Monday, November 10, 2008

Sunday, November 09, 2008

NaNoWriMo continues...

Reached 18,204 words now, becoming more social conscience, clearing out the old order & rebuilding society, ah NaNo freedom!- must stop, got to meet a friend.

I find a daily word goal works best- this year it's 2000 words a day, and thus far I've been meeting it. In the early morning I write 600-800 words, and in the late evening the remaining 1200 or so words to meet that day's target.

Find your rhythm, and go with it.

Branches of Dreams

ramos dos sonhos, 2008
técnica mista sobre papel, 100x70.

This pen and ink and ecoline drawing is by Pedro Madeira Pinto, a 36 year old artist in Lisbon, Portugal. Go to his blog, Desenhos De Pedro, to see more.


I wrote (at Facebook): "Somehow says everything to me about uniting the globe - can't say exactly why. I'd love to see this drawing as a poster for the United Nations. The child, the golden tree, our heritage, we are all on those branches. Tree of Life. Stunning image, Pedro."

He wrote: "thanks brenda.
we all have dreams in our minds. when life is hard our tree doesn't have many leaves, but still has that light that allows us to keep on dreaming. the boy in the drawing is a homeless kid that i knew in cabo verde who teaches me that our dreams must live no matter what.
this one is on my bedroom's wall!"

I wrote: "Dear Pedro, This drawing is burned in my consciousness and everywhere I turn I see it and it fills my eyes with tears of compassion and warms my heart because of the spirit in us that lights the way. The boy is someone I want to protect and yet his vision is strong and I bow down before him. How much would you charge for a print of this drawing? Thank you so much."

Saturday, November 08, 2008

In the Early Evening

I draw deep red curtains over the dimming remnants of fire opal in the sky as darkness sweeps over the continent I live on.

Excerpt from NaNoWriMo, on the process of writing

Dear Reader, I need not tell you what an unexpected afternoon of delight he had. We shall discover the details, for I am as curious as you, and after all this is a book of erotic fiction.

Though, dear reader, you understand that I but partially write the story of these characters. My idea had been for Ambra to discover his innocence and for he and her to spend a delightful night together as she indoctrinated him in the arts of love. Then I could have written of deep emotional love, of indissoluable bonding, and thereby written of the poetry of their souls.

But Ambra, on the brink of being written into the text as the woman who deflowered him, decided to meet with her rich lover and disappear.

I was surprised as you, dear reader, by her quick and complete exit.

It doesn't look like she's coming back either. I'm not sure where she's gone, or what happened to her. In this regard I, though the author, am as 'in the dark' as you, the reader.

Never mind. The story continues. It appears to be, more-or-less, writing itself. I have found any planning I do for what may happen next goes for naught. The characters have other ideas.

I'm learning in my daily life to forget that I am writing a novella since nothing I decide in terms of direction or character development happens that way.

Rather, it is as if the text decides its own direction moment to moment.

Things develop logically out of other things, but what happens to characters seems based on the inner logic of the story rather than my control of it.

Hence I shall relate Mœdello's afternoon at the Bordello, though you understand I, too, am entering the Bordello along with him; this writing has not been thought-through beforehand, there are no notes, or plot outlines, or even overall moral for the story.

Everything in this story is created in the moment.

Though I have unsuccessfully tried, no premeditated directions of any kind have been permitted by the writing itself. I sit before my computer, or my legs stretched out on the couch or bed, touch typing.

The writing tells its own tale.

No, I'm not "chaneling." Such a ludicrous notion!

It surprises me, what goes on in the subdued buried populations of my mind, where these characters roam close to a wild abandon to the senses, racous, on the edge of social decency. They are like dreams called forth through the act of writing without prescribed notions of what is to happen, or not happen.

What unfolds through these pages might embarrass me, but dreams are like that.

