A wonderful, charming, warm, funny, serious, light, dramatic, brilliant evening of the generosities of talent and our caring for those in need. The Ft Murray Fundraiser Poetry and Music Salon raised over $400., and that is a gift that triples to $1200. since the Federal and Alberta Governments match donations to the Red Cross fund. Everyone who featured was terrific! Wow! Many thanks, in order of appearance, to Stedmond Pardy, Clara Blackwood, Tim Maxwell, Linda Stitt, Kirk Felix (and the band he created impromtu, Tom Hamilton, Sean Peever and Kevin Jeffrey), John Oughton, Mikel BC, Stanley Fefferman, Sonia Di Placido, and Steve-Paul Simms! I would like to thank Palmerston Library for a great venue and most especially Iana Georgieva and Misuk Hedman for their help and support, and Eric, the amazing sound technician. And, of course, many thanks to all those who came out to enjoy an early evening of wonderful entertainment and to support those in need in our country.
Here are the photos. To see everyone's names, please go to the Poetry and Music Salons album on G+.
Here is the video:
direct link: Ft. McMurray Fundraiser Poetry and Music Salon May 2016
Featuring:
1. Clara Blackwood 2:30
2. Brenda Clews 9:28
3. Tim Maxwell 17:24
4. Linda Stitt 24:36
5. Kirk Felix, accompanied by Tom Gannon Hamilton, Sean Peever and Kevin Jeffrey 33:47
6. John Oughton 44:44
7. Mikel BC 49:08
8. Stanley Fefferman 54:07
9. Sonia Di Placido 1:05:19
10. Steve-Paul Simms, accompanied by Tom 1:13:33
Fundraiser organized and hosted by Brenda Clews, who videoed and edited the video: https://brendaclews.com
Featuring:
CLARA BLACKWOOD is a poet, visual artist and tarot reader. Her first poetry collection, Subway Medusa (2007), was the inaugural book in Guernica Editions’ First Poets Series, which features first books by poets thirty-five and under. Her poetry has appeared in Canadian and International journals. Forecast, her second book of poetry, was published by Guernica Editions in 2014. She is currently at work on a third collection of poems.
SONIA DI PLACIDO is a Canadian poet, playwright and writer. A graduate of the Ryerson Theatre School in Acting, Ryerson University (1996) and an Honors Bachelor of Arts, Humanities, York University. Sonia is a member of The League of Canadian Poets, Canadian Women In The Literary Arts and The Association of Italian-Canadian Writers. Featured in various journals, anthologies and reviews, online and print: Carousel Magazine, (Guelph, 2012) The Toronto Quarterly (2011) Puritan Magazine (2014), The White Wall Review (Ryerson, 2014) Canthius, A Journal for Women (2015), The California Journal of Women Writers (2014) and Jacket2 (2014). From September 2014 to May 2015, Sonia facilitated two Poetry Workshops on Canadian Modern Poets: Gwendolyn MacEwen and Patricia Louise Lowther. Her first book of poetry, Exaltation in Cadmium Red published by Guernica Editions in 2012. Her second book is forthcoming in 2018.
JOHN OUGHTON is the author of five poetry books, most recently Time Slip (Guernica Editions) and a mystery novel, Death by Triangulation. He is also a photographer and experimental guitar player.
STEDMOND PARDY is a Left handed Poet, and Proud high school dropout, His first chapbook, "Drugs," was self-published in 2013, and His 2nd chapbook "Frisson" was published in March 2015....He has had two one man Shows held at Reg Hartt's, "The Cineforum," appeared on Howl 89.5 FM Thrice,, and has read his work at various venues around the city It was through Meeting the late Nik Beat, and Brandon Pitts that He started Performing his work in public. He was born and raised in the Mimico/Lakeshore area. and Currently lives in,on and around the Cold streets of Tartarus, The quotes, "an Artist is an Instrument through which the Universe reveals itself" and "word poetry is for everyman, but Soul poetry, alas, is not heavily Distributed", are the words he TRIES to live by."
STANLEY FEFFERMAN is the author of WritingSpace, Captus Press, 1998. He has taught Poetics at York University and the Jack Kerouac School of Disembodied Poetics at Naropa University. CBC National Radio has aired 30 broadcasts of his work. A past editor of Exile Literary Quarterly, Poetry Toronto, and Ayatana Press, since 2004 Stanley has published 500 reviews of Jazz, Folk, Classical, New Music and Opera in The Live Music Report, Showtime Magazine.ca, OpusOneReview.com, and Bachtrack.com.
STEVE PAUL SIMMS is learning to play the guitar, harmonica, mandolin, ukulele and piano. He has written over 300 songs and recorded about 40 of them. Worked as an actor for many years. Is a great film buff, keen student of history and geography, and enjoys studying languages online. Plays once a month at The Tranzac.
