Monday, February 08, 2016

Sketch of Musicians at Vino Rosso


Had a really great afternoon on Sat at Linda Stitt's Words and Music Salon at Vino Ross where I shared the microphone with some great folks, Bill Heffernan, Tom Hamilton, Bob Cohen, Frankie Hart, Philomene Hoffman, Glen Hornblast, Norman Cristofoli and Linda Stitt herself who read a poem.

Inspired by the world-wide groups of Urban Sketchers. A quick charcoal and watercolour I did of Tom Hamilton and Bill Heffernan, who played before I went on, using those stage jitters we all get before performing.
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 brendaclews.com

Sunday, February 07, 2016

Upcoming Reading at the Toronto Public Library

I have been asked to offer a presentation of some of my performance videopoems at Mount Pleasant Public Library on Thursday Feb 25th from 6-8pm. There's seating for 70 folks - so if you're in Toronto, do come out. I'll be one of 6 featured poets and musicians. Looking forward to a great evening!


Urban Folk Art Salon

6:00 p.m. - 8:00 p.m. on recurring dates listed below
120 mins
Mount Pleasant Program Room
Mount Pleasant Library presents, Urban Folk Art Salon. With host Gannon Hamilton; featuring poets Ann Elizabeth Carson, Brenda Clews and Norm Cristofoli and singer/songwriters Glen Hornblast, Kirk Felix and Jeff Orson.



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 brendaclews.com

Friday, February 05, 2016

January 2016 Poetry and Music Salon

We had a beautiful late afternoon/early evening Poetry and Music Soirée at Markham House - wow, I was blissed out for days. Many thanks to our features, Sharon Goodier and Norman Allan and our guest musicians, Amoeba Starfish (Jeff Howard & Phil Ogison Aegidiussen)! And to everyone who stepped up to Open Mic and shared: Alexi, Optimus, Stedmond Pardy, Andraya Ciel Smith, Sean Mc Dermott and Jim Hamilton. We had a full house. I keep thinking, these salons can't get any more wonderful, and then they do. Thank you to all those who read/performed and to our fantastic audience. And to the generosity of Markham House. Love you all! xoBrenda

Please go to the album on Picasa for the names and dates of everyone who has appeared in this series.

                                                             


I had considered stopping showing the Salon videos. While I like an archive, it takes too long to edit them and there are not many view counts. I think of them more as a teaching tool, but then I discovered that most of the poets and musicians in them won't watch themselves. So why do it? Because I have the footage? Not a good reason, really. So I decided if I could download the clips and fully edit the video -I let the camera run uninterrupted through the entire Salon and splice out the in betweens and the break later; I add effects that have seemed to make the videos more palatable to those in them (we all have a horror of ourselves in video, we do); and I do a stop motion of the entire salon and paste titles over it and some kind of ending (this one has all the photos at the end) - if I could all that in 3 hours or less, I would upload and publish to YouTube. Well, yes, I came in under 3 hours.

So here is a video of the entire salon, and it is in 4K, which, lemme tell ya, was a feat of rendering and saving out to an useable file (18 hrs), uploading (12 hrs) and waiting for YouTube to process it to the highest resolution - the latter taking most of the week, in fact. :)


direct link: January 2016 Poetry and Music Salon

In order of appearance, and if you go to YouTube and click on the time next to the person's name, the video should start at their reading or performance.

1. Alexi 1:09
2. Optimus Rhyme 14:34
3. Stedmond Pardy 26:26
4. Andraya Ciel Smith 31:20
5. Sharon Goodier (feature) 39:26
6. Sean McDermott 1:00:15
7. Brenda Clews 1:07:00
8. Tom Gannon Hamilton 1:10:48
9. Norman Allan (feature) 1:20:46
10. Amoeba Starfish (guest spot), Jeff Howard and Phil Ogison Aegidiussen, with Tim Hamilton joining in to jam on his violin. 1:48:03

Facebook Group Page: https://www.facebook.com/groups/poetryandmusicsoiree
This Salon at Markham House: http://mirvish-village.com
Organized, hosted, photographed, videoed and video edited by Brenda Clews: http://brendaclews.com
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 brendaclews.com

Saturday, January 16, 2016

Motorcycle Poet Solves Murder


direct link: Motorcycle Poet Solves Murder

Brenda Clews interviews John Oughton on his new novel, Death By Triangulation.

