A star system that spins around its black holes. Twinkling nexus of neurons. Why do I breathe or lie here wondering why I am. Or you.
No, I don't wish to explain mystery. I like the strangeness of life, knowing we are real even as we part from our bodily images in our imagination of being.
I follow the lines of your body with my fingers of light. Lines that limn memories of you, you haven't lain with me for a long time.
In the masses of stars how did we find and then lose each other?
Do I carry a simulation of you, you are so real beside me? Mirrors of the past reflecting in the present. Neurons traveling the gaps in time.
Or are you here, thrown into my arms by the electricity of what is conscious, our connection beyond time and space.
In the strangeness, clarity.
Night after night I roll into your warmth imagined beside me.
Thursday, August 28, 2008
Monday, August 25, 2008
Women In Summer
If anyone knows the code to reverse the order of a Flikr slideshow I'd appreciate it. It's currently running backwards, from finished painting through all the stages to the drawing, which is a bit awkward. Women In Summer, I'm happy to say, is finished.
(Clicking any of the images will stop the slideshow and provide more of the info I included for the picture.)
Also, I've grouped this series on one page by the tag, WomenInSummer, at Flickr, here.
Friday, August 22, 2008
The Dancer Who Turns
Do you see the dancer turning clockwise or counter-clockwise?
If clockwise, then you are NOW - at this very moment–
using more of the right side of the brain and vice versa.
Most would see the dancer turning counter-clockwise though you can try to focus and change the direction; see if you can do it.
Please consider what neuro scientists have discovered
through careful research:
LEFT BRAIN FUNCTIONS
uses logic
detail oriented
facts rule
words and language
present and past
math and science
can comprehend
knowing
acknowledges
order/pattern perception
knows object name
reality based
RIGHT BRAIN FUNCTIONS
uses feeling
"big picture" oriented
imagination rules
symbols and images
present and future
philosophy & religion
can "get it" (i.e. meaning)
believes
appreciates
spatial perception
knows object function
fantasy based
presents possibilities
impetuous
risk taking
_________
Copied from a comment by Ken Grisnak, Aug 16, 2008, at a blog post, Losing Your Religion, Part I, by Ann M. (image reader).
If clockwise, then you are NOW - at this very moment–
using more of the right side of the brain and vice versa.
Most would see the dancer turning counter-clockwise though you can try to focus and change the direction; see if you can do it.
Please consider what neuro scientists have discovered
through careful research:
LEFT BRAIN FUNCTIONS
uses logic
detail oriented
facts rule
words and language
present and past
math and science
can comprehend
knowing
acknowledges
order/pattern perception
knows object name
reality based
RIGHT BRAIN FUNCTIONS
uses feeling
"big picture" oriented
imagination rules
symbols and images
present and future
philosophy & religion
can "get it" (i.e. meaning)
believes
appreciates
spatial perception
knows object function
fantasy based
presents possibilities
impetuous
risk taking
_________
Copied from a comment by Ken Grisnak, Aug 16, 2008, at a blog post, Losing Your Religion, Part I, by Ann M. (image reader).
Sunday, August 17, 2008
Race of the Medals of Fortune
(This is rather long, & loose, what I wrote while watching the race live on my computer through CBC streaming without commentators - I could hear the rain and the distant cheering of small groups of people as the runners streamed past, the breath of the camera crew and the breath of the runners, their feet pattering the pavement kilometer after kilometer - I posted this piece because it's current though would rather have sat with it a bit longer to tighten the phrasing and bring out the race as metaphor.)
the women, running
they look like they're in pain
in pain, yet with runner's high
it won't let them stop
desire and the power of their bodies
she leaves the packs of women
everyone runs in packs, occasional loners
falling behind to the oncoming pack or streaming ahead to the next one
does she feel her winged feet touch the pavement?
can she hear the onlookers straggled in the rain along the avenues cheering?
does she see the multitude of cameras following beside, in front, whirring overhead?
does she know where she is? or has she forgotten?
