Chthonic

How did it happen? The soft cotton sarong of orange and plum and cream in wide swarths of colour and simmering moons became a snake with many eyes. I know by the way it winds around my neck while I sway on the floor.

Serpents of protection.

Am I hallucinating?

Dozens of gold snakes cling to me, pour over my undulating arms, wrap around my curving belly as I shimmy and gyrate to the sensuous rhythms of flute and sitar.

I am possessed. The writhing waterfall of coppery snakes stream while I hold earth lightning in my hands like the Minoan Snake Goddess. I can't stop dancing. I writhe and undulate and spin like a whirling wind, a belly dancer, a dervish, a dakini.

I am the lady of serpents.

Everywhere they slither and coil, opening deep chthonic mysteries, an energy of creativity that persists despite inner dissentions, or the envy of the other.

The face of envy on the dance floor is a mass of dry, dead hair, an austere, thin frame, a rigid torso that wiggles without sensuality, or warmth, the cruelty exposed. Its breath re-inhaled, the fumes. Unable to prevent. Incapable of damaging. Useless flap of useless motion. Rendered impotent, powerless.

Today the dictator died; the despot is deposed.¹

Afterwards the cries and laughter of freedom rise to the skies.
______________

¹I wrote this the day Pinochet died.

Almost done!

Almost done! Two more pieces, I think. Then letting it grow through editing and drafts, rhizomatically.

Only about 17,000 words and perhaps 60 pages, and most of you haven't a clue what's been going on I'm sure, but I am drawing it to a close.

Who knows if it'll be back to regular programming or not at Rubies in Crystal?

Life is so different now.

:)

Writing, Tides, Impermanent, Sores, Eyes, Uncoiling, Other, Muse, Subjectivity

-early drafts of these poems have been removed by the author-

Blessing, Pulse, Devotion, Eternity, Threat, Escape, Fragments

Blessing

On that day, the light that bathed the world was visionary. The sun shone with a relentless determination against the cold. I shivered in your arms. We stood in the weak Winter light receiving its lucent blessing. Even when the earth tilts and we are far away, the sun illumines us.

In your embrace, I am illumined.

Pulse

Is love always a revelation?

Or is it the underlying synthesis of existence, what we are founded on, what keeps the mystery unfolding from its nascence? Is love what embraces us or what we continually strive for? Is love a substrata that we can align ourselves with, open ourselves to, if we could clarify our vision?

Is the universe a pulsation of love?

Is love light, what is evident, or the deeper hidden energy of creation?

Surely, mon amor, love is all this and more.

Devotion

I know my love for you by my passion for you.

Eternity

Monsieur, yes, of course I understand what romantic love is, and it's capricious, dependent on sexual passion, it's created out of desire and obsession, fantasy and the colliding of bodies in ecstasies.

It's not the stability of secure love, the compassion of creation, what is strong and unyielding in its devotion to life. The foundation is mother-love, flowing sustenance, support, what is at the depths.

When I meditate I meditate into that flow, reality, substrata, vision.

Then the molecules that comprise our reality sing of love. Existence vibrates with unifying energies of love, the life force itself. Who could not respond with bliss?

To meditate is to dip into an energy of ecstasy and re-emerge cleansed and energized with cynicism and pain transmuted, rinsed away.

In these moments love is complete.

When love is everywhere, and easily accessible, why do we resist its flow? What causes us to shut ourselves off, slam the doors, refuse?

Why are we often hostile to each other? Hurt, wound, maim, destroy.

Is it because, even with love's promise, there is no eternity?

Threat

When she isn't swearing at the ocean, she is at her computer, blandishing other writers. Everyone is a threat; she battles everyone. No-one is safe.

Escape

Monsieur, you fell into that place of great chaos in me.

I didn't know if we could continue. When you left it was okay because none of the difficulties had to be faced.

Why are we always escaping each other?

Fragments

I wished to write a conventional letter of love, Monsieur. But all I've managed are fragments and far too many questions on the nature of love itself.

Sand, Horizon, Wind, Nomad, Tracks, Joust, Switchboard

Sand

At the seashore she shouted incoherently to herself and flung handfuls of sand into the air.

Sand from a beach so white it was like the pause between paragraphs.

Horizon

I wanted to make it over the event horizon this time,
to get desire past fantasy into the real.

But I couldn't.

Wind

In the angry, cold wind at the bus stop sand blew in my eyes.

My eyes filled with tears, the world of bright sun became unfocused.

When I stepped on the bus, my collar was wet with salt tears. The bus driver was concerned, 'How are you this morning? It's cold.' 'Yes, and that high wind blew sand into my eye - I'm not crying,' I laughed, 'it's okay.' And he smiled and closed the door and pulled the bus out into the traffic.