'Motorcycle-riding poet Aaron Miles makes some of his daily bread as a cultural investigator.  He likes nice little cases with an element of art or literature, and no violence, thank you very much. But a wealthy Toronto family hires him to wrap up the affairs of their recently deceased black sheep uncle, a notorious anti-Papist and man of letters.  In particular, they want him to erase any traces of a past conspiracy the uncle had alluded to. Rich families hate scandal. Against his will, Miles uncovers a plot, both large in scope and decades old, to keep the lid on the truth about a major mystery of the 20th century. Set mainly in Prince Edward County, the story accelerates to Toronto, upstate New York, and the Dominican Republic as Miles tries to stay ahead of the secret's shadowy enforcers.'

Bio: John Oughton is Professor of Learning and Teaching at Centennial College in Toronto, and the author of five books of poetry (most recently, Time Slip from Guernica Editions), the mystery novel Death by Triangulation, and over 400 pieces of literary journalism. He is also a photographer and amateur musician.

John Oughton's website: http://joughton.wix.com/author
Death by Triangulation at NeoPoesis Press: http://www.neopoiesispress.com/12401/127994.html
where you can purchase it. It is also available at all major booksellers.

The interview, video and video-editing by Brenda Clews
http://brendaclews.com

In the interview, I propose, though a novel that follows normative variations on a prescriptive plot trajectory with a cast of individualized yet expected characters, which the author mines to add humour to the novel, that the way scenes are structured through the imagery Oughton uses makes the detecting work, the crime fiction itself, the solving of a murder, a maze of a poem.

The interview took place on a warm evening in early November 2015 at John's apartment, and I used what turned out to be an impossible-to-key-out-green-screen fabric backdrop, which presented numerous challenges not only in FCPX's keyers, but a keyer I purchased from FXfactory. Because I had a small clip with this fabric of my cat shot in 2013 and discovered iMovie '11 could instantly key most of the olive and pale greens out but leaving an interesting mottled effect, I assumed it could be done with any newer keyer. Not so. Eventually, I remembered the old iMovie, and that I had bought it as a CD. It was a bit sticky, but I was able to install it on my Mac in a separate folder in Applications. It doesn't do a refined job of keying, but I was looking for more of an artistic effect.

Because 'talking head' videos can be bland, I asked John to video a motorcycle ride that I might put in the background. He duck taped his iPhone 4 to his helmet and nearly lost it in the ride! He also sent me some of his nature photographs. That clip is in the interview, and some of the photos are obscurely layered in circling effects. Then I shot some slomo video with my iPhone6s+ while traipsing about empty roads in Ontario in January 2016. Using the iMovie '11 keyed clip, and a number of effects in Final Cut Pro X, I produced a moving roadtrip background that, I hope, will be just a bit strange and keep the eye visually entranced for the 18 minutes of the interview. The keying is what it is and took days to figure out and I decided that the buzzing pixellation in John's hair and the noisy cloud next to him only add to the slightly surreal presentation of what is a talking head interview.

It is a good interview with a conversation of some depth on the novel itself.
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 brendaclews.com

Wednesday, January 13, 2016

Books to Come

Good news. I received a contract from Quattro Books to publish my novella in the Spring of 2017 (my poetry book with Guernica Editions is coming out this Fall). Another publisher sent a response that made me feel that rare thing, understood as an author, and I consider it my first review: "We found your formal experimentation with "S*'s" characterization highly appealing, in the way it plays at the boundaries of poetry to reflect the sensuousness of experience. Overall, we felt it was an accomplished work."

