Monday, December 22, 2008
Pre-amble to Magnolia Stellata - another attempt
No, this is not "a video." This is yet another attempt. I videotaped for nearly an hour today and will throw it all out. Posting a tiny clip just because.
I'm working at it; I'm not getting very far. There's another unsuccessful attempt that's better than this one that I may upload tomorrow, don't know yet.
I am learning that creating 'videopoems' is very hard to do!
I'd like to run the text as a line in the top third and have spent a good half hour looking to see how to do that without success!
Learn by doing - that's what this is!
Please forgive. (And the song, too. I'm not sure how to remove it, or if I can. It's from "Yumeji's Theme" on My Blueberry Nights.)
Friday, December 19, 2008
Snow Squall
When I arose this morning, it was dark. As I drew open the bedroom curtains, the world outside was still.
Not one flake swirling, perhaps it passed us by.
In the tiny kitchen, I put on the kettle, and while that came to a boil, measured freshly ground coffee into the Bodum, and put away dishes that were dry in the rack.
Then I went into the livingroom and opened the curtains of five windows.
Between opening the curtains on the one side of the apartment and the other, not five minutes apart, the kettle still coming to a boil, the sky was swirling with blinding snow.
The storm moves with a sharp line across the horizon.
Walking my dog, snow pants, coat collar covering cheeks, only my eyes exposed, the lashing snow stings my eyelids.
In the park, the dog and I chasing each other, there is a lone man in a large navy blue parka and khaki pants.
His arms swirl slowly, one after the other, like warm Pacific ocean waves rolling. His body sways.
In the squalling storm he is gently performing tai chi.
When I pass and smile and say he looks beautiful, those oceanic movements, he says, "A storm is a great time to practice. In Halifax, a whole group of us did tai chi during snow storms."
The store where I bought that nylon coat is gone and it's extremely hard to find 4-paw, underbelly-covered coats for mid- to large-sized dogs and so this one is patched with copious amounts of duct tape inside which holds it together! If she doesn't wear it when there's packing snow hundreds of little balls of snow stick to her fur and cause her to shiver and then I have to bath her carefully at home to melt them off.
Keesha looks a bit like a red rocket chewing on a stick, but you can see the tai chi gentleman in the distance.
Not one flake swirling, perhaps it passed us by.
In the tiny kitchen, I put on the kettle, and while that came to a boil, measured freshly ground coffee into the Bodum, and put away dishes that were dry in the rack.
Then I went into the livingroom and opened the curtains of five windows.
Between opening the curtains on the one side of the apartment and the other, not five minutes apart, the kettle still coming to a boil, the sky was swirling with blinding snow.
The storm moves with a sharp line across the horizon.
Walking my dog, snow pants, coat collar covering cheeks, only my eyes exposed, the lashing snow stings my eyelids.
In the park, the dog and I chasing each other, there is a lone man in a large navy blue parka and khaki pants.
His arms swirl slowly, one after the other, like warm Pacific ocean waves rolling. His body sways.
In the squalling storm he is gently performing tai chi.
When I pass and smile and say he looks beautiful, those oceanic movements, he says, "A storm is a great time to practice. In Halifax, a whole group of us did tai chi during snow storms."
The store where I bought that nylon coat is gone and it's extremely hard to find 4-paw, underbelly-covered coats for mid- to large-sized dogs and so this one is patched with copious amounts of duct tape inside which holds it together! If she doesn't wear it when there's packing snow hundreds of little balls of snow stick to her fur and cause her to shiver and then I have to bath her carefully at home to melt them off.
Keesha looks a bit like a red rocket chewing on a stick, but you can see the tai chi gentleman in the distance.
Wednesday, December 17, 2008
Pedro Páramo
Certain books change your life. While I can't say I fully understand the novel, Pedro Páramo, by the Mexican author, Juan Rulfo, having now finished it, yes, I am different. Literature has possibilities I didn't know of before reading this book. Published in 1955, it began a tradition of writing. Rulfo is called the father of the literature of magic realism in South America. In the novel, those who are living and those who have died interweave in haunting ways. Time moves backwards or forwards, you can hardly tell. Characters appear and disappear like wind; memories are everywhere in the air. Everyone's death is foretold again, and again. Put it on your list. A must read.
Preparing the Space
For days I've been trying to get a little free time to film a videopoem in the late afternoon sun, but kids are afoot. I've hung fabrics over the bookcases that line the livingroom, am working on composing this piece. No idea, of course, where it's going or how it will turn out. Everything hinges on the performance, and that can't be pre-determined.
It's a tiny apartment, and you can see that I need to tidy shelves from the "teleprompt' (homemade with a black magic marker and newsprint from the art store! It works. Though I have discovered I can turn a computer into a teleprompt - for free - and so can do that with the netbook or my daughter's laptop. Whew.)
Looking at these images, I wonder if I should hang the painting you see by 'teleprompt' over the white sheets to the right of the chair? I'll try it tomorrow when I videotape. I thought to leave it white so I could project some other images on it, like Botticelli's Venus, or perhaps magnolia trees. If I videotape in the two dresses I thought of, and now with and without the painting, it's going to take awhile! And since I really don't know how to edit in Final Cut Express, ooh la!
In answer to that question, I work best alone, yes.
Wall Writing
This made me laugh, something I'm not doing much of these days. I didn't exactly lie, who isn't "involved"? Though in actual fact I'm not involved with anyone and live the life of a monk (or monk-ess).
Omar wrote on your Wall:
"in network am find u and feelling u like me am egyptian man if u want make relationship with me tell me"
Brenda wrote on Omar's Wall:
"that's beautiful, Omar, thank you, but I am already involved"
Omar wrote on your Wall:
"really am very mad about that am egyptian man and if u want make relation with me send ur answer"
Omar wrote on your Wall:
"in network am find u and feelling u like me am egyptian man if u want make relationship with me tell me"
Brenda wrote on Omar's Wall:
"that's beautiful, Omar, thank you, but I am already involved"
Omar wrote on your Wall:
"really am very mad about that am egyptian man and if u want make relation with me send ur answer"
Friday, December 12, 2008
Still-Life Composition of the Poinsettia
They float, clamour, collide, reach over each other, fold or open, radiate toward light.
A variegated mass of embodied thought. That greening poinsettia from last Solstice, Hanukkah, Christmas on the wooden overhand of the large old oak desk that came from a used furniture store on the other side of the country. Yes, this helps.
Feel what I'm feeling. Though sometimes I don't like what I feel about something and so block it until it drops like a dead leaf.
Or it's stronger than my not liking and I must integrate it into the mass reaching for the light.
A variegated mass of embodied thought. That greening poinsettia from last Solstice, Hanukkah, Christmas on the wooden overhand of the large old oak desk that came from a used furniture store on the other side of the country. Yes, this helps.
Feel what I'm feeling. Though sometimes I don't like what I feel about something and so block it until it drops like a dead leaf.
Or it's stronger than my not liking and I must integrate it into the mass reaching for the light.
Landscape as Subjective Figure
perhaps the landscape isn't what we rest in, perhaps the landscape is a consequence of who we are
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