Nomad

You are a floater, tumbleweed, a fellow nomad.

How could it be any different?

Tracks

The point in the tracks where the switcher is.

You pulled it and we separated;
or, you went off elsewhere.

Gleaming steel,
it frightened me.

The trainyard was
a terrible vision
of the conventional.

I am responsible
for the manoeuver
that caused the
track switching.

The trains sometimes run beside the ocean and she was there, skeletal,
antique black lace gown, shrieking,
flinging sand.

You said all your women are possessive
and you had to hide them
from each other.

Joust

Monsieur, what you are suggesting is so unexpected, and breaks all the rules of jousting.

Deleuze knows: we cannot be anything other than rhizomatic nomads.

Switchboard

I sit at the switchboard, connecting people, transferring calls.

All day I do this.

Wonder, Transparency, Explore, Glare, Possessive...

Wonder

Thrust forward
into the unknown.

What carries us though?

How do we rise each day
and move with such agility.

I'm not sure how I breathe,
eat, walk, see or hear, how my heart beats,
let alone write my way through
this manuscript.

What is talent? What is the muse?
Why do we have to make art, create
businesses, produce culture, perpetually
shape our world?

This morning is full of
questions.

This morning you are too far
away to share in this conversation
of wonder.

Transparency

Monsieur, when you pull away after an event, trip, workshop, conference, when you say, let's just be friends, or let's take a break, or suddenly stop writing erotic notes, it is clear you are pursuing other interests.

How can you not know of the transparency?

With your worldly desire for encounters, I offer you up without complaint to your pursuit and conquest.

When it ends I may not be here, and that's a risk, but you don't care at departure (you have your eyes set elsewhere, mon cher).

But then, somehow I remain.

Only you could not know the complexity underneath, the way resistances and acceptances flow chaotically. Loyalty, consistency, these are crucial, yes, but, ultimately love rules over everything.

You are a good man, Monsieur, and you love me, I know that.

In your absence I don't stop loving you.

Explore

I explore the configurations of desire in a mutable world of connections.

Glare

Shades of love
in an over-bright world.

Is love ever found
in the glare?

Possessive

Monsieur, stop! I have never laid
claim to you.

Nor shall I ever.

No, I've never said, mon homme, mon amour, you're mine.

What a strange idea, Monsieur!

How opposite to the way I am. Impermanence rules!

Fever, Forgive, Wild Heart, Mirror, Culpable, Trapped, Insomnia, Sea-breaker...

Fever

As if a fever broke.

In the shower, warm water pouring over me but as if I came in from the storm somewhere out in the wilderness. The steamy fog unrolled itself and you found me sipping morning coffee and we talked.

Of uncertainty and even though decisions were made I felt they were also being unmade and that endings were beginnings.

Can the paint on the canvas be unpainted? Or must we whitewash and re-paint? Will sandpaper take it off? Could I sand myself to an essence, a place of blank openness, the untouched whiteness of the beginning?

Forgive

To forgive is not to condone, to allow the same behaviour to continue, the patterns to play out their relentless rhythms.

I forgive myself.

For being there: for being hurt or hurting.

That is all we can do.

Wild Heart

It is so precarious, day after day,
these inner desires, meltings,
flames.

The Mirror I Don't Want to Hold Up

Do I pick men who can't make a commitment, unattached, single, deliciously attractive, brilliant, because then I don't have to?

How many years did it take me to learn how to spell commitment? It was the word I balked on, always. Entrapment. Then I had to become liquid and be what he wanted.

Commitment is a deep promise.

Not ownership; not possession. I can make a deep promise to love you unconditionally and with futurity.

Whoever you are.

Culpable

In what ways are we culpable?

In what ways do we cause the events that befall us?

How often do we set up situations that implode and then we can disappear back into our lethargies. Perhaps whining; perhaps blaming; perhaps only sad.

If I look deeply at the words I spew forth I find hidden pins, off-putting things, tiny hisses and flashes, not quite the blinding spitting snake, but almost. Or do I exaggerate?

Sometimes I prevent myself from having what I most want. It's a determination against myself.

What can I say, Monsieur? I am a complex woman.

Trapped

I am trapped in my own fears, fears which disperse and vanish like fog in the gleaming sun when confronted.

Fears don't like to be faced: they hide; they lie; they rationalize; they obfuscate.

Like insects fleeing the light in the night on the counters of an old kitchen.

Insomnia

When I decided to obsess about writing the way I do a lover, I stopped sleeping. Now I keep my notebook with its empty white sheets beside me to write blindly in the night with a pencil without looking.

Words that flow in the symbolic between the imaginal and the real.

Reflecting and shaping.

All day, euphoric and tired,
such nights of intense love-making.