My book has found the right home. Lovely to join the Quattro family!!!
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 brendaclews.com

Thursday, January 07, 2016

Digital Drawing of Split Mask


Still working on my performance videopoem, Split Mask. It's subtly complex visually and the editing program is on overdrive. I kind of like this drawing/crop I did in Photoshop - it took hours to figure out, with lots of trial and error and starting over and over, drawing with a stylus, and so it is a digital drawing more than anything.
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 brendaclews.com

Wednesday, January 06, 2016

Burning Mask


This is kind of a cool nanosecond in my upcoming performance videopoem, Split Mask.

The line:
"The mask,
a paper image
burning."

[Aftereffect: Ten minutes later, finding it too bright,  I went in and keyframed the opacity of the flames, and so the moment as it appears here no longer exists in the videopoem.]
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 brendaclews.com

Ganged Up On By My Muse, I Am!


Another 2 second image from my forthcoming performance videopoem, Split Mask.

I've performed this poem a number of times around the city in features and on open mic in the mask, which I made in the Spring of 2013, and which insisted on a political poem, that was begun in the Summer of 2013 and completed in the Summer of 2014, and then they insisted on a 5' square painting, which I painted in a mad frenzy over 3 days at the very end of 2013 for a solo show at Urban Gallery in January and February of 2014, and now the mask, the poem, the painting are insisting I finish a videopoem, begun in the Fall of 2014, and not yet complete.

If I get the performance videopoem done this year, if, it will be a 3 year project! From 2013-2016. All begun with a little image in my consciousness that wouldn't go away and which I had to make: the split mask.

Oy ya, what's a gal supposed to do? Ganged up on by my muse, I am.

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 brendaclews.com

Tuesday, January 05, 2016

A photo in my upcoming videopoem, Split Mask.


A photo in my upcoming videopoem, Split Mask. This has 3-5 seconds on screen, a mere blink. The line is: "Focus
 on where
 we are falling apart."
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 brendaclews.com

Monday, January 04, 2016

Toronto Hydro a billing mess right now...

Toronto Hydro rates are not only beginning to skyrocket, but their billing is a total mess right now. I have only electric heat and never turn on the baseboard heaters - yeah, it's cold! I try to keep my Winter hydro rates under $1.00/day. Crazy, right? Shudder me long-johns, but I manage, somehow.

But look at these screen grabs of what's been happening in my account for the past few weeks. Toronto Hydro originally estimated their Dec charge for me would be $335,635. when in reality it is about $44. And then I got some "alerts" in my email with incorrect data and estimates. I'm keeping a close eye on it and will not be over-charged. But I want to point out that Toronto Hydro's billing right now is insane!

       
    


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 brendaclews.com

Sunday, January 03, 2016

Some eBooks from the library

Reading some eBooks from Toronto Public Library on my device. These books disappear after 3 weeks - you can renew for another 3 weeks if the book isn't on hold. All eBooks I've borrowed are on hold. Apparently, publishers grant the library a license that costs say $80. for 4 copies for a year, after that year the library has to renew the licence and pay all over again. Seems like a sweet deal for publishers.

Because of the way publishers charge libraries for eBooks, and the very limited number of copies of each book that there are, you can be waiting up to 6 months on hold for an eBook.

Arctic Dreams by Barry Lopez has been on my "a" list forever. It is factual, humane, and the poetry of his writing is magnificent!

Here's a sample of soil writing:

Soil, dirt. Stuff I love! The base of our organic lives and our food. "Soil is a living system, a combination of dirt (particles of sand, clay, and silt) and decaying and processed organic matter. It is created by erosion, fracture, and the secretion of organic acids; by animals and plants like beetles (saprophages) and mushrooms (saprophytes) that break down dead matter; and by the excretions of earthworms. It draws in oxygen like an animal, through myriad tunnels built by ants, rodents, and worms. And it is inhabited throughout by hundreds of creatures---nematodes, mites, springtails, and soil bacteria and fungi." Barry Lopez, Arctic Dreams (screen 85/1127 on my device).

  Cover of Arctic Dreams
Arctic Dreams by Barry Lopez

Cover of 1Q84
1Q84 by Haruki Murakami, translated by Jay Rubin

I am finding this book long, in the way that poets do. But I am amazed at how many resonances with my own life I am finding in its pages. It is well researched and well written.

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 brendaclews.com