Freshly edited for Sparky's Illustrated Poem Marathon.
larger version here
Thursday, August 24, 2006
Wednesday, August 23, 2006
Tuesday, August 22, 2006
Muse Calling
One of those days, where I've meditated almost without choice, pulled easily in, and where I keep trying to enter the external day. I am tired. Is it because I've only eaten fruit, cheese, antipasto, and toasted multi-grain walnut bread for the past few days, and my body needs meat even if I don't get around to cooking it more than once or twice a week; or is it financial, I expected to be working more this month than I have; or is it emotional, with some strange responses from women to my output that leaves a discomfort that requires rest to heal; or, as I reach down deeper, is it creative? Is my muse pulling me into somnambulance, the place from where I write, even though today is not a 'writing day.' As I wander about, intermittently laugh or argue about writing with my daughter, I have an odd sense of writing emerging. Why can't my life go on when this happens? I have so many things to do...
An image of a great frozen polar cap shifting, the voluminous depth of the mind working things out in its billions of neural connections, and when it's ready, a piece of writing breaking off like an ice flow, and floating into the ocean where it melts eventually into all the other words.
Is this a Zen of writing?
Do all of our words flow together when we've shut off our computers and closed our books? Into a great linguistic ocean sweeping the globe?
An image of a great frozen polar cap shifting, the voluminous depth of the mind working things out in its billions of neural connections, and when it's ready, a piece of writing breaking off like an ice flow, and floating into the ocean where it melts eventually into all the other words.
Is this a Zen of writing?
Do all of our words flow together when we've shut off our computers and closed our books? Into a great linguistic ocean sweeping the globe?
Sunday, August 20, 2006
Ecdysis Recording (1:41min)
A recording of my poem, Ecdysis, which may be found at qarrtsiluni.
Take a listen; comment over there.
Does it work? This little poem was difficult to record, not sure why. The short length? How many times did I try, each time finding a different intonation, which led to a different set of referential meanings in the cadence of voice.
In the cacophony of recordings on my screen, I just chose one. For better or worse.
This one: DSL/Cable, or Dial-up.
_
Take a listen; comment over there.
Does it work? This little poem was difficult to record, not sure why. The short length? How many times did I try, each time finding a different intonation, which led to a different set of referential meanings in the cadence of voice.
In the cacophony of recordings on my screen, I just chose one. For better or worse.
This one: DSL/Cable, or Dial-up.
_
Saturday, August 19, 2006
African Angel
A re-posting to join Sparky's Illustrated Poem Marathon.
tags: angels, crafts, African angel, memories, photopoem, Illustrated Poetry Marathon.
Friday, August 18, 2006
Miss Muffet
It clung to the inside of the jar not understanding liberation. It was content above my bed, awaiting flies. I banged the Mason jar again on the door frame under the moth-flicked light, not out of kindness, I just didn't want squished spider in a tissue. Holding an empty jar, I called my dog back in, and shut the door.
I could say, not after Woody Allen's Scoop, after all that laughter and the 71 year old icon that he is despite the magic tricks, or the Life Salad at Fresh with organic carrots, beets, sprouts, spinach, lettuce, basil and a tahini dressing, or the mango, coconut milk and banana shake, or the fine Summer evening spent with a friend. I could say that the last time I tried to squish a spider it dropped fast onto my daughter's bed and disappeared. I could say it's because, well, that's just the chance a spider takes, and it lucked out tonight. But then it might have suffered a concussion being rudely knocked out of the Mason jar on the way down to the ground; I'll never know.
I could say, not after Woody Allen's Scoop, after all that laughter and the 71 year old icon that he is despite the magic tricks, or the Life Salad at Fresh with organic carrots, beets, sprouts, spinach, lettuce, basil and a tahini dressing, or the mango, coconut milk and banana shake, or the fine Summer evening spent with a friend. I could say that the last time I tried to squish a spider it dropped fast onto my daughter's bed and disappeared. I could say it's because, well, that's just the chance a spider takes, and it lucked out tonight. But then it might have suffered a concussion being rudely knocked out of the Mason jar on the way down to the ground; I'll never know.
Wednesday, August 16, 2006
A Day for Bastille
A recording of "A Day for Bastille"... high speed; dial-up.
A Day for Bastille
Hard couple of sweaty hours. Time, incorrigible, leaden. Like a rusted French crown.
Beer holes, bag moulds
thumbs
stuck on tacks.
Empty boxes
of styrofoam
caskets.
Leaned over the small cupboard, over a hot plate. Pushed back the tacked table cloth. Pulled hundreds of bags left by the previous tenant out that my dog would never use; let's face it, the cornstarch will evaporate the plastic first. Collapsed boxes saved for a move that hasn't happened. Hauled out a picnic blanket, a folded umbrella lawn chair, a large backpack on wheels with one wheel broken.
A collection of cardboard tubes line the back like fallen soldiers.
Then shoving
the full cardboard wardrobe
with its dried blood smell
in.
Thinking about ontologies,
multiple trajectories,
about events that disrupt,
about Alain Braidou's
Being & Event.
About how French postmodernism bursts critical space as I seque from area to area of impossible overflowing clutter, from splintered to post-Cartesian thought.
The musty back room of spider shadows repels: during the day bleary hung-over light from its tiny funerary window; at night an unexpected red bulb.
A half wall enclosure built in the corner, inexplicably, and an iron lock;
a bastille perhaps.
Where I store suitcases,
collapsed boxes.
Queen Margot,
sweeping through this cloistered closet,
oh, its been a long bloody revolution.
tags: closets, Bastille Day, Alain Baidou, Queen Margot, poetry.
A Day for Bastille
Hard couple of sweaty hours. Time, incorrigible, leaden. Like a rusted French crown.
Beer holes, bag moulds
thumbs
stuck on tacks.
Empty boxes
of styrofoam
caskets.
Leaned over the small cupboard, over a hot plate. Pushed back the tacked table cloth. Pulled hundreds of bags left by the previous tenant out that my dog would never use; let's face it, the cornstarch will evaporate the plastic first. Collapsed boxes saved for a move that hasn't happened. Hauled out a picnic blanket, a folded umbrella lawn chair, a large backpack on wheels with one wheel broken.
A collection of cardboard tubes line the back like fallen soldiers.
Then shoving
the full cardboard wardrobe
with its dried blood smell
in.
Thinking about ontologies,
multiple trajectories,
about events that disrupt,
about Alain Braidou's
Being & Event.
About how French postmodernism bursts critical space as I seque from area to area of impossible overflowing clutter, from splintered to post-Cartesian thought.
The musty back room of spider shadows repels: during the day bleary hung-over light from its tiny funerary window; at night an unexpected red bulb.
A half wall enclosure built in the corner, inexplicably, and an iron lock;
a bastille perhaps.
Where I store suitcases,
collapsed boxes.
Queen Margot,
sweeping through this cloistered closet,
oh, its been a long bloody revolution.
tags: closets, Bastille Day, Alain Baidou, Queen Margot, poetry.
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