direct link: Asura (Red Puma), '360.'
An album that shines, relaxing, full, sweeping, ghostly, beautiful... a symphonic New Age, without the superficiality of the latter, a whole forest of musical sounds, instruments, technical techniques, all founded on real voice, real instruments, O what a find! I downloaded three minutes into the first track. Highly recommended.
Thursday, April 21, 2011
Wednesday, April 20, 2011
YouTube Channel background
I like the abstraction of this still from 'dance/ ...indigo folio leaves,' and am currently using it as my YouTube Channel background while this video is featured.
I've been using a still from whatever video is featured as the background for my video channel at YouTube recently and quite like the echoing, painterly look that is achieved.
Each videopoem seems to have a strong and unique palette, and the colour schemes from one video to the next don't match. So I've enjoyed uploading an image from the current video as a background so that the webpage is a coherent visual presentation. Design? laughs -yes, all the way.
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Update: I fiddled with it so much that YouTube is claiming to save my changes, and then reverting to a standard channel design when I click back. Some play is good, but not too much.
Kirsten Lepore's 'Bottle' ... an animated video
Bottle from Kirsten Lepore on Vimeo.
Incredibly well done animation. Blows you away with a huge vision, of longing, love, communication, art. That huge ocean between us all where we are all islands unto ourselves. Building figures out of sand, and snow, and the messages in the bottle, imaginative, sweet, clear, disarmingly innocent, and we fully understand the story without dialogue, voiceover or any other words. The cuts are perfect - I can't imagine the work that went into this. The story unfolds brilliantly. And, wow, gosh, it's so multiracial! A video for our times. Bottle
by Kirsten Lepore
Tuesday, April 19, 2011
joseph r tomlinson's 'nightmare.wmv' ...an art video
direct link: joseph r tomlinson's nightmare.wmv
A favourite artist, Beardsley, and these drawings/paintings are like entering Beardsley's Salome and going right through those decadent art nouveau lines, into the heart of the Baptist's head on the platter. All the psychopathic, zombie, vampire lore of our era is here. Echos of the rich stories of comic book art (though 'fin de siecle' is stronger), of film noir, of Goth horror, are here. The blood and the violence and the sexuality. His Medusa is wickedly dangerous. Under the hand of tomlinson's draftsmanship, vivid, powerful work.
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