Sunday, October 30, 2011

Bits & Pieces

For a few days there, I was writing on my iPhone with a wireless keyboard in WriteRoom, a few images, and posted on G+, but I like to collect things here, at Rubies in Crystal (where things are much easier to find later on).

5 Oct 2011

Coins spread over the steel counter as she moved nickels and dimes with her fingers towards the cup of tea. Counting out $1.75, the woman wearing the white net over her hair slid the coins with the swoop of one hand into the other held below the counter. The tea was watery and too hot.

As the train's steel wheels spun along the electric track, she sipped, and thought how easy it is to slip away, become obscure, become a negative image of oneself, join anti-matter and disappear. She pulled her hat low over her eyes.

An old woman huddled in a seat, eyes closed, a form, a dark coat, some white hair, the veins rising on the skin on her hands like pale blue rivers, an absent person, someone no-one notices.

6 Oct 2011

The world is an ever-deepening place. I marvel at the richness of my life, my inner life. Everything is enfolded in everything else and grafts and buds unfurl constantly. Sometimes I find the bleak corners, the impenetrable sadnesses, and they're hard, but it doesn't last. The sun comes in through the lattice work of leaves and pulls me to another screen of my life where I see different scenes playing. Then other connections happen and other ways of approaching the moments that compose my life and I find new reflections. The enfolding continues, enriching more each day. Nothing passes, everything remains, adding to the whole art piece that my life is.

6 Oct 2011

Today, always today. It's never any other day but today. All the days might become this day, but this day is not all the other days. It's unique. Singular.

I should get to the news because it's a historical day. Every day is historical. Every day has its news, is noteworthy. We can look up the events of each day if we keep journals or blogs, and if we search news sites.

Mostly, the sun is shining and it is a cool, crisp Autumn day, a day before the leaves have crumpled on the trees and fallen, a day when the leaves are considering turning because temperatures were near frost last night. How can leaves turn? They die in bright reds and oranges, in yellow flames. They dance out of life, falling like crumpled browning jewels as the cold encroaches.

6 Oct 2011

It wasn't a very long journey, but it took a long time. The train lurched to the rhythm of its metal wheels, steadily, then screeching when braking into a station.

Her mint green and opaque grey cart's wheel got caught in the space between the car and the platform and there was a moment of panic as she struggled to free it. But it came loose just before the doors closed.

The shaved bald man sat facing her, black pants, grey jacket, staring, and she could see his dark pupils, black, impenetrable. The round younger man in the beige corduroy jacket with the brown mustache stared and yet she didn't feel seen. Neither had risen to help loosen her cart. Nor had the Chinese woman, who bleakly stared with disinterest, a glacial disinterest.

She held onto the green cart stuffed with a pimento of bananas, bread, tofu, vegetables, pastrami, butter and a large bag of dry dog food. She wedged her foot into it so it wouldn't slide down the car as the train accelerated.

She was exhausted, having shopped late in the evening after a long day. She closed her eyes against the three people who were staring dully at her. She closed her eyes, listening to the beating whir of the metal wheels striking the electrical charge, the screech of brakes as it reached stations and slowed and stopped and opened doors and whistled and closed doors and then the acceleration through the underground tunnels of the city.

7 Oct 2011

The way the cotton undershirt, nearly ice blue it was so white, where the seam is serged, how it creeps around the shoulder in a thin crescent moon, that lit up as he walked towards her in the dark. Frame by frame, slide the film so it blurs its motion with cross currents. Black grass waving under her sandaled feet. The air crisp yet carrying bruised plum muscles of warmth. A midnight roar of voices from a nearby party falling into the shadows of dark trees, rebounding, then rising in moth encircled streetlights. She smiled enigmatically, and slowly shifted sideways, then away.

8 Oct 2011

On the ceiling, lying against the baubbled white plaster, she noticed a spot of light. It was blueish white. Delicate shadows on the surface of the ceiling which had taken on the qualities of snow also had a blueish tinge. She imagined painting the white ceiling, filling it with the blues and the yellows, purples and dusty greys that revealed themselves before her eyes. White is never white, she thought.

The white is an afterthought, the highlight that casts its presence over the whole.

Our white thoughts are likely daubed attempts to paint our lives in pristine colours too.

As evening moved into the ceiling planes of taupe and grey spread, the distinct colours of earlier falling into the shadows, deepening them.



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A Pulsing Imagination - Ray Clews' Paintings

A video of some of my late brother Ray's paintings and poems I wrote for them. Direct link: https://youtu.be/V8iZyORoU9E ___