Relative of Lithops, or Living Stones

Botany Photo of the Day

"Plant Family / Families: Aizoaceae
Scientific Name and Author: Conophytum maughanii N.E. Br.
Name Location: cultivated in Altadena, California, USA"

"The genus Conophytum is closely related to the living stones, or Lithops. Both genera are in the Aizoaceae. Like the living stones, species of Conophytum generally produce two above-ground plump succulent leaves. In the picture above, the Conophytum maughanii specimen is breaking dormancy, revealing new wrinkly crimson leaves. Last year's bloom is also present in this photo as the shriveled projection between the leaves."

All I can say is, sexiest living stone I've ever seen!

Friday, November 07, 2008

First Wash



Painting with water-soluble oil pastels, a figure that became sinewy with flesh tones, reds, greens and tree-trunk browns, while listening to "Alex," my computer's best voice, reading a long piece of writing by a young friend...

Highlight the text to be read, hit the keys you've set up to start the text-to-speech recognition, and voilà! Free to work and listen to whatever you'd like in the big net-wide world.

Flame-Red Bushes






Walked to Kensington Market to shop, Indian Summer bluesky, carpets of crumpled gold, flame-red bushes, copper canopies of Maple, Linden...

Thursday, November 06, 2008

NaNoWriMo continues...

12,011 NaNoWriMo words, wrists hurt, story's raunchy but sad, made my daily word count, I did, sleep in peace now, till tomorrow's count...

Life under President Barack Obama




Click on this for a larger size. It seems spontaneous and not posed. It brought tears to my eyes this morning. This is how it should be.

Wednesday, November 05, 2008

President Barack Obama

Way to go America! So proud of you, my dear American friends. You've elected a great statesman and leader to run your nation.

Here, in this little apartment in Toronto, Canada, tears & celebrations~ it's like a possibility we might have imagined a hundred or two hundred years into the future is happening now.

Phenomenal. Awesome. Truly GREAT.

A heavy mantle to carry, times are complex and difficult, but if anyone can do it, Barack Obama can.

Congratulations!

Tuesday, November 04, 2008

Vote for Barack Obama

Let me tell you, if you Americanos don't vote Barack Obama for President we'll be happy to have him as our Prime Minister up here in Canada.

Monday, November 03, 2008

Fate of the Lhapa



In my four and a half years in the jungle in Zambia as a young child there was a Witch Doctor who I remember clearly. He has been with me all my life - though I had a strong feeling he passed on in 1997 - I went to my cottage alone and fasted (only water) for 3 days and helped him, his spirit on the journey to the Great Oneness.

My memories of him and his power and his work are entirely different to the New Age posturing of so called "Shamans." From my own tribal African vantage, I understand the difference between the pose and the reality. "Shaman" seems to me to be about power, and is sold as such in workshops and books and New Age CDs et al; whereas, the traditional Witch Doctor or Medicine Man or Woman is about healing, and it is a most difficult path of great responsibility for the chosen practitioner.

Last week, as part of a Planet Earth film festival, I saw the film this trailer advertises of three Tibetan Lhapa who are in their elder years living in a permanent refugee camp in Nepal who do this difficult work with illness and Spirit. They may not have heirs to their calling since the signs of Lhapa have not appeared in any of the younger generations in any of their families, which is why they requested a documentary to remember them and their work.

It is a beautiful little film, shot in natural light. The Lhapa are disarmingly open about the traditional Tibetan Medicine they are doctors of. The Lhapa hold nothing back in their sharing of their understanding of what they do, the processes involved. Perhaps to us it may seem superstitious, though we also in our Western medicine use a set of metaphors to explain bodily and psychic processes in terms of illness and cure and we should understand that they are only sets of metaphors and are no more or less valid than the ones the Tibetan Lhasa use to describe their treatments.

The Lhasa give themselves fully to the work they do; more than this, they give themselves over to the spiritual calling of the healing processes. It takes its toll on them; it is not an easy calling. That they live hard lives is quite evident, though they do not see themselves this way.

The Lhapa become gods while they heal, the deities enter them, this is an incredible sight to see. It's not about 'power' either. The Lhapa take no personal credit for the healings.

