Tuesday, February 21, 2006

Hydra-head of Essentialism in Neuroscience

Image Hosted by ImageShack.usEssentialism: women’s essence is maternal; to be fulfilled, a woman must be a mother and spend her life mothering. Which not only is ludicrous but dangerous to the life, liberty and freedom of all women to live their lives fully in any way they choose and to develop their talents, intelligence, capacities in any and every area of human endeavour, not just the one of raising children.

This is not to deny the importance of having and raising children! Nothing could be more important for us as a species. But that one half of the human race should be limited to this role is essentialistic. As if it is her unchanging, eternal role…

That thought system has not only been challenged but overthrown in the Western world, surely. After half a century of feminism aren't we are well past it? Does it keep cropping up in various forms because to have clearly defined roles for people makes the workings of a society easier?

The latest incarnation is in the field of neuroscience. Did you know that “from pregnancy on, female mammals are brighter, bolder and better able to cope with life than their childless counterparts”? That “[t]hese brain improvements are permanent, lasting from childbearing years into senescence”? Basically it all seems to boil down to some hormones that increase the ability to bond and the capacity to love: cortisol (which is usually associated with depression but which appears in elevated levels during the first week post-partum and appears to be involved in initial mother-child bonding), the endorphins, oxytocin and vasopressin, or “love hormones.” And increased neuronal pathways in the hippocampus, the hypothalamus (a region claimed to "strongly" affect "maternal behaviour"), the amygdala (which is claimed to regulate "maternal love"). Much of the evidence for the necessity of maternalizing the woman because it makes her smarter is based on the fact that women can distinguish their own baby’s cry out of a multitude, or their own baby’s smell in blind smell tests. Oh, and mommy rats could do mazes faster than non-mommy rats. It’s all a dubious application of fascinating scientific research and leaves me palpitating with worry. Maternal neurotransmitters just sounds like jargon for yet another hydra-head of essentialism.

The deeper message of this research, it seems to me, is that falling in love itself increases intelligence, curiosity, daring, and the beautiful nurturing behaviour that follows naturally surely sends those “love hormones” skyrocketing.

If you can lay down the inherent essentialism of the article, the research is utterly fascinating.
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Article in question, and from which I quoted: Giving Birth to Supermom, by William Illsay Atkinson.


Sunday, February 19, 2006

Dancing Chameleon

Image Hosted by ImageShack.usSince, of late, I've changed my profile pic rather too frequently, I set out to create one today. I'm trying to post something I can live with. This one's okay, the hall corner we (my daughter's behind the camera) took it in drab so I dabbled a bit with the background, whitened out the window with the tea towel hanging as a curtain. We liked the silhouette; the lines of the body; the painterly background. Perhaps I can leave this photo as a profile for awhile... going to try. I'm not just in an 'identity crisis,' shifting semblances of the self, but a 'life crisis.' Oh, sigh. Who are we anyway?

My favourite creature as a child in Zambia, where I lived in the jungle, were chameleons which I played with for hours. It's hard to stay the same, and yet we never change...

Friday, February 17, 2006

Pearl in an Iced Web of Light


Tonight, the landscape iced, the streets, parks, roofs of the houses, encased. The branches of the trees I passed were glossy and fragile. I went out to photograph in the alley behind the house where I live, and came home with a pearl in an iced web of light.
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Update: I left this image looking like a stage set, the 'pearl' so flagrantly hung, as a postmodern homage to "Pearl," a 14th century poem by the 'Pearl-poet,' thought to be the same author who wrote, "Sir Gawain and the Green Knight." My hommage doesn't have reference to a Pre-Raphaelite or New Age female muse, doesn't refer to the courtly love tradition, nor even to the Christian sensuality of "Pearl," with its open adoration and jewelled luxuries, which must have been a relief after the austerities of the Byzantine era. But the "pearl" is imaged, held in a web of light: it's been found, is still shining all these centuries later...

Since I can't offer a url with a translation of the poem itself, but only guide you to a site where it may be found, for anyone interested in long read, I have pasted the entire poem into a comment below.

Thursday, February 16, 2006

Dance of the Dual

This is about a third in to The Move.
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Entering an enclosure of great transparency and light where things name themselves.*

Fulfillment of our desires is not fullness in itself, but a counterpoint between lack and abundance. To know one is to know the other. They are twin forces, balancing each other through all the cycles.

The creative force is the force of entrophy. An oscillating dance, each necessary to life and death.

Life cannot exist without death; so death cannot exist without life.

In counterpoint we know each other.

Dualism enables us to straddle the middle, the golden means, the pivot of the centre. Even in uncertainty.

On the threshold of being, non being.

The dialectic of our soul.

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*This line, I'm sure, is from Michael Hamburger's introduction to Poems of Paul Celan, which I would've written onto one of the copies of this mms. but which didn't get onto the computer, and which means a trip to the library...

Wednesday, February 15, 2006

A working printer, so editing...

After She added salt..., which was problematic obviously, this, which comes before On the edge of, which wasn't, and which I posted way last year. I have a working printer finally, am editing, but not in any order; since it's all I'm really writing these days, I'm posting little bits...


This is a piece on, hmnn, security, but it's poetic, so what I consider "the glue," connective images running through the whole book; She added salt... and On the edge of I think of "as bones."

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Is feeling safe in your domain security? Protecting your assets, information, property, who you are? She is without domain. Skinless, visceral wandering. Every abode temporary, a borrowed shell.

Without firewall, dam, divider, enclosure, screen, buffer, barricade. Nowhere to hide. The parchments of her words peeled back, shorn of the sheaths of a fragmented grammatology.

Exfoliate. She is peeled, pared, scraped, sloughed. Shorn of her home, its belongings, the collection of a lifetime.

To bruise, cut or injure the skin of.

The petals of the rose, like dried fragments of blood she carries with her.

Living life in uncertainty; in reality, not philosophically. On edges, where nothingness is, a fall into the irredeemable. Shouldn't the irredeemable be a footnote, the never-realized fear, the 'what happens to other people,' never oneself?

Bleeding, a release of. Sloughing. Shedding the impotency of harm.

A woman without armour, a shell, accoutrements, can disappear quickly.

The weight of things so very important.

The last post, on Core Values

I am surprised that my last post garnered not one comment. My site meter showed a healthy number of readers. I wonder what the problem was? And I wonder if I should consider it for the upcoming conference on the ethics of care; I worry, as ever. Writing always has to be poised, somewhere where it doesn't slip over the edge nor is too cliched, conventional.

Of the last piece, I could say, 'You can take the woman out of the Third World, but you can't take the Third World out of the woman."

Although it takes place in this culture, perhaps it's too alien to this culture? Too Africa or India or South American or ...

In that piece I aligned with probably 70% of the mothers of the world. Who do live in poverty, who do hold their families together in often impoverished conditions, who have a strength beyond reckoning if you really think about it.

I'd still like some comments, a discussion of any sort, encouragement, criticism, attack, it doesn't matter. Silence is the hardest of all. What does the silence mean?

Really bad writing? Way too whatever? Someone tell me!

Woman with Flowers 7.1

(7th sketch in series, first iteration of this one) Woman with Flowers  Flowers, props  upholding the woman. The flowers, fragrant, imaginar...