perhaps what lights her blue eyes, framed by Botticelli curls caught back
is her lover who she is running to
her husband her trainer, their child, her country, us
who wait in the Olympic flame
she is running for her life
the others, thin-bodied svelte athletes, muscle-flat stomachs, smooth pelvis’
shaped legs, not heavily muscled but sinewy
and the ubiquitous knees, joints rising and falling, rising and falling
elbows back and forth
breath in and out
steady beat of feet on the tarmac
little two piece bathing suits, pasted over their chests their number, and country
and the ever-white sneakers of the marathon runner
running through central Beijing
from Tiananmen Square past the Temple of Heaven
the Forbidden City and the National Theatre
passing the trees of the boulevard
the concrete enclosed river
the office towers
the closed factories
along the nearly empty wet streets
past obliquely collected crowds waving and cheering them on
the women running
rasping breath
thudding feet
they become landscape streaming
they are angels running past us
sweaty athletes close to collapse
on the flagstones through the grounds of Qinhua University
near the Summer Palace, on and on
camera lenses flecked with water
where do you centre your gravity? in your knees, rising and falling
in your belly with the forward momentum
where the energy is?
how to pace yourself so you don't burn out before the end?
when do you open your stride
and go
she holds nothing back
she endures
in the lead
she is the leader
there she is, #2716
passing the stands for the runners, each country waiting with mineral salts in water
blue two-piece track suit
with yellow side bars
skimpy
fair hair,
eyes blue as the skies of the Romanian farm she grew up on
she is so far ahead
there is only one car following her, one camera
to watch her
it is silent around her
how far are they from the Bird's Nest, the stadium where a hundred thousand wait?
where it will roar when they enter
in packs
except for the lone winner
who is compelled to run
through the pain of her limbs
who is elated
running over
the clouds of Olympia
she is the breath of her feet
she is gold
_____________
Constantina Tomescu-Dita of Romania at age 38 on August 16, 2008 won the Women’s 40 Km Marathon at the Olympics in Beijing, China with a time of 2:26:44. She is the oldest Olympic marathon winner and stands 5'2" (1.6m) at 106 bare pounds (48 kg).
Constantina Tomescu crossing the finish line of Women's Marathon. (Photo Credit:Guo Dayue/Xinhua) Photo from Beijing
the women, running
they look like they're in pain
in pain, yet with runner's high
it won't let them stop
desire and the power of their bodies
she leaves the packs of women
everyone runs in packs, occasional loners
falling behind to the oncoming pack or streaming ahead to the next one
does she feel her winged feet touch the pavement?
can she hear the onlookers straggled in the rain along the avenues cheering?
does she see the multitude of cameras following beside, in front, whirring overhead?
does she know where she is? or has she forgotten?
perhaps what lights her blue eyes, framed by Botticelli curls caught back
is her lover who she is running to
her husband her trainer, their child, her country, us
who wait in the Olympic flame
she is running for her life
the others, thin-bodied svelte athletes, muscle-flat stomachs, smooth pelvis’
shaped legs, not heavily muscled but sinewy
and the ubiquitous knees, joints rising and falling, rising and falling
elbows back and forth
breath in and out
steady beat of feet on the tarmac
little two piece bathing suits, pasted over their chests their number, and country
and the ever-white sneakers of the marathon runner
running through central Beijing
from Tiananmen Square past the Temple of Heaven
the Forbidden City and the National Theatre
passing the trees of the boulevard
the concrete enclosed river
the office towers
the closed factories
along the nearly empty wet streets
past obliquely collected crowds waving and cheering them on
the women running
rasping breath
thudding feet
they become landscape streaming
they are angels running past us
sweaty athletes close to collapse
on the flagstones through the grounds of Qinhua University
near the Summer Palace, on and on
camera lenses flecked with water
where do you centre your gravity? in your knees, rising and falling
in your belly with the forward momentum
where the energy is?
how to pace yourself so you don't burn out before the end?
when do you open your stride
and go
she holds nothing back
she endures
in the lead
she is the leader
there she is, #2716
passing the stands for the runners, each country waiting with mineral salts in water
blue two-piece track suit
with yellow side bars
skimpy
fair hair,
eyes blue as the skies of the Romanian farm she grew up on
she is so far ahead
there is only one car following her, one camera
to watch her
it is silent around her
how far are they from the Bird's Nest, the stadium where a hundred thousand wait?
where it will roar when they enter
in packs
except for the lone winner
who is compelled to run
through the pain of her limbs
who is elated
running over
the clouds of Olympia
she is the breath of her feet
she is gold
_____________
Constantina Tomescu-Dita of Romania at age 38 on August 16, 2008 won the Women’s 40 Km Marathon at the Olympics in Beijing, China with a time of 2:26:44. She is the oldest Olympic marathon winner and stands 5'2" (1.6m) at 106 bare pounds (48 kg).
