Coming Into the Station

It's strange coming to the end of a story that's insistently told itself every day for a month.

I'd like to go on, but it's finished. Oh, perhaps another night of writing, at most.

It's not sad to come to the end, though having evenings to do nothing will seem strange, almost indolent, excessively free, you know what I mean.

I may even start going to bed at a reasonable hour again, instead of 2 or 3am, and do away with the weekend sleepfests.

What can I say about it? I've had a writer's block for about a year and a half in that nothing has flowed easily in that long. Yes, I do feel writing's been released in me again and that feels good and wonderful. Writing is flowing, the block's released, and I don't care what caused it or didn't.

The story is strange in that it is not autobiographical at all and doesn't have huge depth or any of the writerly slants I like to give things I compose.

The first day I sat down and wrote, without any prior notion of what to write.

Each day was like this. In fact, the less pre-determined, the more spontaneous, the better. I cleared my mind as in meditation and wrote from a fresh place. Often what occured surprised me, yet seemed logical in terms of the story that was telling itself.

The story, now that's another aspect of this process. The story reminds me of those long, boring dreams we have, ones that take lots of dreamtime, and if we remember them, relating them goes on and on and really we see very little point to them. They are not 'major' dreams. They are ordinary, every day dreams. Our little adventures, the ones submerged in our minds beneath the big transformational dreams, beneath the big thoughts and important occurences of our lives. What I discovered from writing this book is that an awful lot of things go on just below the conscious threshold. We are infinitely rich beings on whom the world makes a huge impact.

Yeah, there 's a fair bit of Eros in it. But not nearly enough. And towards the end it dies out altogether, but then the main character got married and has a family and etcetera.

But it was juicy in the telling up to the settling down.

I'm going to race through it cleaning up glaring inconsistencies, grammar, excesses, and if you convince me you'd be interested, and were willing to share your thoughts on the composition, by email, then I may add you to a version for readers and/or collaborators (for the purpose of editing typos only) who've expressed an interest in the manuscript.

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