Don't use twigs, use brushes.
The downward vertical line & the upward vertical line don't meet, and she saw this years ago and went away distraught.
It's SunFire Day. Solstice.
The typoGenerator threw up some of my images. A photograph of a poppy; a line drawing of a woman.
In the field of green, some random red.
My dog lies sleeping beside me; she always has to be near.
The wall clock ticks. The world holds still. O
Meditate.
(I did for an hour.)
Then move, fast.
(I didn't. But ran into an old friend in her blue Rav4 later, an occurence which seemed stretched like a line inevitably from this point.)
Tuesday, June 13, 2006
Saturday, June 10, 2006
Self Portrait #1
It's a self-portrait, because Natalie asked, for Sparky's Self Portrait Marathon.
I know it's pale and limpid. So many night-time dreams over the years that I ought to draw, paint... but I don't know.
Friday, June 09, 2006
Daily Sustenance...
Perhaps I'll write about meditation, what I do daily, sometime...
100 Days, a place to meditate, is a wonderful site if you'd like to find compatriots.
Thursday, June 08, 2006
Dress Us In Apple Blossoms
A short prose poem published in Qarrtsiluni that I wrote on Earth Day, Dress Us In Apple Blossoms. I took the photo of the apple where I was working just before eating it. When I looked at it later that night, I found the image disturbing - you'll see what I mean. And got to thinking about apples and Eve and wombs and death and Genesis and nature. We're revising the texts now, planting new seeds...
Tuesday, June 06, 2006
On Saturday Night
Do you ever get those evenings that never quite fall into an activity, or a rhythm?
The hours drift by, unfulfilled. The rain falls in rich curtains of fertility. Everything is bathing, the trees, shrubs, flowers, birds, earthworms. But your mind strays, unfocussed.
I wouldn't call it boredom, but it sort of is.
When nothing you can think of is enough to rouse you from your couch of comfort. The hours aren't weaving or unweaving anything. You're just wasting them.
You feel spent, uninspired, worked over, at odds, suspended.
I don't feel like drawing
or walking the dog.
I don't feel like being alive
or dead.
Or creating art out of my life.
I don't feel like being alone,
or with anyone.
The lush Spring rain
simply falls
without metaphor.
You want to eat something
to nourish and fulfill
but all the multi-grain breads and cereals, the fruits, oranges, apples, strawberries, grapes, and almonds and raisons and cheeses, the fresh vegetables, carrots, green beans, cauliflower, broccoli, and herbal tea of cranberries and vanilla that sits steaming in your hand
doesn't satisfy.
And you ask questions of the moist fresh air all evening
about what was, is, or will be
asking about intention
knowing that's it,
the intent to be
is everything.
And you write it,
this mundane
enfolded mystery.
The hours drift by, unfulfilled. The rain falls in rich curtains of fertility. Everything is bathing, the trees, shrubs, flowers, birds, earthworms. But your mind strays, unfocussed.
I wouldn't call it boredom, but it sort of is.
When nothing you can think of is enough to rouse you from your couch of comfort. The hours aren't weaving or unweaving anything. You're just wasting them.
You feel spent, uninspired, worked over, at odds, suspended.
I don't feel like drawing
or walking the dog.
I don't feel like being alive
or dead.
Or creating art out of my life.
I don't feel like being alone,
or with anyone.
The lush Spring rain
simply falls
without metaphor.
You want to eat something
to nourish and fulfill
but all the multi-grain breads and cereals, the fruits, oranges, apples, strawberries, grapes, and almonds and raisons and cheeses, the fresh vegetables, carrots, green beans, cauliflower, broccoli, and herbal tea of cranberries and vanilla that sits steaming in your hand
doesn't satisfy.
And you ask questions of the moist fresh air all evening
about what was, is, or will be
asking about intention
knowing that's it,
the intent to be
is everything.
And you write it,
this mundane
enfolded mystery.
Sunday, June 04, 2006
Sex and the Artist
This is a rather funny, depending on how you look at it. A dear blogging friend, Bill, bought one of my watercolor pencil drawings:
He wrote in a recent comment, "By the way, my Mother in law thinks my awful painting of those people having sex should be removed from our quest bedroom. I love it by the way and will post it framed soon."
Huh? I overlaid (uh oh, I'm noting my terminology) 3 sketches of the same model from the same lifedrawing class and then colored them so that they seem what I thought was melting into each other (uh oh, terminology again) like a dream, sort of surrealist. All I can see is the figure 8 of the composition, which I like and didn't notice until it was finished. But now that he mentions it...
A prime example of how the artist creates a work but doesn't thereby generate the meaning... (Wayne Booth's Rhetoric of Fiction, but don't ask me for a page reference, it's in storage! Booth says there is a gap between author and text, and between text and audience. I'll say!)
But perhaps unconsciously... (O, roll over Freud, roll over).
Dance, the Dream, Disappearing Into Each Other, 8.5" x11", watercolour pencil on paper, 2006.
The writing along the blue woman's leg: 'shadow my desire'; up the older woman's arm, 'what rises into the self?'; and curling from thigh to breast to arm, 'repose curls in on itself.'
(click on it for larger sizes)
The writing along the blue woman's leg: 'shadow my desire'; up the older woman's arm, 'what rises into the self?'; and curling from thigh to breast to arm, 'repose curls in on itself.'
(click on it for larger sizes)
He wrote in a recent comment, "By the way, my Mother in law thinks my awful painting of those people having sex should be removed from our quest bedroom. I love it by the way and will post it framed soon."
Huh? I overlaid (uh oh, I'm noting my terminology) 3 sketches of the same model from the same lifedrawing class and then colored them so that they seem what I thought was melting into each other (uh oh, terminology again) like a dream, sort of surrealist. All I can see is the figure 8 of the composition, which I like and didn't notice until it was finished. But now that he mentions it...
A prime example of how the artist creates a work but doesn't thereby generate the meaning... (Wayne Booth's Rhetoric of Fiction, but don't ask me for a page reference, it's in storage! Booth says there is a gap between author and text, and between text and audience. I'll say!)
But perhaps unconsciously... (O, roll over Freud, roll over).
Saturday, June 03, 2006
Bedroom in Seaton Village
The futon bed couch arrived, was constructed, laid with a sleeping bag and pillows...
Upon which I immediately sat and meditated and then napped. Not quite the Bedroom in Arles, but nice...
And even nicer to be off the sweating floor (a swamp, shhh). Austerities of sleeping on a foam mattress (nee sponge) on the floor gone. It feels positively luxurious. Emergency measures were called for. Beautiful Kobe design cover in flame colours ready in 2 weeks, and I’ll post it then.
Update: Perhaps I should dress it in velvets, as this filter suggests...
Upon which I immediately sat and meditated and then napped. Not quite the Bedroom in Arles, but nice...
And even nicer to be off the sweating floor (a swamp, shhh). Austerities of sleeping on a foam mattress (nee sponge) on the floor gone. It feels positively luxurious. Emergency measures were called for. Beautiful Kobe design cover in flame colours ready in 2 weeks, and I’ll post it then.
Update: Perhaps I should dress it in velvets, as this filter suggests...
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