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Showing posts with the label dancer

Dancer in Red and Black

Image
Dancer in Red and Black, 2012, 16" x 20", graphite and India and acrylic inks on stretched canvas.

The second image is in my Moleskine, and 8.5" x 11". I was going to continue working until I arrived at a similar place to the image in my Moleskine. My daughter thought that I could leave the painting as a raw sketch with the red and black ink. It doesn't feel 'finished' to me... and so I am struggling a little with knowing that it may work at this stage as is, and I could overdo it and decrease its energy by continuing to work on it. Not sure anyone can offer any art advice, but I'd welcome any thoughts on the two images. Thanks!


The Dancer's Backskin

Image
direct link: The Dancer's Backskin

An accidental drawing - in a new Moleskine notebook, I brushed water over watercolour pencil. The paper shredded badly and cracked like an eggshell when dry. Intrigued with the effect, and having seen Natalie Portman's incredible performance in Aronofsky's 'Black Swan,' the desire for pure art, its passion and self-effacement, and the self-mutilation, hallucinations, madnesses, I thought of the underside of the dancer's life. Or her backskin.

I am working with the album that the music comes from (see also dance/ ...indigo folio leaves), with the musician's knowledge and tacit permission. No More Faith is an album of such variety I felt it could work for a longer project - literally, from neo-classical to this strange fingernail-on-the-blackboard minute and a half of scratchings. The strangeness that I might have felt on first listen has worn off and the sound seems less grating and more intriguing- perhaps, and who's …

The Dancer's Backskin [video poem]

Image
direct link: The Dancer's Backskin

Brenda Clews, art, poetry, voice, video; music, José Travieso's track, 'Shinigami's Dream, No. 1,' on his album, "No More Faith."

An accidental drawing - in a new Moleskine notebook, I brushed water over watercolour pencil. The paper shredded badly and cracked like an eggshell when dry. Intrigued with the effect, and having seen Natalie Portman's incredible performance in Aronofsky's 'Black Swan,' the desire for pure art, its passion and self-effacement, and the self-mutilation, hallucinations, madnesses, I thought of the underside of the dancer's life. Or her backskin.




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I posted the painting, The Dancer's Backskin in February.


The Dancer's Backskin

Image
The Dancer's Backskin, 2011, 21cm x 29cm, 8"x11.5"
ink, watercolour on Moleskin notebook paper.
click for larger size

the dancer's backskin,
Moleskine sketchbook

the paper
cracked
like a boiled
eggshell
when you
tap it
tap it

_


The drawing was an accident - I had bought a new Moleskine notebook, the largest ever for me. When I brushed water over watercolour pencil the paper shredded badly and cracked like an eggshell when dry. Intrigued with the effect, and having seen Natalie Portman's incredible performance in Black Swan, the self-mutilation, the hallucinations, the madnesses, I thought of the underside of the dancer's life. Or her backskin.

In the image you see here, I layered a scan of the frontside of the drawing facing forwards (you can see it in the lines at the borders) under the backside which I made slightly opaque. I banded the dancer's face (some horror there, she is buried alive in her inhuman effort to be graceful for us), and her feet (to re…