It's taken a morning of searching, but I now have a working page for aros, A River of Stones, my mini 140 character pebbles, and an RSS feed to that page (which is a label page):
http://brendaclews.blogspot.com/feeds/posts/default/-/aros
You can find the label page for aros at the top of this page (or any page on my site, it's so cool).
Note: I was only able to find this feed, and subscribe to it in Google Reader through the orange browser feed button on your browser bar.
Also I was able to get Facebook to recognize and import the url of the feed into my Notes.
These two great articles by GXG tell you exactly how to do it:
Tranform a Blogger Label into a Page.
How to Add Label-Specific Feeds to Blogger
Saturday, February 05, 2011
Thursday, February 03, 2011
Anansi Hides the Moon
direct link: Anansi Hides the Moon
A painting, 'Parchment Figures: Doubles, Doppelgängers, Clones,' hanging on a wall. Sunlight moving through wind-waving branches falls through a window onto it. You can also see the shadows of the window itself. That morning I was absorbed watching the light and shadows dancing quietly over the painting and videotaped it. Then, on an evening walk I came across a light on a patio with a thick white gauzy curtain around it, and shot some footage with my iPhone video camera. Later, playing with the footage, I added the billowing curtain and its light next to the painting of doubles and shadows. Then I cut sections of a photograph of the painting out, animated them and added them to the film. Finally, pondering on what I had produced, I wrote a whimsical poem of the African trickster spider god, Anansi, and wove it in with handwritten notes.
It does have a serious theme - can you guess it?
Take a moment to look at the moon.
(An aside: the video as it shaped itself inspired the poem. I made the video and then wrote the poem over a few days, meditating on each tiny section to see what was emerging/wanting to be said. I swear Anansi, the trickster, was loose in my computer, though, since sections of the video kept inexplicably changing while I was working on the text. Eventually I had to use a video I'd made of the footage only for the trickiest text -the opening title- which had repeatedly, every time I tried to lay it on the timeline, caused bizarre things to happen to all the other tracks, like shortening them or making them speed up for small durations, but chaotically and if you fixed this, that went off. Nothing like this has ever happened when I've edited a video before. It was as if the components of the video had taken on a life of their own. I kept resorting to the earlier versions FCE saves in 'the vault' before using a 'fixed' file, the .mov file I uploaded to Vimeo a few days back. These trickster gods do keep us hopping!)
The painting, from chalk drawing to nearly finished, can be viewed here: Parchment Figures: Doubles, Doppelgängers, Clones.
Flute music a very small section of 'Bodydrama at the Nave' by ARTSomerville.
This videopoem was featured at Moving Poems.
Anansi Hides the Moon
Anansi
the spider
dropped
in from
where
African
gods and
goddesses
hang out
Anansi
hid
the moon
behind a
curtain
The sun flickered
The parchment
figures, doubles,
doppelgangers
and clones
barely
noticed
The days
were
sun bright
and the city
was electric
light
at night
Sometimes
it's
like that
_
From Parchment Figures: Doubles, Doppelgängers, Clones |
Wednesday, February 02, 2011
Tuesday, February 01, 2011
In-process- Anansi with Parchment Figures, Doubles, Doppelgängers, Clones
In-process- Anansi with Parchment Figures, Doubles, Doppelgängers, Clones from Brenda Clews on Vimeo.
This bit of fun needs a poem! I'm thinking something with Anansi, the trickster African spider god...
I'd like to handwrite the poem onto the video, if I can figure out how, but won't be able to animate it.
I'm working on a longer videopoem with more of this footage, close-ups and so on, but thought to see what a small section might look like. I'm finding editing in FCE laborious and difficult since the tracks won't run in unlimited RT or lower resolution and only play when fully rendered and that's taking upwards of 2-6 hours for each tiny change! Not sure why.
If I can get to a point where I can see what effects are producing what then maybe I can work by imagining how it might be turning out (since I can't get even a sense in low res if it won't play)?
While the clips are mostly shot with my Canon Vixia HFS100, the curtain hanging by an outdoor patio is an iPhone clip. I did go back a few nights later with the Canon, but in a Winter cold snap I was in a long, hooded black coat and huge Sorrel boots and held my camera over the fence and freaked the owner of the house who turned off the light and sent their dog out to bark at me. I may try again in a few nights, or not- the grainy iPhone clip has its own charm.
Background music, a tiny section of 'Bodydrama at The Nave,' by ARTSomerville: jamendo.com/en/album/53543
Painting, still unfinished, is mine: picasaweb.google.com/brenda.clews/ParchmentFiguresDoublesDoppelgangersClones
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