Sea-breaker

It was a small sea-breaker, Monsieur. But love flowed over it.

An ocean of love that could not be
held back.

Trail

The trail, Monsieur, is a decoy. It does not reveal my whereabouts, or my perspective. I could be elsewhere in the terrain where it is dense and dark and dangerous. You would never guess from my notes and messages. I could be escaping from our field of connections, and yet appear to be available, even stable. If you could know what maintaining these appearances cost you might be surprised.

But this is how I deal with my capricious interior.

Even with falling away, I remain close.

Shooting Star

There was a moment of confidence, but it's gone now.

Spaces

When a writer leaves that many spaces between paragraphs, I find it threatening.

What's in the white spaces?

Is it a white font of writing that curses us? Hidden writing that... She talks under her breath, muttering, blaming; I hear her the way one hears the ocean in a seashell held up to one's ear. In those spaces between the blocks of black words.

Especially when I see virid and cinnabar feathers lying about, and can hear the swishing of the endless sea foam beneath her squawking, the way she belittles us.

Roar of the Tidal Pattern

She left too many spaces between her paragraphs,

and they encroached.

Masque du Shaman

Dreaming, Monsieur. All the muscles enclosing the head, redly, dark eyes staring out. It reminds me of wounded and healing. Then I saw your face like a carnivàle mask of clouds floating, and emptiness, the void itself, where your eyes and open mouth.

A burqua of white around my head, the snowy landscape. The purity of the whole unbroken light, its whiteness.

Rigid

Did anything change?

I don't think so.

Once she was back in her unkempt house, where she was looked after until she regained her strength, the tirades began again. She said she was living out of a dumpster which was of course ludicrous. She lashed out at anyone who was younger, brighter, more beautiful. Which was most of the women in the world since she was old and on the decline.

The black habits continued. Dark and flapping with a cane at the seashore, she looked like a nun. Except for the florid red lipstick, the crimson suede gloves, the cherry red French lace petticoat under the thick layers of black burlap when the wind blew.

Liqueur du Feu

Driving me home, you softly asked, 'I'd like to lie naked next to you,' and I thought how warm and comforting. Only when our clothes lay on the ground you became fire and I melted into liqueur, hot sweetness all over you.

Driving

When we drove he kept his hand high on my inner thigh. Did I like it? Of course I did, Monsieur.

I - The Lake

From the wing chair covered in brocades of cream, through the variegated leaves of the pothos in the porcelain pot glazed with orange blossoms, the lake rushes in equal potencies of green, grey and blue. It reflects. Mist drifts steadily across in streams of softnesses with pale blue sky patchily appearing and sun that reveals its presence on the blinding whiteness of cumulus clouds over there. The sky is like a steamer rushing by. The lake is greener at the shore and around the islands in contrast to the band of deep blue towards the horizon.

In the distance to the East, look, the mist is broiling into a squall and the water froths with whitecaps and it looks as if the turbulent sky has fallen into the water, their boundaries disturbed.

Elsewhere, patches of snake green appear and disappear on the surface of the water according to the whims of the fleeting sky.

The winds blow the mist at velocities I can only imagine. What appears like steam billows past the window at race neck speeds.

Despite the rippling shoulders and back of the lake, the harbours in the islands are still. Like moments of meditation.

II - The View from the Lake

In the offices behind me, activity, jobs, maintaining the flow of business, for increasing or keeping profit margins, including the wide net of support staff, is fierce. Perhaps it's like the fierce lake with its patches of squall or sun and its endless flow of mist. Everyone works hard and everyone is tired at the end of the day.

I think of letters and numbers, words and money, invisible, flowing, like the continuous traffic on the highways splayed out before me in all directions, transferring, shaping. Do we corrode the landscape with our civilization?

From the Island View Room with its antiques and Persian carpet high in the corporate bank tower the sky is an opague pale grey; it has stopped raining but is thickly overcast.

In the distance the Scarborough Bluffs are lit by sun and look like the white walls of a white city of vision.

How do we fit into the landscape we have so crudely carved?

River of Light

From high in the corporate tower, in the dim distance, in the atmosphere of drifting fog, the curving highway, everybody driving home, a flowing river of light.

White blood stream of the city.

Fog Lights

Through the fog, forms. Other buildings, sky. It could be the corneas of my eyes.

The corona of the sun is hidden.

There are no sun spots today; no solar flares, no solar storms.

The world is quiet. Lying under a blanket of mist. The wind is absent. If the birds fly, they fly blindly.

Do you have your fog lights on as you make your way along the snaking highways? Somebody stops or swerves in the flow of cars and there is a pile-up. Buckled metal and torn and broken lives, but not yours. You are caught in the stopped and slowed traffic and are late.

Not to meet me, but the others.

I am behind the fog.

