
untangling the knots
then energy flows
unimpeded.
Kundalini rises,
surging electric current
and multi-petalled
rainbows of love
flower in
us.
IV
We opened passageways, subtle vessels.
Until we hit the dead zone. Scar tissue,
and how many times were our hearts broken?
Where the nerves had gone dead;
where there was almost no feeling.
We liked it that way.
The soft, beating core hidden,
where blood thunders
in its cave of life,
red tides
rush.
I lay the whole day alone,
unable to move, or think,
as if I held the weight
of both of our
hearts.
When we came to each other,
nerves beating in our hearts
where they hadn't for years.
Thursday, August 16, 2007
Beating Breath - rough draft
It's not language that I think about, but my heart.
The language of the heart.
Images that express the inner maelstrom which enable me to understand while rushing into the future.
Or expressing you, your distant pounding.
How can my heart be your heart?
Is it a metaphoric centre of feeling? Where it tightens or beats too strongly or dissolves into pain? How did we create a vocabulary of love based on physiological reactions? Or is there a consciousness located in the beating organ? Expansiveness, the warmth and beauty of love. A knowingness of the heart? Where we breath.
A person's "real being is his heart, and in pain the heart becomes living and without pain man seems to be living on the surface." The Sufi master, Hazrat Inayat Khan (A Bowl of Saki, Aug 15th, 2007). If we live and work with our body and mind without our heart, he says, we haven't lived. Pain brings the heart alive. When purified of bitterness, the light of existence shines through. Then we become a "source of all goodness," and acts of kindness are easy.
It beats. It is knotted. Untangle the knots of the heart.
In Tantric Buddhism much consideration is devoted to the careful untangling of the Anahata Chakra, the heart centre, with purifying sounds of mantra and visualizations of yantra. The Heart Sutra.
"A giving which gives only its gift, but in the giving holds itself back and withdraws, such a giving we call sending."
"Why are there beings at all, instead of Nothing?" Martin Heidegger
Give me platitudes, admonish me.
How do I write about fragility? What is it to be fragile? Shouldn't I allow the images to emerge and let feeling sort itself out from there? Can the expression come before the content? Do we learn about ourselves from what we do and say retrospectively?
Is life a backwards motion forwards?
I am always only catching up with myself. A lapse between beats.
An underlying combination of emotions, passions, thoughts, memories, talents, from which emerge words, images that express the inner maelstrom. Where the heart forever untangles itself.
If we can plummet the visceral reaction we can discover our feelings?
Appetites, emotions and feelings, from the simple to the complex. A spectrum where feeling is a complex nexus of interconnections, and we are irretrievably connected.
For me to have empathy, compassion, I need the full range from lived experience to understanding, don't I?
Does a newborn understand perfectly?
Clear mirror.
The language of the heart.
Images that express the inner maelstrom which enable me to understand while rushing into the future.
Or expressing you, your distant pounding.
How can my heart be your heart?
Is it a metaphoric centre of feeling? Where it tightens or beats too strongly or dissolves into pain? How did we create a vocabulary of love based on physiological reactions? Or is there a consciousness located in the beating organ? Expansiveness, the warmth and beauty of love. A knowingness of the heart? Where we breath.
A person's "real being is his heart, and in pain the heart becomes living and without pain man seems to be living on the surface." The Sufi master, Hazrat Inayat Khan (A Bowl of Saki, Aug 15th, 2007). If we live and work with our body and mind without our heart, he says, we haven't lived. Pain brings the heart alive. When purified of bitterness, the light of existence shines through. Then we become a "source of all goodness," and acts of kindness are easy.
It beats. It is knotted. Untangle the knots of the heart.
In Tantric Buddhism much consideration is devoted to the careful untangling of the Anahata Chakra, the heart centre, with purifying sounds of mantra and visualizations of yantra. The Heart Sutra.
"A giving which gives only its gift, but in the giving holds itself back and withdraws, such a giving we call sending."
"Why are there beings at all, instead of Nothing?" Martin Heidegger
Give me platitudes, admonish me.
How do I write about fragility? What is it to be fragile? Shouldn't I allow the images to emerge and let feeling sort itself out from there? Can the expression come before the content? Do we learn about ourselves from what we do and say retrospectively?
Is life a backwards motion forwards?
I am always only catching up with myself. A lapse between beats.
An underlying combination of emotions, passions, thoughts, memories, talents, from which emerge words, images that express the inner maelstrom. Where the heart forever untangles itself.
If we can plummet the visceral reaction we can discover our feelings?
Appetites, emotions and feelings, from the simple to the complex. A spectrum where feeling is a complex nexus of interconnections, and we are irretrievably connected.
For me to have empathy, compassion, I need the full range from lived experience to understanding, don't I?
Does a newborn understand perfectly?
Clear mirror.