It is a difficult calling, to be a Medicine Man or Woman, and nothing at all like what New Age therapist types propose. There's no glamour in the true Medicine Way. You don't become more powerful and able to command life and those around you with your psychic force; rather than a display of special powers, the real Medicine man carries the heavy mantle of a healer who heals by exorcising disease, who takes on the ailment to expel it. Who continually works to understand the ways of the spirits in their interaction with the human and animal and plant worlds.

This is in striking contradistinction to advertisements I've seen for workshops and whatnot with New Age healers that appear perfunctory and rather imperious.

The sentences in these ads have a 'feel' of business talk and of someone who is an 'expert.' Yet I well know from exploring some of these offerings that an (often not very thorough or self-reflective) intellectual knowledge of various traditions doesn't thereby accord the moral and emotional wisdom that should accompany the teachings. Their aim is to convince others to spend money on their modes of healing, their workshops, their retreats. Healing is a game being sold.

Compare this to a Lhapa, whose kindness and compassion radiates, you can see that in the trailer, yet there is a humbleness that surely comes from not identifying with the healing forces. And for whom healing is a very real and difficult path that must take great moral courage to stay on.

But you, my gentle reader, know this better than I do.

--
When we read, we should be intensely alive: the writing "a ball of light in one's hand."
Ezra Pound

Sunday, November 02, 2008

NaNoWriMo 2008

Aiming for 2000 words/day, should reach 50,000 words before the end of the month or have a few days for crises'; NaNoWriMo is exuberant, hell, a way to drive yourself |insane|.

Saturday, November 01, 2008

NaNoWriMo begins...

Yes, I've begun NaNoWriMo - 402 words so far, only 49,598 to go! No plot, no outline, allow oneself to compose a story unplanned! Discover it as you go. Why not, I ask. Why not?

Is this fun? I don't know. I'm surprised too. Where this character came from, I have no idea. But here he is - Moedello. And onwards...

My site at NaNoWriMo is RubiesInCrystal.

I'm writing it on Google Docs (which some of you have heard me rave about). I'm sure I'll be posting bits on this blog throughout the month. The first beginning...





No beginning. Mœdello, I tell you this. Remove the concept of beginning. Everything develops out of something else. Coming into fruition or withering away, seeds set a long time back, perhaps when the universe developed out of something else. No ex nihilo.

Take off your monk's garbs, leave the Order. Forget the salvation of the timeline. Without beginning, there is no end.

It's a gentle truth. Whatever we are will become something else. We live in continuums. Going all the way back and all the way forward. Nothing is wasted and nothing lost.

Even black holes, which suck everything in, disappearing past the event line, the horizon of being. Which then evaporate. We think they're gone, information lost, trajectories lost, where there was is now nothing, impossible to conceive, inconceivable. Yet transforming, evaporating from disappearance.

Perhaps we are an evaporated black hole. The disappeared who are here, a living universe.

Drop your robes, Mœdello. Unstring your rosary in the garden. I am not a wanton woman tempting you.

I'm only writing this to discover time, the passing. Because I respect the time that our grammar weaves, teaching our minds generations after generations. Organizing our memories, too. Timelines. Enfolded complexities of living.

If I could understand where you're coming from I'd go there too.

Or perhaps only visit. Bringing my past to meet your future.


The horses were white and galloped powerfully, muscles and nostrils and flank hair and hooves. Were they in a pasture or were they a memory?

You came from Italian stock. From farmland. You gave up the soil for the dry run of Ecclesiastical words. Hearing, breathing the scriptures. Predictable shadows on the walls. Walking by pillars every day, upheld. Comfort in the predictability of the hours of the days that repeated themselves without interruption and were unlike the cycles of farming, dependent on the weather of the seasons and the market. When the rains stopped, the famines began. The horses died. It was cracked and dry.

You all went away, there was no food. The friar on the street of the city where you stood shivering took you in. The friar who offered you his robes. You were thin but he fed you and taught you to mime the sacraments with him.

It wasn't that you didn't believe what the Church offered.

I never said that.

Friday, October 31, 2008

veil of sky

whitened edges and solid infinity above, the clear, blue, serene sky,
this day when the veils between worlds thins

Thursday, October 30, 2008

Nanowrimo this year?