Am I seeing anything other than dim forms and whiteness?

Lies

Again, it happened. Out of nowhere, envy, its clout. Why is it that you often don’t know who is competing against you? Lies, demeaning. Set up for an ignominious fall. Only what is sought, those daggers of hidden stealth, is of no interest. Uncompetitive. I am filling the place of, not seeking to fill.

Today envy wore black hair and a black blazer with a red chiffon blouse and a smiling demeanour in the office tower that could be anywhere in the world.

Disguise

Sometimes one has to pretend to be who one is to be who one is.

If I disguise you in metaphors, it is only to reveal you. Or myself. Or the interconnections that interweave us.

November 28, 2006

On the afternoon of that day I.

The time went by too quickly.

When I saw the date, I knew.

It was very strange, this feeling.

I could not know what it was all about.

But I knew the day was significant.

It had arrived; such long waiting, and now it was here.

What did it mean?

Tide-Line

They disappear. They always return. The men who love me. It is too early to say if it is a pattern.

Sometimes I feel like the woman in the sea-cottage who holds the tide-line tight in her hands. Then I don't drift in and out like the moon-pulled sea; then I remain, present.

Mist

Dense fog today. The world is impenetrable. Nothing but the whiteness of cloud. Breathe the cool moisture; walk blindly forward. The ground remains; the route is the same. Follow your feet, knowing the way. If, according to the Hopi, there are two kinds of time, what is unmanifest and what is manifest, then we are inbetween. The world that is coming to be in its ecstasy is not yet born. The fog carries us through. Float on the breath of the mist.

Wild Man

Monsieur, you are staid, professional, solid enough; quiet, muted.

Yet you are a wild man.

When you strip your clothes, the frenzy begins. How can such passion hide under a veneer smooth as the pin stripes in a suit?

I remember, and am awakening. Erotic energy rises like smoldering bush fire. In your absence.

For you are not here, only there.

Constructions

A new character has appeared, to whom the narrator is speaking. Without a name, or identification. Will he or she reveal themselves further? Or only remain in an antagonist position just out of view...

Do I hallucinate you? Who are you?

My hallucination of nature doesn't agree with your hallucination, that's all. Or to you it's not a hallucination, but reality, and you strengthen your position with references to nature writers and by being in a group who believe similarly.

Except it isn't. Reality, I mean. You're taking a position on reality, writing your own essay of it, complete with a thesis statement. Only it's all your thoughts on it, a master narrative, if you will, that continually runs through your mind shaping what you see according to the story you carry.

Which is fine, is good. We'd go mad without our stories. They cohere us, put us in social and historical context; they organize reality for us.

Reality probably needs organizing! For all I know about it.

Everything we can say about Nature, the original substratum, the wilderness is constructed.

Sure, bring the sun in. We don't know what 'sun' is anyway. It's just a word!

Whatever that is in what we call sky is not sun, light, right, might, sol invictus, or illumina...

___________________

Culture creates the overlay.

The overlay enables us to all live together, but it isn't true.

___________________

Can I burn under the artificial sun
in the Turbine Hall of the Tate Museum in London?
Will the fog
of the weather project
hide me?

light glancing

The waves of the ocean that I watch from the window move like imagination across the dreamscape.

Close your eyes, dream the world.

"...That summer all the world
was soul and water, light glancing off peaks."

Michael Sims

Wilderness

"I don't find anything out there. I find my own relation to the spaces. We see nature with our cultivated eyes. Again, there is no true nature, there is only your and my construct."

Olufur Eliason

You say the wilderness you walk in every day exists.

But you have named every tree, shrub, bird, insect. You move through a wilderness of labels, of theories of ecosystems, of words and images that describe it. You cohere this experience of wilderness; without you, it wouldn't exist.

How can we see but through our own perceptions? A trained and honed perceptual apparatus with its own caring, ethic and aesthetic.

Could we stumble blindly through the bush --- what would we see?

What of the feral child's experience of the wilderness --- raised by wolves, who move by scent and on all fours, who tear at the beating body of fur and blood with bared teeth?

There is only the subjective, the relational. How can there be an objective universe?

We create the world we live in.

It's emptiness.

Hallucination

Mediating the world, ourselves. How can intentions expressed as words, as images, create the reality we are living?

Within the film of my life I create the story I am living.

That story also shapes outer events. The world coheres to my version of it.

Do you understand that
the world
is a mass hallucination?

That we have agreed
to hallucinate it this way
and we teach our children.

Weight

Weight of words, Monsieur.

Referring to what is just out of reach. Emotion, idea, situation, description, always approximating, never fully expressing what they create and shape. We are not feral. Culture moves through us, syncopates its rhythms in us, punctuates us.

veils of words and images drifting over the world