Constantina Tomescu crossing the finish line of Women's Marathon. (Photo Credit:Guo Dayue/Xinhua) Photo from Beijing
Saturday, August 16, 2008
Sailor's Delight
the sky is yellow with rain
it hasn't stopped raining all Summer
the wet sky is
stained with rain
I rewrite and wash
my life
the pitter patter of mantra, or tears
sheets of rain
then I saw fashion colours for this Fall
are amythyst and burnt orange
like the fresh clean billows blowing in the sky
suddenly at sunset
it hasn't stopped raining all Summer
the wet sky is
stained with rain
I rewrite and wash
my life
the pitter patter of mantra, or tears
sheets of rain
then I saw fashion colours for this Fall
are amythyst and burnt orange
like the fresh clean billows blowing in the sky
suddenly at sunset
Friday, August 15, 2008
finding the moon
round light that is the moon
gliding, a psychic eye in the sky
before lightning drowns it
with falling water
water of the moon floats over me
water of the moon is a dry seabed
on the spin of rock in the sky
that swings round
and around us
pulling the
waters
as I am pulled to you
envisioning what always was
but can never be
and then becomes
when the shroud of purple cloud
drifts clearing our hearts
luminescent crystal ball
floating
moon is round
spiritual truth and illusion
one vision
tonight we find
tonight
we are found
gliding, a psychic eye in the sky
before lightning drowns it
with falling water
water of the moon floats over me
water of the moon is a dry seabed
on the spin of rock in the sky
that swings round
and around us
pulling the
waters
as I am pulled to you
envisioning what always was
but can never be
and then becomes
when the shroud of purple cloud
drifts clearing our hearts
luminescent crystal ball
floating
moon is round
spiritual truth and illusion
one vision
tonight we find
tonight
we are found
Tuesday, August 05, 2008
Liquid Metal
I
falling through space without landing, or flying
into an eclipse, deliberate blotting out
the darkening of the sky
denials of our feelings
for each
other
II
writing kept us from recognizing
the fissures
III
how we hurt each other
IV
fiery strands of interrelated passions
memories, motives, what happened
what didn't, the suspicions
times of deep connections
pulsing at varying speeds
in varying directions
hooking up here
& there exploding
randomly
V
pulsing
like the heart
VI
the moon glides
releasing the sun
VII
we chip away anger
a brittle ceramic mold
on the gold
sculpture
of love
forged in our fire of desperation
falling through space without landing, or flying
into an eclipse, deliberate blotting out
the darkening of the sky
denials of our feelings
for each
other
II
writing kept us from recognizing
the fissures
III
how we hurt each other
IV
fiery strands of interrelated passions
memories, motives, what happened
what didn't, the suspicions
times of deep connections
pulsing at varying speeds
in varying directions
hooking up here
& there exploding
randomly
V
pulsing
like the heart
VI
the moon glides
releasing the sun
VII
we chip away anger
a brittle ceramic mold
on the gold
sculpture
of love
forged in our fire of desperation
Subscribe to:
Posts (Atom)
Woman with Flowers 7.1
(7th sketch in series, first iteration of this one) Woman with Flowers Flowers, props upholding the woman. The flowers, fragrant, imaginar...
-
The Buddha says: “ You cannot travel the path until you have become the path itself .” The path is uncertain. Uncertainty is the guiding for...
-
What if relationships are the primary ordering principle? What if the way relationships are ordered clarify, explain, and instruct us on th...
-
direct link: Tones of Noir music: Alex Bailey, ' Piano Improvisation No 7 .' Do poems wait to be born? A poem whittled out of t...