Tuesday, August 14, 2007
Rocking Robots
Dancing Japanese Robots! How fin de siècle! All that technology put in the service of dance, and for the pure pleasure of the audience. I love it! Forget warfare and servants, bring on the Robie Chorus Lines-
Amazing Dancing Japanese Robots
It might be fake, certainly, the nomer "Japanese scientists" a front. Maybe they aren't robots but people dressed up. Except that I find the timing when all four are making the same movements suspiciously mechanical. Could people be such exact replicas of each other? Be that as it may, it could be a spoof of Japanese science students who are dressed up as robots and are teasing us through UTube. I don't know about you, but sometimes it's fun being gullible.
Now I know if I had a robot I'd want him to dance for me at all hours... morning coffee and a pirouette please. A little can-can with the Chili Rellenos. A Foxtrot with the custard tart.
:-)
Amazing Dancing Japanese Robots
It might be fake, certainly, the nomer "Japanese scientists" a front. Maybe they aren't robots but people dressed up. Except that I find the timing when all four are making the same movements suspiciously mechanical. Could people be such exact replicas of each other? Be that as it may, it could be a spoof of Japanese science students who are dressed up as robots and are teasing us through UTube. I don't know about you, but sometimes it's fun being gullible.
Now I know if I had a robot I'd want him to dance for me at all hours... morning coffee and a pirouette please. A little can-can with the Chili Rellenos. A Foxtrot with the custard tart.
:-)
Sunday, August 12, 2007
On Sunday Morning...
It is a wonderful, bright & sunny Summer's morning. I'm not sure if I'm emerging from my cocoon or not, but I spent the entire day yesterday cleaning my apartment - at least half the day scrubbing my old sectional leather couch with a tiny natural bristle brush and a spray saddle soap that is simply amazing. The Italian pale gray leather couch from The Art Shoppe is almost 20 years old and has been through two kids, not just the milk burbs and apple juice but the coke phases as teenagers (well out of that now, tg), three cats - the leather worse for the wear, considering those little cat claws and all, and a fairly long-haired dog. It's ripped in one section, which I have to get fixed at some point.
My computer is full with my daughter's iPod iTunes songs and photos are a challenge, the system usually telling me the "scratch discs are full," so one at a time, saved onto a memory stick until we can figure out what to do - at this point I'm favouring a Mini Mac for her. But, oh what the heck, some morning photos for you-
And olde, fifty-five, a good age, as good as any, and lucky to be extremely fit - I notice no difference between now and 30 years ago in terms of flexibility or agility, the only thing is that I can't dance all night anymore. But even back then, I'd still be going at 4am and everyone would be flaked out around me. Now... I'm good for perhaps a couple of hours at most, though when was the last time I went to a party? A dance workshop coming up and we'll be dancing 5 or 6 hours straight, so perhaps I do myself injustice. Wrinkles on my face and tiny capillaries on my legs, but isn't that the wonderful part of aging? Seeing how far you've come? The way your journey is etched on your face, in your body?
You can see I am just moved in, more-or-less. That bookcase needs to be moved back by a strong man, perhaps my brother will drop by this afternoon. The wall needs some paintings - but with the very bright sunlight - the windows face due West, they can't be watercolour, something that can handle light like oils. Next year I hope to have some Italian silk curtains that I am lusting after, though they have to await other more necessary purchases (like a bed for the spare room). In the meantime, I went to the art store and bought kilometers of canvas, which are rolled back and clipped with Alligator clips until the sun comes burning around in the afternoons - it'll be wonderful in any other season, but those 30-35 C degree hot humid days, oh la! Steamy...
That's my doggy, Keesha. She's 8 years old, a Springer Spaniel, and very adorable.
My computer is full with my daughter's iPod iTunes songs and photos are a challenge, the system usually telling me the "scratch discs are full," so one at a time, saved onto a memory stick until we can figure out what to do - at this point I'm favouring a Mini Mac for her. But, oh what the heck, some morning photos for you-
And olde, fifty-five, a good age, as good as any, and lucky to be extremely fit - I notice no difference between now and 30 years ago in terms of flexibility or agility, the only thing is that I can't dance all night anymore. But even back then, I'd still be going at 4am and everyone would be flaked out around me. Now... I'm good for perhaps a couple of hours at most, though when was the last time I went to a party? A dance workshop coming up and we'll be dancing 5 or 6 hours straight, so perhaps I do myself injustice. Wrinkles on my face and tiny capillaries on my legs, but isn't that the wonderful part of aging? Seeing how far you've come? The way your journey is etched on your face, in your body?
You can see I am just moved in, more-or-less. That bookcase needs to be moved back by a strong man, perhaps my brother will drop by this afternoon. The wall needs some paintings - but with the very bright sunlight - the windows face due West, they can't be watercolour, something that can handle light like oils. Next year I hope to have some Italian silk curtains that I am lusting after, though they have to await other more necessary purchases (like a bed for the spare room). In the meantime, I went to the art store and bought kilometers of canvas, which are rolled back and clipped with Alligator clips until the sun comes burning around in the afternoons - it'll be wonderful in any other season, but those 30-35 C degree hot humid days, oh la! Steamy...
That's my doggy, Keesha. She's 8 years old, a Springer Spaniel, and very adorable.
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