With the impossibility writing has been presenting for me these last months, I wonder if joining Nanowrimo this year would be a good discipline and challenge?

The first year I began where I was, and let a story unfold. Of course the manuscript is huge and unwieldy! I've never edited it into something more reasonable. Though it's possible that the urge to do at least one complete rewrite will overtake one indolent day.

Nanowrimo begins Nov 1st - enough time to decide.

The first one began in a temp job matching files to original ledger entries in a vault at a funeral home in Vancouver. A natural title was Book of the Dead, and I incorporated a couple of other texts, the Egyptian and the Tibetan ones, into the writing.

That was fun, discovering each day what was to happen, and layering the text with references to other texts.

We build on ourselves.

I find it inspiring to be among those who are running their own writing races separately but together as a group - last year of the 100,000 who enrolled world-wide, 50,000 participants made it to the finish line.

It's interesting to reflect on my own Nanowrimo path. In 2004, "Book of the Dead," was more of a 'novel' and 50,000 words; in 2005 my writing was shifting to prose poetry and I wrote that year's in smaller numbered segments that I still haven't finished but it came in at 50,000 words and then I spent a few days reading it and deleted a third of the manuscript, never mind (the first pages can be found at my art website here); in 2006 my writing moved even more towards the poetry end of the spectrum and while I wrote "EnTrapped WOR|l|DS" in November of that year I didn't enroll it in Nanowrimo since it's only 17,266 words, and too short for the contest, but poetry's like that - though it is a completed manuscript, which made me happy.

I wonder where this one might start and what the writing style might be?

The Keys

If I take off my readers, can I write? A disjuncture between life and writing, or that I want to hide? Without seeing the keys or the screen. Write blind. Behind where words form. The words that shape reality even as I speak them.

Glide through the world of words with a dancer's ease. My body is a word, a gesture, a line scrawling across the horizon of time.

Am I purple, or aubergine? A curve of a back before a computer, hitting keys I can't see?

And how many mistakes before we get it right?

And how many times are the crystal glasses broken before we can---drink, see, touch?

It's cyclical, the years go on, some good, some bad. There is no will to it. Whatever you want to happen happens; you are a consequence of your past; and each day is a surprise thrown up by the fates of fortune.

When I sat down to write I knew nothing,
and less now.

Sunday, October 26, 2008

slats

water drizzles over slats
onto rocks

iron ivy
crawls over the lamp

I'm tired
of the restriction
of vulnerability, sensitivity,
injury

walking in the warm,
light rain

before the seasonal cold
sets in

I look out through slats
hiding or revealing myself

or you do

rocks become water
that float away

____

Tired of protecting my knees when I dance, I didn't. For a number of weeks. Bending low, I used my knees, experienced the freedom of a fuller movement, bliss. My knees are now so sore I'm on Ibuprofen, which helps reduce the swelling, constantly and a prescription anti-inflammatory, as well as icing them fairly frequently. So this poem, the first I've attempted in what seems like a long time, was triggered by that, tired of the iron ivy on the lamp, not wanting to protect one's sensitivity, and whatever the emotional corollaries are, the rocks are water that float away.

ps I think I have a 'stretched' tendon, that it's just a regular sort of minor injury anyone who participates in sports or dance gets. Not serious and with a bit of pampering it'll heal fine.

But an interesting process in terms of our emotional proclivity for protection of our sensitivities.

[Okay, okay... last night I danced with my jingly silver belly dance belt over a black danskin at Tam Tam like a dervish. Shhhh...]

[No, no. I arrived late, 10:30pm or so, to a dark hot dance studio of drummers after seeing the Tibetan Lhapa documentary, changed into black sweats, danced, realized that there were only a few dancers, some as old as me, and so I put on the belly dance belt and let go, it was fun, I left around 12:30pm, some people thanked me for dancing, said it was beautiful, and walked home by myself, arriving home at maybe 1:30am; this pattern is normal, I go, dance, rarely join the group for food after. Arrive alone, leave alone. Now what that had to do with emotional corollaries, who knows.

