Melt into the edge of the room. Eyes shut; no-one can see me. Slide along walls, over chairs, until the table. Where I was going, I realize. Varnished wood, thick, old, probably Walnut. Carved in a carpenter's studio, perhaps. Legs spun on spindles. I imagine the tree who was stripped for the table, sawed into planks. Centuries old, sap running through limbs, leaves drinking rain and sun, rooted in earth. I hug the table, in the dark of my closed eyes. My chest to the tabletop, beating, then turning over, until my back lies flat. Reaching forward and down, from the safety of the wood, fingers groping air, the unknown. I cannot touch floor. It is the end of the world, the emptiness of the universe, nothingness. Only the wood holds me here.
The octaves. I am a child on a swing, flung out past the boundaries. My long-silenced throat clears, a tiny AUM. Louder. A simple scale, up and down.
I hope the others in the room, for we all move with our eyes shut, dancing our internal dramas, aren't irritated by my sudden child-like joy, the octaves.
I release the table, roll on the floor, light laugh,
humming.
Showing posts with label inner dance. Show all posts
Showing posts with label inner dance. Show all posts
Thursday, February 12, 2009
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Woman with Flowers 7.1
(7th sketch in series, first iteration of this one) Woman with Flowers Flowers, props upholding the woman. The flowers, fragrant, imaginar...
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The Buddha says: “ You cannot travel the path until you have become the path itself .” The path is uncertain. Uncertainty is the guiding for...
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What if relationships are the primary ordering principle? What if the way relationships are ordered clarify, explain, and instruct us on th...
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direct link: Tones of Noir music: Alex Bailey, ' Piano Improvisation No 7 .' Do poems wait to be born? A poem whittled out of t...