In a moment words will appear from which everything unravels.
Or begin with an explosion of lace.
Lace that is white, or whitened with the sun's steaming. Looped, twisted, braided threads, sewn with sharp needles, shaped like a cutwork of leaf veins in the sky. Finely-woven stitches, not broken or lost. Florals in white; sun-rises in white; waves in white. Spider webs of lace floating, an organic garden of cotton and linen and silk.
How many fine stitches I see everywhere.
Seams of perfect clothing, backs, shoulders, arms, waists, hips, the tight stitching of form-fitting shoes, the interlapping folds of purses. Fabric. Like skin. Woven tightly or loosely. Draped, tucked, formed, fitted. The soft velvet of the armchair in the cafe in which I sit, rounded, plush.
Colours in swathes, patterned. Different attire for different scenarios. Layers of warmth or mere covering if it's cold or hot. Whether a garment can open or close or covers in one swoop. Pieces of cloth fitted to hold the shape of the wearer. Clothes that adhere, drape, flow for sitting, walking, sleeping, dancing.
Looms and sewing machines and bobbins. Billions of miles of thread around the world. Stitching, this way of composing, holding together, covering ourselves, these metaphors, textual narratives.
What if I don't want to take a stance? What if I don't want to weave a garment out of these threads? A story out of all the stories filling my mind? If "Narratives, or more precisely plots, synthesize reality," (Snaevarr) can I exist without telling a tale of myself to you, or even to myself?
The flow of language like clothing, fashions that encase shaping how we present ourselves. Can we be naked without the speaking that stitches the world together, seam by seam, reams of bolts of cloth, patternings?
What was lost in the scrap lace pile, discarded, worn-out, old, the remnants, unraveled in the tears and rips, bleached out by wear?
How do I hem these words so they don't fray?
Shawls of Shetland lace are knitted first in the middle and then out to the edges and is so fine it can be pulled through a wedding ring. Can we marry ourselves to words that knit us to ourselves, each other, the world?
Social customs inform the attire of any given era and shape the body, but does the weave of worsted wool or soft cotton follow the curves and hollows of the skin and shape the wearer?
Or are the words we clothe ourselves with what we hide under?
Presentation and fashion. The way I compose myself every day; every piece of writing. Gathering myself in this historical time, a product of my age.
All the stitches of the world held in syntactical rhythms of meaning, social fabrics.
Is that why we want words to unfold in comfort from us? Wave-white words wedded. Words that aren't performative; that are dream-like, real.
Unraveling, I came to this, and I can't obscure it, truth, death, the words of the lover, and she who knits, knots, tapes, crochets, sews the world into being with her openwork, the lace maker.