LINDA STITT has been versifying since she could talk.
In view of the fact that her poems sometimes rhyme, she considers herself an anachronism in her own time.
KIRK FELIX is a Richmond Hill-based singer/songwriter who considers himself an “Old Folkie.” He believes that a “good song” is one that has a catchy tune and sends a message many can relate to. He has always loved Folk Music. He’s performed at coffee houses throughout the US, Europe and the Far East in the early 70's and can now be found at many open mics in the GTA. He opened for John Denver in 1972. He recently performed at Winterfolk 2016 as part of “The Best of Dr. B’s Acoustic Medicine Show and last month as part of the “The Out of Towners” show at the Free Times CafĂ© on College St. Kirk appears regularly at many Open Mics in the GTA and York Region. He along with Tom Hamilton recently appeared on Rogers Daytime, in the York Region. Kirk released his only LP -“For My Friends” in 1972 and it has been re-released in April 2016 as “For My Friends-Kirk Felix 1972 Revisited.” Kirk is currently in the studio, recording an album of all original works, to be released later this year.
TIM MAXWELL writes and performs his original songs of Love and Other Struggles informed by his life experiences and his work in social justice movements. His music is best described as hot coffee house blues and folk.
MIKEL BC might have lived part of his childhood in Zambia, might have studied art and philosophy at OCA and U of T, might actually still write pomes with pen and paper.
BRENDA CLEWS is an African-Canadian multi-media poet, artist and videopoet whose approach broaches poetry, painting, theory, dance, recordings and video. Her oeuvre focuses on multiple callings, the obsessive muse. Brenda has had solo art shows at York University in 2001, Q Space in 2013 and at Urban Gallery in 2014, and been in a number of group art shows. She has two chapbooks, 'the luminist poems' 2013, and, 'the Performance Poems' 2016, and a forthcoming book of poetry this Fall with Guernica Editions, 'Tidal Fury,' and a novella next year, 'Fugue in Green,' with Quattro Books.
___
Saturday, July 02, 2016
Monday, June 13, 2016
Watercolour Series 2016
Portrait of the Artist's Son, 2016, with and © by Brenda Clews, watercolour on 140lb cold press archival watercolour paper.
Show at Arcadia Gallery, June 2016. Paintings © by Brenda Clews. From left to right, Sir Jorge and the Dragon (2'x5'5"); Glam Queen Ballerina (2'x5'5"); Consequential Drawings (2'x6'); Arabesque ...twirling, undulating men (2'x6'); and Portrait of the Artist's Son (4'x3'4"). Watercolour and/or charcoal on Canson Montval 140lb cold press archival watercolour paper.
Since I hung these paintings as I was working on them in my apartment on a rig for a video backdrop, I knew they could easily be clipped. A visit to a lumber store elicited 1/4" PVC pipe; I cut the lengths, wrapped them in black duck tape. The 6' piece of plastic PVC pipe, however, curved like a crescent moon and was in danger of ripping the paper on the long paintings. With hours to go before installation at the gallery, I grabbed an old shower rod from my storage, and dashed off to Dollarama and bought a broom handle! I'm not happy with 'the look' of the hanging apparatus' of the two large paintings, but am happy I was able to hang them! Barring frames and glass, this is a good way to display them.
The paints used for all the paintings are the highest quality professional watercolours, Windsor and Newton, Daniel Smith, etc.
In all, the materials cost for each painting is about $80.-$100., this includes the watercolour paper, many tubes of professional watercolours, and the expensive, protective layers of Golden's UV protection varnishes.
___Tuesday, June 07, 2016
Gallery Sitting @ Arcadia Gallery in TO Sat June 11 & 18, 1-6pm
Inviting friends and colleagues by email to drop by while I am gallery sitting @ Arcadia Gallery 680 Queen's Quay W, Saturday afternoons, June 11 and 18, 1-6pm, where there is a show I am in with Philip and David, first, the in-line photos were not showing in the sent email, and then I sent another email with them attached and apparently those were not opening either! How irritating. It is either Google or Apple or, perhaps, both conspiring as their supercomputers take over deciding who is to see what images in what email when! :)
So. Last ditch effort. A blog post with the images, and even more images. Here is the email:
Dear Friends,
I was honoured to be invited by Philip Cairns to join he and David Bateman in a group show at Arcadia Gallery, a small, non-commercial gallery at the foot of Bathurst St in an artist's co-op. I bought a roll of Canson 48" x 5yd cold-press 140lb watercolour paper and got to work. My portion of the show is what I did on that single roll of paper!
The Opening on Sunday was low-key, and wonderful. I set up chairs near my paintings and people came in and we sat and chatted for awhile, half an hour maybe, and then, when they left, more would come. It was one of the best experiences I have had at an Opening in that there was time to connect with everyone at some depth.
