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Showing posts from May, 2015

Where Sadness is Not Mute: A Review of Pablo Valdivia’s, ‘Breathing Underwater’

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Pablo Valdivia, Breathing Underwater
translated from the Spanish by Ross Woods
Guernica Editions, Fall 2014
102 pages
Trade Paperback
ISBN13: 9781550718799
ISBN10: 1550718797>
English
Translated from the Spanish
$20.00 Canada, $20.00 US


Where Sadness is Not Mute: A Review of Pablo Valdivia’s, ‘Breathing Underwater’ by Brenda Clews

A stranger. What does the stranger feel? In this book, Valdivia writes from what it feels like. A nomad writing about the alienated self. Minimal poems, bare traceries of the consciousness passing through the landscape of another land that is not home. Home is “the bosom of the olive piles…that burst with happiness.” (The Valley, 31) London, by contrast, “is dying /from the melancholy.” (53) Leaving home is perhaps a broken love affair: “There is a heaviness which lives in the skin /and reopens wounds… //Have patience that time /will leave the path /of misfortune clear /and with its light it will cure the pain”: (Recollection, 21)
This was loneliness.
The…

May Poetry Salon this Saturday afternoon!

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On Saturday afternoon, May 30th, 2:30-5pm, I am hosting another wonderful Poetry Salon at Urban Gallery, 400 Queen St E (just west of Parliament) in Toronto. This month features poet Kath MacLean and musician/song writer Joani Paige. There are 8-10 open mic spots of 5 min each and all forms of writing are welcome, as well as music. The Salon is free, but we do pass-the-hat for the features. Hot apple cider and mineral water provided by Urban Gallery. It's always a warm, convivial, supportive and very talented afternoon and I would love you to come out and enjoy a marvellous afternoon and perhaps share a poem, short story or song of your own.

We have two features this month:

KATH MACLEAN Is a Toronto multi-media artist and educator. She writes poetry, creative nonfiction, fiction, critical reviews, performance poetry, drama and film and has performed her work throughout Canada and the United States. Her most recent work is Kat Among the Tigers (2011), poetry based on the journals a…

Simple sketch to test Pitt oil-based pencils

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A simple sketch to test some Pitt Faber Castell oil-based pencils, soft and hard black, sanguine and sepia. In my Moleskine poetry journal. Small, 4"x3".

'Words on Water, the Humber River Poetry Walk'

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This walk is part of the Lost Rivers exploration in Toronto: http://lostrivers.ca. These photos are from, 'Words on Water, the Humber River Poetry Walk' last Saturday afternoon (May 16th). Yah, poets on the Humber River! A perfect afternoon!

We walked, and then stopped a pre-designated spots for poetry readings. Raymond Souster lived near the Humber River and some poems were read that were written by him on the river. Lucy Maud Montgomery also lived by the Humber, and extracts from her diaries were read. The organizers had done this walk late last Fall and each had written poems, and they read them at various stopping places. The river came to us in many moods and through many images in the poetry. It was all quite wonderful, indeed.



2. Hogweed - if this touches your skin, a nasty rash (with boils 'n stuff) that can be reactivated by sunlight up to 12 years after the initial exposure. Way too much of it along the Humber...

3. That mark of waves on the bridge... how high th…

Solarized!

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Solarized!

'Contrast,' ink painting in Bampot Bohemian Teahouse Group Show

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Contrast. Brenda Clews, 2015. 16" x 20" x 1.5", acrylic, permanent India and acrylic inks on gallery size canvas.

Bampot Bohemian House of Tea
201 Harbord St (at Bathurst)
Toronto, Ontario

Lady Albion (after Blake)

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Lady Albion (after Blake), ©Brenda Clews, 2015, 21cm x 29.7cm, 8.25" x 11.75", graphite, Prismacolor premier and Pitt pen permanent ink on Moleskine Sketchbook acid free paper sized with Golden Gak 100.

'Albion' is Blake's primal man. I leave it up to you to decide about Lady Albion. Of course, the title of this drawing may change at some point too.

It is impossible to know which image to show. The upper one is what the drawing looks like in daylight; the lower one, more like evening light. Both photographs are true-to-life. I am a stickler for accurate rendition, and use Photoshop to attain the truest colour. Two accurate images drive me crazy.