Beginings of a Treatise on Performance Poetry

What I wish to do is develop techniques for videotaping and presenting performance pieces.

The writer, poet, artist, composer usually works alone. It is the solitary nature of creativity. While there is a great dissemination of work on the Internet, poetry is not mainstream. A century ago people memorized poetry, recited poetry in their sitting rooms, poets, like Byron, or Tennyson, were best sellers.

With the advent of media, poetry has disappeared into obscure journals, or Internet sites of individuals and groups dedicated to poetry but who really only read each other. The culture-at-large has all but forgotten poetry.

Poetry is beautiful, where language is most astounding. Most songs don't achieve the simplicity, richness or depth of a finely written poem. Poetry is honed language reflecting and shaping the concerns of the milieu in which it comes to be.

Yet poets are not singers, if they were they'd be out there like Leonard Cohen, or Joni Mitchell. Nor should it be necessary for a poet to add to their years of study of literature by having to also study film-making. There is no reason why a film of a poem has to be illustrated by images and carried with music, though, of course, these filmic components can add to the piece. My point is that the poetry itself should be enough, as were Dylan Thomas' lyrical readings on stages across America in his time.

Not just the words of a poem, but the reading of it can be magic. Poets can recite their work. There are poetry readings all over the world. Poets can perform their own poems.

What I would like to develop are film and editing techniques whereby the solitary poet, writer, artist, composer may capture their work in a solitary fashion on film and present it in video format to a multi-media world. I don't want to turn the poet or composer into a director at the centre of the collaborative venture a film is because this runs contrary to the solitary and introspective nature of most poets or artists.

By nature, the creative process is solitary. Poets are not collaborative. They read; they write. Alone. Surely a camera can be set up and a film created in the solitary world that the creative spirit works in for sharing with others. I am, therefore, exploring how the single camera on a tripod capturing a single performance can be edited to create a charismatic film of poetry that may be appealing to wider audiences and thus bring poetry back into the mainstream.

In this way poetry may become available to the masses who may find many poets, writers, composers superlative and celebrate and support them in the ways that they should be doing and would be if their work was presented in a format that the culture favours.