I even sold two of my small drawings, portraits done at poetry & music events, and commissioned two more graphite portraits! Both of those portraits will be begun, if not done, during the hours I will be sitting the gallery.
Please come on down if you'd like to see the show - the three of us are quite different as artists and our work syncs well together - and to chat and hang out a bit and then I can catch up on you, your life, and what's going on (my favourite part).
Here are a few photos from the Opening (photo taken by John Oughton) and iPhone pics of David's and Philip's & my paintings from when we hung the show. The final 7 images are the 'official' photos of my paintings, taken in direct sun, the full spectrum, and colour-corrected.
After, you can browse Harbourfront, take in whatever show is on at the Power Plant, enjoy the lake.
Hope to see you either Saturday June 11th or 18th, 1-6pm.
And hope all is well and you are enjoying the Spring! Such a beautiful season!
love, Brenda
Here are the images
David Bateman's paintings Philip Cairns' paintings
___
So. Last ditch effort. A blog post with the images, and even more images. Here is the email:
Dear Friends,
I was honoured to be invited by Philip Cairns to join he and David Bateman in a group show at Arcadia Gallery, a small, non-commercial gallery at the foot of Bathurst St in an artist's co-op. I bought a roll of Canson 48" x 5yd cold-press 140lb watercolour paper and got to work. My portion of the show is what I did on that single roll of paper!
The Opening on Sunday was low-key, and wonderful. I set up chairs near my paintings and people came in and we sat and chatted for awhile, half an hour maybe, and then, when they left, more would come. It was one of the best experiences I have had at an Opening in that there was time to connect with everyone at some depth.
I even sold two of my small drawings, portraits done at poetry & music events, and commissioned two more graphite portraits! Both of those portraits will be begun, if not done, during the hours I will be sitting the gallery.
Please come on down if you'd like to see the show - the three of us are quite different as artists and our work syncs well together - and to chat and hang out a bit and then I can catch up on you, your life, and what's going on (my favourite part).
Here are a few photos from the Opening (photo taken by John Oughton) and iPhone pics of David's and Philip's & my paintings from when we hung the show. The final 7 images are the 'official' photos of my paintings, taken in direct sun, the full spectrum, and colour-corrected.
After, you can browse Harbourfront, take in whatever show is on at the Power Plant, enjoy the lake.
Hope to see you either Saturday June 11th or 18th, 1-6pm.
And hope all is well and you are enjoying the Spring! Such a beautiful season!
love, Brenda
Here are the images
David Bateman's paintings Philip Cairns' paintings
___
Friday, June 03, 2016
Portrait of the Artist's Son
My latest painting, finally finished. Portrait of the Artist’s Son, 2016, 40” x 48”, watercolour on 140lb archival paper. It is in the show at Arcadia Gallery, which runs from June 4-19, and the Opening is Sunday afternoon, June 5, 1-6pm. Arcadia is a small gallery, 680 Queen's Quay West, at the foot of Bathurst, in an artist's co-op. The Facebook event page is here: Three on the Scene.
___
Saturday, May 28, 2016
It's done when you abandon it
Some paintings are a gift, this one, torturous stroke after stroke, first drawn a month ago, and painted in sporadic marathon sessions since then. Burst a blood vessel in my eye on thurs, my eyes were so sore from painting for many hours, up close, step back, up close, and today, another marathon, all afternoon and evening. This detail was taken in artificial light and the colours were quite washed out so I deepened the tones in photoshop, and hopefully within the week I will get a chance to photograph the whole painting in daylight and post it.
I'm calling it quits on the painting! It's done when you abandon it.
___
Thursday, May 26, 2016
Close, but not done yet!
The painting is nearly done. I need to work on the clothing a bit, and maybe darken the background if it is possible. Also, the paint is quite thickly applied in the highlights on the face and so I need to balance that in the shadows and maybe mix an orange tone to match what's there and apply it thickly.
After putting in a full day on it, tired, my eyes sore, I am in a bit of a slump and think the painting does not work. That could be exhaustion speaking.
It's a quick photo, taken indoors.
___
Subscribe to:
Posts (Atom)
Woman with Flowers 7.1
(7th sketch in series, first iteration of this one) Woman with Flowers Flowers, props upholding the woman. The flowers, fragrant, imaginar...
-
The Buddha says: “ You cannot travel the path until you have become the path itself .” The path is uncertain. Uncertainty is the guiding for...
-
direct link: Tones of Noir music: Alex Bailey, ' Piano Improvisation No 7 .' Do poems wait to be born? A poem whittled out of t...
-
What if relationships are the primary ordering principle? What if the way relationships are ordered clarify, explain, and instruct us on th...