It's all connected though, isn't it. :)]

Monday, October 20, 2008

Toronto Zombie Walk

Toronto Zombie Walk 2008 family in Trinity Bellwoods Park

Ahhh, now that's motherhood!

A great scene photographed by Roger Cullman during the Toronto Zombie Walk 2008 Postmortem. A Zombie Walk of a thousand-strong in Toronto yesterday emerging from Trinity Bellwoods Park. Which I missed! Oh, bomb! ZombieZoots! The march of the Zombies on the Zombie Walk passed by my apartment yesterday! Munching on brains, gore galore. The ghoulishly lively undead! Where was I?

Sunday, October 19, 2008

Rachel Getting Married

An intensely emotional film that explores and exposes family dynamics in ways you might not be prepared for; an ultimately healing film. I recommend it.

And the hot chocolate with whipped cream at the Starbucks buried in the IndigoChapters bookstore afterwards with your daughter with her newly dyed deep fuschia pink hair who has recently gone Vegan and so had tea with soy-milk before seeing her off on the bus where she was traveling to another city.

And the books you bought, finding yourself guiltily in the Philosophy section, where you always find yourself when everybody else reads fiction. You left the Tofu-cookery book behind since she convinced you by cell phone that she had bookmarked all those recipes on her laptop.

You carried Rachel with you for maybe 5 or 6 city blocks home to the madly lonely dog who became madly happy, thinking Anne Hathaway is really a superb actress, remember the "Screen Test" where she said that of all the ways she could have played Rachel she decided simply to try to make her real.

Real.

Wednesday, October 15, 2008

On to the next step...

My Costi employment counselor loved my idea for an independent business. Of course with clarification. I know I need to take some courses which unfortunately won't be covered and I'm not sure how I'll afford that. But a green light go to the next step: an orientation session at OSEB (Ontario Self-Employment Benefit Program). I felt that life was almost possible as I emerged into the light of the Autumn day.

Outreach...

Appointment with a Costi employment counselor today to see if my idea for an independent business is viable.

Monday, October 13, 2008

Warnings by David Allen Sullivan

This came in The Writer's Almanac this morning. It's "found poetry" - had me hooting over my morning coffee. Sharing...

Warnings

by David Allen Sullivan

A can of self-defense pepper spray says it may
irritate the eyes, while a bathroom heater says it's
not to be used in bathrooms. I collect warnings
the way I used to collect philosophy quotes.

Wittgenstein's There's no such thing
as clear milk
rubs shoulders with a box
of rat poison which has been found
to cause cancer in laboratory mice
.

Levinas' Language is a battering ram—
a sign that says the very fact of saying
,
is as inscrutable as the laser pointer's advice:
Do not look into laser with remaining eye.

Last week I boxed up the solemn row
of philosophy tomes and carted them down
to the used bookstore. The dolly read:
Not to be used to transport humans.

Did lawyers insist that the 13-inch wheel
on the wheelbarrow proclaim it's
not intended for highway use? Or that the
Curling iron is for external use only?

Abram says that realists render material
to give the reader the illusion of the ordinary
.
What would he make of Shin pads cannot protect
any part of the body they do not cover
?

I load boxes of books onto the counter. Flip
to a yellow-highlighted passage in Aristotle:
Whiteness which lasts for a long time is no whiter
than whiteness which lasts only a day.


A.A.'ers talk about the blinding glare
of the obvious: Objects in the mirror
are actually behind you
, Electric cattle prod
only to be used on animals, Warning: Knives are sharp.

What would I have done without: Remove infant
before folding for storage, Do not use hair dryer
while sleeping, Eating pet rocks may lead to broken
teeth, Do not use deodorant intimately?


Goodbye to all those sentences that sought
to puncture the illusory world-like the warning
on the polyester Halloween outfit for my son:
Batman costume will not enable you to fly.

"Warnings" by David Allen Sullivan from Strong-Armed Angels. © Hummingbird Press, 2008. Reprinted with permission. (buy now)

Friday, October 10, 2008

Videopoem: Vishnu on Chinese New Year's



Fun piece. A combination of poetry, painting, GarageBand jazz. A friend, Doug Carroll, & I were playing with my camera, Final Cut Express & GarageBand. A neophyte, I spent a further 6 hours editing. 2nd attempt at a videopoem, and the first one using Final Cut Express (which I'm learning by watching You Tube tutorials, see my playlists). Poem, "Vishnu on Chinese New Year's" (Dec, 2007), painting, "Women in Spring," (May, 2008). Many thanks!

Wednesday, October 08, 2008

An FCE Apple... :)

The footage comes from October 2nd, when I videotaped a 'poetry reading,' and it's taken this long to figure out how to import it from the DV camera into Final Cut Express, and then to take one tiny 37 second clip from the 16 minute video and freeze frame either end and add titles - a process of probably 5 hours after "capturing" the video itself. It would be so easy to do this in iMovie but I am determined to learn FCE since one can do vastly more with it. Last night, desperate, I spent an hour searching on-line for an affordable course on FCE in Toronto, finally emailing a friend who'd taken one through Continuing Ed at a local college last Winter, and he emailed back el pronto with the details and so I shall enroll for the January session. I can't imagine I'll manage to learn that much between now and then since my main source for learning is You Tube FCE tutorials. This entire silly little clip, which I post to let you know I am still flailing away here, was done following the directions of a few kindly You Tube posters.

Tuesday, October 07, 2008

On Criticism

If you have criticism to offer, offer it in a loving, supportive way. Give constructive feedback to help the other succeed rather than to point out what they did wrong. Sometimes people who love us give us the opportunity to hear rare truths that can improve our lives.

Saturday, October 04, 2008

Abre Los Ojos (Open Your Eyes)

I saw Vanilla Sky some time ago, enjoyed it. Abre Los Ojos (Open Your Eyes), written and directed by Amenábar, the original Spanish film that Vanilla Sky was a re-make of, however, has shaken me. Intersplicing of love, betrayal, loss, anger, desire with an attempted murder/horrible scaring accident, dreaming, virtual reality, insanity, and the struggle to re-find the self and the real world from inside an illusion - it's a powerful tale.

When the actors can reveal the underlying emotional complexity of a story like this, as this cast does, in particular Noriega, it makes for theatre that crosses the bounds of 'on the screen' to us, our lives.

Seeing a younger Penélope was delightful too.

Thursday, October 02, 2008

A Vlog: about 7:11min of chitter chatter



If you read this on a RSS feed, don't hit "enclosure" because that'll start a download, just pop in to the site to view. I'm not uploading these little sessions to You Tube, they're not "serious" enough.

As the title says, more chitter chatter. Spent most of the afternoon draping my space in fabrics and recording a poetry reading and trashed the whole lot, ah well. Much to learn. This chat refers to that, and then goes off to discuss how meditation (for me) is nothing, all rather vague. But there it is.

Overexposed night scene, again. Have to do something about the lighting. But then I am middle-aged and the lighting is rather kind. As I do these videos I'm losing shame, it's true. Daylight is still too stark, and anyway who feels like chatting when the photons are pouring through the atmosphere in the masses they do during daylight?

Yes, I am wearing a red bra - the black one is drying on the rack hanging on the shower rod after being laundered earlier today. Normally I wear black with black, red with red, you understand. Gaffs.

The post I refer to in the vlog, which is a good post of substance (unlike mine) on Buddhist meditation is Dale's.

Wednesday, October 01, 2008

Playing with the Still Image

From Rubies In Crystal
That was fun to do in Photoshop Elements. I wonder how you do it in FinalCut Express, or can you? It was an overexposed black & white shot that I did about 50 things to, including the red colouring & cropping at an angle (without distorting the central image). The final photo is kind of fun, and a story could be woven from it. When my children were at a Waldorf School for the short time they were, I recall not only many puppet shows by the early grade teachers, but that the puppets had very minimal features or were faceless, and this was so the child could better imagine the character in the tale being told.
.
From Rubies In Crystal

A Pulsing Imagination - Ray Clews' Paintings

A video of some of my late brother Ray's paintings and poems I wrote for them. Direct link: https://youtu.be/V8iZyORoU9E ___